Thursday, July 24, 2014

Review: Oculus

Starring: Karen Gillan, Brenton Thwaites, Katee Sackhoff
Directed by: Mike Flanagan
Language: English
Rating: R
Running Time: 104 minutes

In the beginning, I was a little hesitant to see this movie. Horror movies have been struggling along in quality for a few years lately with a few shining gems in the theaters like The Conjuring and Sinister. So, does Oculus fall under those rare shining gems or does it continue to contribute to the downfall of the genre?

After being released from a mental institution, Tim Russell reunites with his sister Kaylie and return to their childhood home. Kaylie reveals that she had purchased an antique mirror that was once in their father's office and explains a theory that there's something unusual about it leading to the cause of Tim's childhood trauma. Tim is skeptical as they retrace fragment memories of their family's tragic past.

Due to an entertaining conversation with awesome people, I missed the first 15 minutes of the movie, but it fortunately didn't alter my experience. Also I would like to add that I never go into a horror movie to be scared. I go for the entertainment value like any other movie and I must say...I was entertained. Despite the whole evil mirror concept being done before, the execution was unique and engaging. It may be confusing upon first viewing with its parallel structure, but I think that it adds to its replay value, despite knowing the conclusion. The editing and structure is something I really enjoyed and commend. It paralleled and intertwined the main characters' past and present while expanding and developing them. It also made the concept more interesting. I also enjoyed the small cast. They were very believable actors and made me feel something for them. I miss rooting for the protagonist and feeling sadness when things go wrong. Lastly, the suspense was very satisfying. Not only did it have well executed build-up, it also gave an equal pay off for sitting on the edge of your seat. From time to time there was a good feeling of deception. Did what I see really happen or is it an illusion?

There are a lot of good things working for this movie, but there are a few flaws that I can't completely ignore. Since there is a small cast of characters in this movie, it is important to establish them enough for you to care about them and it does successfully accomplish this factor with the main characters that are part of the family, but I would've wished to see more of an interaction or relationship between Kaylie and her husband. I don't know if this is shown in that beginning 15 minutes that I missed, but it seems like his character is completely thrown in there for the sake of showing that Kaylie and Tim have contrasting futures from their unfortunate childhoods. Another small complaint I have with the movie is the reveal of the "monster". I thought the movie could've prolonged the reveal a little longer and when we do see it, it's a little disappointing. I also thought there were a few predictable moments, but I believe these flaws are made up by the structure and execution of the story being told.

I could be wrong, but from my perspective it doesn't seem like many people have gone out to see this movie which is quite a shame. Pushing all flaws aside, Oculus is a fresh movie for the horror genre and presents a unique and brave storytelling structure with parallel time frames. The small cast of characters gives the audience a better opportunity to connect and emote together throughout the movie. More importantly, the suspenseful moments and pay off are very satisfying.

Rating: 3.5/5

If there's something you want me to review, check out this post on how you can submit requests.

Thursday, July 17, 2014

Quick Movie Review

Peeples (2013, USA) | Rating: 2/5

I remember seeing the trailer of this and thinking, "this is just Meet the Parents with black people". I had no real interest in the movie whatsoever, then one day I decided to give it a try. I must was exactly what I thought it would be except without the laughs. I probably genuinely laughed once throughout this whole movie. Acknowledging it is a bit saddening. In short, the movie is pretty standard and predictable. The little changes they made by having the father not be as perfect as you think he is and his family hiding secrets themselves does add a little freshness, but unfortunately it doesn't quite redeem this bland movie. If you feel the need to watch it, it's not terrible, but you honestly won't be missing out if you decide not to.

Byzantium (2012, UK) | Rating: 3/5

I only briefly heard about this limited release through Film Brain and what little buzz I heard elsewhere seemed pretty neutral toward the movie. While watching it, I was pretty sure I wouldn't be able to add it to my review list...until I got to the climax. This is definitely a different take on vampires and having two female leads was a big step up compared to the usual. The movie is a bit slow, but makes up for the pacing with intriguing characters and progressive dialogue moments that develop the characters further. Once the climax arrives, I felt myself shift a little closer to the action wondering what was going to happen next. The tension building is very subtle, but you definitely feel its existence near and during the climax.

This is the End (2013, USA) | Rating: 3/5

I did have interest in this movie, but I didn't feel too pressed to see it in theaters. Once I finally got around to seeing it, it definitely went a different direction than I thought. There's a lot of apocalyptic/post-apocalyptic movies nowadays. They all have this bleak approach to it and an intense (or at least attempt of) sense of urgency. This was different. Sure, there were stakes up on humanity, but it wasn't robots, zombies, some random disease, or anything like that; it was the rapture. A concept not many mainstream movies would choose as a possible cause for the world's end. Some viewers may be put off here and there with the religious tidbits throughout the movie, but I wasn't personally bothered by it. I found it to be a bold choice more than anything else. The comedic moments ranged from the typical gross, perverted, and drug related humor which got a little annoying or simply boring, but I enjoyed watching these characters interact with each other during this unexpected event. I think it was more amusing that the actors practically made a caricatures of themselves and their relationships with each other in some way, then interlacing it with this religious apocalypse, especially the scene with Emma Watson. If you want a fun little rollercoaster ride with some hilarious actors, I would give this movie a chance.

Scott Pilgrim vs. the World (2010, USA) | Rating: 1.5/5

I've been avoiding this movie since its release. As much as it should appeal to me as a gamer, I never had much interest in seeing it. With the overhype from friends and somewhat overrated cult status, I continued to avoid it until now. Well, I thought the editing was unique and exciting and the video game theme throughout the movie was amusing, but the story was very...lacking. Between each fight scene, I found myself not caring about the dialogue or character interactions in between, especially with Scott. Scott was annoying...very annoying. He's not very likeable, he's way too awkward, and I simply don't understand his character whatsoever. Some of the other characters were okay, but then there might've been a couple they didn't have much going for them. So, I don't understand the whole hype over this movie. Maybe it was the monotonous set up with the battle scenes and supposed character development or the fact that Michael Cera is kinda annoying.

Don Jon (2013, USA) | Rating: 3.5/5

I believe this movie came out at the end of the Joseph Gordon-Levitt hype and that this was in limited release. The plot sounded interesting and a bit risque, depending on what direction he wanted to take with this whole "porn addiction" thing. I had some expectations with this movie mostly concerning Jon's relationship with Barbara and I was surprised that it took the slightly unexpected route. I wasn't completely blown away by this independent film, but I was impressed with the subject matter and how it was handled. Sure, there are some extreme elements to this typical situation of settling down and accepting emotions, but it didn't take away from the overall message. I will admit that Barbara's accent can be a little distracting at times, but for the most part I think it deserves a chance. I hope there is another movie in the future directed by Mr. Gordon-Levitt.

If there's something you want me to review (or want a more in depth review of the movies above or previous ones), check out this post on how you can submit requests.

Monday, July 14, 2014

Quick Movie Review

Maleficent (2014, USA) | Rating: 3.5/5

It was sad to see that another slow summer of movies were coming in this year. I've been so accustomed to having to visit the theater at least every, if not every other, weekend, but nothing too exciting is flooding the summer line-up. The reason I'm bringing this is up is because this is one of the few movies I've been looking forward to. Unlike most movie goers who were excited to see this live action adaptation of one of Disney's beloved, and perhaps one of the most feared, villains on the big screen, I don't recall ever seeing the retelling of Sleeping Beauty, so I had nothing to compare to. I know the basic storyline of it, but I felt like I was at an advantage not having that to draw back on as a couple reviews I've seen mentioned to not compare the two as they are completely different and this is more of a reimagining of sorts. Hopefully, if you haven't seen it yet, please keep that in mind. In short, I really enjoyed this movie. It had a simplistic fairy tale storyline that was easy to follow along and Angelina Jolie nailed the essence of Maleficent. The atmosphere of the movie didn't feel too much like Alice in Wonderland, which was a little fear I had. I could nitpick the story, but I don't feel like it deserves to be picked apart in such a way. Instead, I will mention that the graphics for the three fairies were a little out of place and the personalities were borderline too silly for me. Also, I thought Prince Philip was useless and devoid of personality. Aside from that, I think it deserves the praise it has received and recommend anyone who hasn't seen it to check it out!

Carrie (2013, USA) | Rating: 2.5/5

When I heard the news about this remake, I groaned and rolled my eyes at this contribution to the hundreds of Carrie remakes over the years. Although I haven't seen any of the other remakes, I was content with settling with the original reigning supreme. I picked a copy up from work, wanting to give this retelling a chance, and found nothing groundbreaking. It isn't a bad movie in the least, but compared to the original, it was very unnecessary. Most of the same elements are shown, but there is a shift in focus as well as slight tweaks to making it more modern day with cellphones and YouTube as well as personality traits to the characters. The movie is more brutal and a bit darker in color. The mother is still crazy religious but it isn't as in your face as the original, it is replaced with this awkward need to self harm throughout the film. Carrie ranges from being ignorant to the modern day world to knowing how things work. Either way, for an average film, it's clearly forgettable and a waste of time for everyone who worked on it.

The Bling Ring (2013, USA) | Rating: 1.5/5

From what I can see, a few commenters on IMDB compare this movie to Spring Breakers and I can understand why...a little. There is a common theme of teenagers participating in theft, but that's about it. This movie is based on a true event and it was an interesting film to watch. I came in with no expectations, so I wasn't susceptible to disappointment or overwhelming feelings. The way the movie started was interesting and I didn't know where it was going to go. I was excited to learn more about the main characters, but unfortunately Sofia Coppola only scratched the surface with the topic at hand. I barely know anything about these characters, therefore I feel nothing for them when they break into celebrities' homes or get torn away from their families while being arrested. It's all very superficial and surface based. The editing skims over situations as well and appears a bit too formuliac: characters look at celebrity events online, look up their address, break into their home, escape, insert achieve footage of celebrity, rinse and repeat. It's not that exciting and it's a shame as the characters seem very capable of being these real life people. So, if you want to compare Spring Breakers and this movie, I think Spring Breakers had more to offer.

One Hour Photo (2002, USA) | Rating: 4.5/5

Along with Insomnia, I've been meaning to see this movie with a more serious, perhaps villainous Robin Williams. I enjoy him and his humor, but it's interesting seeing comedic actors you enjoy being quite the opposite like Jim Carrey in The Number 23. Aside from excitement, I had no idea what to expect, which was a very good thing. After I watched it, I was very grateful I didn't watch this at 3 am the previous night because it was pretty disturbing toward the end. This movie is a good example of how to creep out your audience without using gore, blood, or anything like that that's plaguing horror movies now. The psychological elements are more than enough to make you unsettled, yet you feel conflicted with feelings of sympathy and fear as you follow the main character and antagonist (perhaps) Sy Parrish. The story isn't drawn out too long, timing in at a little over the hour and a half mark, and it delves into all the characters properly that you understand their motives, feelings, and so forth. This is a definite watch for you psychological thriller lovers and those who want a break from the blood filled horror films.

Now You See Me (2013, USA) | Rating: 3.5/5

When this first came out, I didn't have much interest in this movie. I didn't think it would be bad or anything, just no interest. The first time I saw this movie was on TV when there was nothing on and to my surprise, I really enjoyed it. So, I decided to watch it one more time and pay more attention to the movie than anything else. To sum it up, it reminded me of Ocean's Eleven with magic. The characters were interesting, but the main focus was the cat and mouse game between the Four Horsemen and the authorities. Learning how they pulled off their magic tricks and how carefree they went about executing their Robin Hood-like crimes was an enjoyable ride, especially when you get to the surprising conclusion. Sure, you might not get to learn too much about the magicians, but I can ignore that and recommend this as simply a good popcorn flick.

If there's something you want me to review (or want a more in depth review of the movies above or previous ones), check out this post on how you can submit requests.

Saturday, May 24, 2014

Hiatus Update

Good morning, my lovely Cult followers!

It seems as though this hiatus is lasting a little longer than expected. So, I feel like I should give you guys an update on what's going on. I wanted to do a v-log instead to explain things, but I can't. Therefore text will just have to suffice, right? First of all, Muddy Cult is not dead. I'm still planning on posting a ton of stuff. Some of it is handwritten at the moment and awaiting to be typed. So, keep those questions, requests, comments, and what have you coming!

Finals are over and graduation has past. I have transitioned back to my simple life on the sandbar and getting settled day by day. Unfortunately during finals week, two of my keys decided they wanted to be unresponsive. Currently, my precious laptop is getting its keyboard replaced and I am borrowing one in the meantime. Because Google controls both YouTube and Blogger, it makes it difficult to be on both accounts at the same time and I feel uncomfortable installing anything on a laptop that isn't mine. Until I get my laptop back, I will remain on hiatus.

Thank you once again for your patience and support! You have no idea how much that means to me and I hope that the future content I have planned for Muddy Cult will make up for my lack of activity during this uncontrollable situation.

Your Cult Leader,

Wednesday, April 30, 2014


What's my lovely Cult followers!

Sorry things have been dead around here lately. Finals are coming up and I need to really focus on succeeding this semester as I'm planning on it being my last. So, I will be taking a couple weeks hiatus from blogging, then resume playing catch up when the semester is over and settled back at home.

Just because I'm on hiatus doesn't mean you can't leave me questions, requests, suggestions, comments, or anything else you want to send me.

Thank you all for your support and patience! Good luck to everyone else dealing with finals as well and I'll see you guys soon.

Your Cult Leader,

Monday, April 21, 2014

Rant: What is a "True Fan"?

There are many types of fan labels out there. Some describe the dedication level put into a fandom and some may describe the enjoyment of the artist, group, or whatever. In this little rant, I'm mainly going to focus on music fans, but some of these instances can apply to fans outside of music as well.

When looking deeply into two of my favorite bands, Linkin Park and Dir en grey, and even glancing over kpop fan comments, I tend to see pretentious claims of true fanaticism. Usually people base true fan status on CD ownership, the amount of merchandise collected, artist/band knowledge, years of support or involvement, shows attended, and perhaps other various attributes. To me, I think a true fan has certain attributes of all these things, but the main point is that there is no measurement. Once numbers are incorporated with these traits, elitism is formed and new fans may be discouraged to join the fanbase or even label themselves as a "true fan". So, what do I believe makes a true fan?

Historical Acknowledgement
You don't necessarily need to know what age Taeyang and G-Dragon were when they were trainees or that Kai was not the original drummer of the GazettE, but I believe that a true fan should at least acknowledge a band's past. Don't start an argument about Dir en grey not being a visual kei band, because they were and it will forever be part of their history despite their musical and visual transformation. Don't claim you know everything about a band when all you know is what America puts out or your knowledge is based on recent material, like the last 2 years recent. I've seen a lot of fans like this.

Financial & Emotional Support
Not everyone has a disposable income to splurge on discographies, rare items, and attending nearly every show, but everyone is capable of giving emotional support. So, you want to buy the new limited edition Alice Nine album, but you don't have the money for it right now. Don't worry, your heart is in the right place and maybe that album will still be available when you do have the funds for it. Another way to support the band is to tell other people about them. Show them where they can buy their CDs and DVDs. Imports are expensive, but as long as you're trying your best with emotional support then it's okay. Musicians are usually overjoyed when overseas fans know their lyrics, names, and costumes. This encourages them to continue forward. Even your attendance at shows and fan events is great emotional support. If you own something of theirs, that's great, but don't be all high and mighty because you own all of these obscure cassettes or vinyls and you've attended more than 30 shows.

Music Appreciation
Musicians' styles change and evolve (and sometimes devolve), this can't be helped. Not everyone is going to like these changes and that's perfectly fine. Just because you disagree with an artist/groups' direction or you dislike some songs that does not make you a bad fan. Musicians are not perfect and some experiments don't go as planned sometimes. If you look back at my post about Miyavi, I mentioned how much I love him, but I openly admitted that I wasn't particularly fond of the direction he was going with his Kabuki Boiz and even some of his current style [pre-Miyavi era]. Honestly, I think it's good to be critical of the music you love, especially when the musician sets a certain expectation with each release.

Level of Seriousness
It's okay to make fun of an artist in a positive, loving way. Musicians say and do silly things all the time. Kyo and Ruki's English isn't the best, so there have been parody videos made with fake subtitles of what the words might sound like to native English speakers to laugh at . KPop artists do silly things on variety shows and even poke fun at each other like Big Bang's Seungri imitating his bandmates. There's even performances of trot versions of popular kpop songs and parody subtitles of new kpop music videos. If artists can laugh at themselves, why can't fans? You can make fun of musicians you enjoy in a non-malicious manner. I do it all the time. Just remember there's a difference between bashing and making a joke.

All Around Respect
This might be the most important factor of being a true fan. If you claim that a musician holds a high place in your heart, then you can show them that by respecting their craft and personal wishes. Let's say that you've obtained some leaked music and you want to share it with the fandom. It's best to wait until the release date and don't outwardly expose the news to the musician. Or even better, don't share it at all! During lives, don't grope the musicians or damage their costumes or instruments. During softer songs or acapella moments, show some self control and don't yell out your love confessions or disapprovals. Have some common sense! If you see your bias offstage somewhere, don't harass or stalk them. It's fine to approach them, but there's a time and a place. They are human just like you and me and you wouldn't want some random girl peeking through your windows, harassing your family, or interrupting your dinner with a long time friend. Along with the musicians, show respect for each other. We all share one common love and that is the band/artist/group. Everyone has to start somewhere, so don't make fun of new fans who are just getting into them. As a fandom, we should support each other and together show our love and appreciation for music. Also, show respect for other fanbases even if you dislike what they like.

Tuesday, April 15, 2014

Horror Movie Annoyances: Jump Scares

I wish I could pinpoint a specific time when jump scares became the prevalent source of fear in horror movies, but my mind is overwhelmed with various information and tidbits that I can't think. Sure, jump scares have been around for decades, otherwise we wouldn't have my favorite cliche: the bathroom mirror. The bathroom mirror jump scare is when, usually, the main character goes into the bathroom for whatever reason, opens their medicine cabinet, and closes it, revealing someone is behind them or inside the mirror that's either a friend of foe. This cliche has been modified in some instances such as building suspense for the cliche and nothing happens until the character moves elsewhere for the scare, the rule of threes where the character experiences the same action 3 times and nothing happens until the third time, or nothing happens at all.

While I don't dislike jump scares as a whole, my annoyance with them is how movies have relied on them for majority, if not all, of their scary parts. Because of this, they lose their initial effect on the viewer and simply become that annoying person who jumps out from around the corner and yells "Boo" to get a cheap thrill.

Aside from cutting down the usage, jump scares lack build up to be legitimately scary. Like I said, they're just irritating. Good build up requires a certain tone and atmosphere. It also helps if the viewer and characters have a close relationship to experience the tension together and it does not have to rely on a musical sting to make it scary. A simple scene of a character wandering in the dark with a tiny source of light for a long moment ends up being scared by the antagonist is usually an effective jump scare. Running away from a cult into an amusement park and looking at a bloody bunny mascot that eventually moves, then suddenly have the character waking up to realize it's a nightmare and the scene fades to black then opens to a PopTart coming out of a toaster is an annoying jump scare.

Good sources for effective ways to build proper suspense is to check out The Strangers and Sinister. Movies like Silent Hill: Revelation, which is described above, and Jeepers Creepers 2 are littered with ineffective jump scares.

Sunday, April 13, 2014


[2013.11.04] Scout Bar in Houston, TX
featuring: Dagoba & Dir en grey


I didn’t know much about this band, except that they’re a metal band from France. I looked up their stuff beforehand, but it didn’t leave much of an impression on me. It just seemed like typical metal. Of course, I went into listening to them with an open mind. I did read lots of comments that their singer Franky was a good looking guy and...he is. Most of you know that I’m picky about metal, especially non-Japanese metal, and I must say I really enjoyed this band a lot more live. I have a feeling that Franky tried to bring the same energy they had in Dallas, but Scout Bar is smaller than Trees, so you can’t get too crazy without breaking something or someone. Franky talked to the crowd a lot and even tried to initiate the Wall of Death. The look on the guys’ faces was priceless. They just had this look of “Is this guy serious?”, so a handful of them started moshing a little, but they were aware of everything around them. I was very happy this wasn’t a repeat of the Human Abstract with their asshole, inconsiderate fans recklessly moshing all over the place. The crowd seemed pretty receptive, even though they seemed hesitant at times, but they did respond to Franky and the other members when they gave us attention. I wouldn’t mind seeing them again. I believe they played majority of their latest album, Post Mortem Nihil Est. In short, Dagoba had a ton of energy and they were a really great opener for Dir en grey. I enjoyed the interaction between the band and the crowd and I felt they tried to encourage us to get a little more crazy for them. I wish there was more hype like I picture Dallas was, but for the intimate [a.k.a cozy] setting, I think we did the best that we could.

Dir en grey

We weren’t waiting for too long for the roadies to have everything prepared for the band. Of course, the crowd was excited and you could subtly feel the tension surrounding the room. The crowd didn’t appear as big as before in the House of Blues, but I think it was the location. Yeah, I’m gonna blame location for a lot of things that kinda made Diru’s set go a bit downhill. Majority of the crowd seemed younger than usual. Either that or I just haven’t been observant enough at their previous shows, but it definitely felt different compared to other visits. The opening music was something new, at least I didn’t recognize it nor did anyone else. Still kinda miss the amped up “G.D.S”, but I understand they want a more ominous tone to their tours. According to a friend, Kaoru wasn’t very happy backstage. Apparently they messed up the intro music and he was complaining about it. I kinda wish I could’ve witnessed that in person. Learning about it after the fact explained a few things though. The first half of the set, something felt off with the band. They didn’t seem...happy. Kaoru suppressed whatever was pissing him off, Toshiya was on half bouncing energy, Shinya was pretty neutral, you can’t really tell with him, Kyo seemed annoyed every now and then, and Die didn’t seemed too please either. I don’t know about other fans, but when the band isn’t happy, I’m not happy either. I end up having this need to rush in and help fix the situation, whatever it may be. They still carried on, trying to give every emotion to us despite their sour moods, but there was a tiny disconnect here and there.

So, I’m gonna take a little detour and add my complaints to why the disconnect was happening...and part of the reason I blame the venue for this new set of people. First complaint was the odd security procedures. I know in this day in age that concerts have evolved to people holding up their cameras and phones to take pictures and video of the show. I have no problem with that as long as you’re not being an asshole about it or having your arms raised up the whole show blocking people’s view. I try to be quick and considerate and enjoy the show. I don’t use my camera the whole time. But security was very confusing. One of them called me out for something. I guess not to take pictures even though there was a bunch of other people doing it before me. I believe one of my friends mentioned something about them not wanting the fans to take pictures until the professionals were done or something, but the way they went about it was rude and confusing. Second complaint was that young crowd I mentioned. I know pushing is inevitable and you just have to accept it, but sometimes there’s no need for it when nothing is happening and you’re just being a prick because you want to be in the front. Just don’t do it! But the thing that bothered me and I want to believe Kyo is that they wouldn’t shut up! In the setlist and even looking back at the previous tours, “Inward Scream” is part of the transition. There was none this time. Kyo attempted it, but with the constant yelling and noise, he decided to leave it out if no one would listen, which is sad. One thing I like about the Houston crowd is that they know when to be quiet, but since this was a different venue with a different crowd, we didn’t get that. There was also some technical issues on Kyo’s end that he ended up throwing the mic down on the floor and talking to one of the roadies while the rest of the band finished up the song. I’ve never seen him so mad before. It was a little scary. Die seemed to have some minor issues as well. I can understand their feelings though. Diru are perfectionists! I know a couple members of the Human Abstract could attest to that.

During the second half, after the guys went off stage for a little break, it seemed like the members were a little happier or at least less upset. Even though the crowd was still lame, I could feel more positive, relaxed energy from the stage compared to the beginning. There weren’t many songs left in the set, but it was nice to enjoy the moment as much as the band was. I know I didn’t mention much about the performance with explicit detail, but the band’s mood does factor into the enjoyment of the whole show. Whether they were pissed off or not, there was still a lot of pure passion given to the audience, whether they accepted it or not, and I expected nothing less from them. It’s what keeps me coming back for more. Kyo has his ghoul make up, revealed it to us, and he really became that character. Watching him on stage is still like a performance art. Once he gets in the zone, the whole set and song goes into a whole new universe. Hopefully, next time he gets to fully engulf himself in his ghoulish character or whatever the next concept he wants to take on. I just wish the immaturity of the crowd and technical difficulties, but mostly the crowd, didn’t ruin the harmonious atmosphere I’m used to.


KARMA (2013 Ver.)
Bottom of the death valley (2013 Ver.)
dead tree
-karasu- (2013 Ver.)
KASUMI (2013 Ver.)

OBSCURE (2011 Ver.)
THE FINAL (2013 Ver.)

Friday, April 11, 2014

Horror Movie Annoyances: Excessive Profanity

Aside from unnecessary nudity and sex, nothing kills a movie more than excessive profanities. If every other word is a curse, then the screenwriter is truly lacking in vocabulary to express whatever the character is feeling or the ability to create a character based on cliches and stereotypes.

One movie that stands out in my mind as an offender is The Blair Witch Project. I remember cringing along with my poor mother every time a character opened their mouth. Every curse uttered felt uncomfortable and out of place. I'll even admit that the Saw franchise suffers from this from time to time, mostly when characters are angry or try to appear threatening to their enemy. While the actions and story pull you in, hearing Eric Matthews yell at Jigsaw or Amanda never fails to kill the mood for example. Forgive me for the expletives, but I want to give a clearer example of what I mean. The scene pops into my head with Eric in Saw II is when he gets trapped by Amanda and he yells at her with a line that kinda goes like, "I'll fxxkin' kill you, you stupid bitch!" repeated over and over until the credits roll. I know Eric has high temper gauge, but there are other ways to portray this without silly or easy go to lines like that.

Yes, people tend to curse when they're angry or trying to sound tough, but it usually comes off awkwardly and disrupts the flow of the story and sometimes the character who delivered it. Writers shouldn't depend so heavily on profanity to create a prevalent character personality or express emotion, especially anger or intimidation.