Thursday, August 31, 2017
Wednesday, August 30, 2017
No One Lives
Starring: Luke Evans, Adelaide Clemens
Directed by: Ryuhei Kitamura
Run time: 86 minutes
Synopsis: A gang of ruthless highway killers kidnaps a wealthy couple traveling cross country only to shockingly discover that things are not what they seem.
I wavered on how to rate this one. Ryuhei Kitamura was a director I admired around the time of Versus. The film has an actor that I like. Luke Evans has potential in a lot of ways. He did well as the villain in the latest Fast and Furious installment. He's great as Bard the Bowman in the Hobbit trilogy. So...you're probably wondering what happened here. The long and short of it was that the plot and cast were wasted. I'm not entirely sure whose fault it was. It was very predictable in a lot of ways, then there were no real answers to a big question that was raised. Who is this person? Why are they doing what they're doing? That tends to be the biggest downfall for the film. However, I'll give it an extra half a point simply for Luke Evan's bare ass.
Starring: Halle Berry, Abigail Breslin, Michael Eklund
Directed by: Brad Anderson
Run time: 94 minutes
Synopsis: When a veteran 911 operator takes a life-altering call from a teenage girl who has just been abducted, she realizes that she must confront a killer from her past in order to save the girl's life.
The first half of the film was decent at building suspense. Halle Berry handled being a 911 operator dealing with difficult calls day to day believably in the beginning. It was easy to be empathic with her character and the people she was dealing with calls from. Once she gets the call from the abducted girl, things continue on a course that seems like it will lead to a typical ‘cops get the bad guy’ resolution. However, the deviation from that potential ending is where the film begins to falter. I simply couldn’t fathom the 911 operator making the choices that she did. Regardless of my feelings on that choice, I do believe that both Halle Berry and Abigail Breslin did well in their roles with the script they were given.
Starring: Van Hansis, Thorsten Kaye
Directed by: Henry Miller
Running Time: 85 minutes
Synopsis: 25-year-old Danny Hill's grandmother just died giving Danny the chance to move into her enormous rent controlled apartment in Manhattan. Danny must lock himself in for twelve days before he can take over the lease. There's just one problem -- he may not be the only occupant.
To put it simply, don't waste your time on this one. It was 80 minutes too long. The premise was simple. A guy has to stay in his dead grandmother's apartment for twelve days in order to take over her lease. It sounds like the setup to a little ghost story. Instead, it devolves into a weird, half fulfilled psychosis story. While that could have been interesting, you're left wondering how a seemingly healthy man could end up in the position he was in after twelve days.
All the Boys Love Mandy Lane (2006)
Starring: Amber Heard Michael Welch, Anson Mount, Whitney Able
Directed by: Jonathan Levine
Run time: 90 minutes
Synopsis: A group of high-schoolers invites Mandy Lane, "a good girl" who becomes the object of everyone's affection after returning from summer break, to a weekend party on a secluded ranch. While the festivities rage on, the number of revelers begins to mysteriously drop one at a time.
Originally slated for a 2006 release, All the Boys Love Mandy Lane did rounds at film festivals before finding a distribution source. It wasn’t long after that the distribution firm went under leaving the film shelved for seven years. If it had gotten its original intended release, this might have been a huge hit in 2006. We’ve come a long way since then. Mandy Lane is a formerly unpopular girl who got ‘hot’ before junior year. She’s reserved and sheltered by her family. All the boys want her and the girls seem a bit interested too whether it’s simply for friendship or budding rivalry. The movie is set up like a typical teen horror. They all go away for a drunken, sex-filled weekend only to have terrible things happen. The difference in this film is the cinematography and direction. It’s easily reminiscent of Tobe Hooper’s style and films like Texas Chainsaw Massacre (1974). I did guess the twist ending, but it was still well done enough that I wasn’t disappointed when it came.
Deliver Us From Evil (2014)
Starring: Eric Bana. Olivia Munn, Edgar Ramirez
Directed by: Scott Derrickson
Run time: 118 minutes
Synopsis: New York police officer Ralph Sarchie investigates a series of crimes. He joins forces with an unconventional priest, schooled in the rites of exorcism, to combat the possessions that are terrorizing their city.
Aside from an attractive cast, Deliver Us From Evil has little going for it. It lacks as a crime thriller with little emphasis placed on the everyday gruesome things Sarchie would have encountered as a detective. These are conveniently used as a plot device to explain why he yells at his wife and snaps at his daughter. The religious horrors are lacking as well. There's a haze cast over what might have made for an entertaining view. Exploring more about the priest and the things that led him to investigate the paranormal could have helped. As it stands, Deliver Us From Evil has about the same amount of demonic presence as your favorite reality haunting show. Things go bump in the night, but you're never fully unsettled. Chalk this one up as a bad re-enactment with a poor script. Don't believe the tagline. Inspired by actual accounts means they took the name of the cop, Ralph Sarchie, but none of the cases from his book, Beware the Night and crafted their own original story.
Saturday, August 26, 2017
Starring: Rose Leslie, Harry Treadaway
Directed by: Leigh Janiak
Run time: 87 minutes
Synopsis: A newlywed couple finds their lake-country honeymoon descend into chaos after Paul finds Bea wandering and disoriented in the middle of their first night.
What happens when you hire actors from two popular fantasy series and toss them into a remote setting? Ideally, magic. Rose Leslie is a talented young actress, best known for her role as Ygritte in HBO's Game of Thrones. Harry Treadaway plays the role of Victor Frankenstein in Showtime's Penny Dreadful. In reality, Honeymoon is a bit too unsure of what it wants to be to effectively produce the appropriate response from its audience. Psychological thriller would have worked far better than the route that the writer/director took. Let's break it down a bit without giving away anything not shown in the trailers.
Paul and Bea have just gotten married. They're very sweet together, recounting details of their courtship for their wedding video. Paul got sick on their first date. They were supposed to go camping, but she got sick. Sickness seems to play a part in their relationship quite a bit. This resulted in him building a tent out of their blankets over their bed and proposing beneath it. Rather than wedding cake, they chose cinnamon buns. Quirky and cute, these two seem destined for white picket fences and happily ever after.
Bea has chosen to leave the city for their honeymoon to have alone time in her family's cabin. It's rustic, surrounded by woods and an expansive lake. Paul seems overwhelmed by this. How much did he know about his new wife? She can hunt, fish and did 12 years of girl scouts. Things take a turn for the strange when they meet a childhood friend of hers.
Paul responds to this new arrival with jealousy. It's not surprising with how horny he'd been. Is there a darker side to him than Bea realized? Paul made an earlier comment about her womb that lead to an awkward moment where they discuss whether he wants a baby. Later, he finds Bea naked and alone in the woods. Something is now different about her. Or is he the one who has changed?
A better script would have explored their relationship's decline better. What happened to Bea in the woods? Was she attacked by a stranger? Was it her childhood friend? Did her husband rape her? Is Paul losing his mind and unable to cope with his wife's trauma? These questions would have made the film far more rounded and fulfilling. Instead, we're saddled with a weak final half that resorts to body horror to get its point across. There's one major sequence that left me feeling very uneasy. Sadly, even that has been done before...and much better.
Thursday, August 24, 2017
Girl on the Train (2016, USA) | Rating: 2.5/5
Originally, I was supposed to see this movie with Buonaventura who actually read the book, but our schedules didn't work out for us to do it and the movie left the theater. I know the book was highly praised by the masses and people claimed that this would be the next Gone Girl, which is one reason I wanted to watch it. The preview seemed like a predictable suspense mystery sort of thing, but according to Buonaventura, it was not...at least in the book. I don't know how the book compares to the movie and most likely I will never find out for myself like I did with Gone Girl. I feel like this movie could have been better, but the story just drags and drags and the characters simply aren't that interesting. I almost wonder if the book is the same way. Even though I thought the story was boring, I was still curious who committed the crime in the end.
The Beauty Inside (2015, South Korea) | Rating: 4/5
Lately, I've been absolutely terrible about watching Asian movies from my job
The Great Hypnotist (2014, China) | Rating: 3.5/5
This is one of the other subtitled/Asian movies that I watched along with Will You Still Love Me Tomorrow?. The cover was rather mesmerizing, the story sounded interesting, and I hadn't seen a Chinese movie in quite some time. When the story began, I didn't know what to think. We're introduced to a hypnotherapist and a woman dealing with some inner turmoil. There's a lot of conversation that goes on between them and I couldn't quite hook myself into the story. In other words, the story starts off really slow and it depends on dialogue. I don't have a problem with slow developing stories, but it has to feel like there's progress. Fortunately, something did click with me and the movie and my attention was hooked to what's going in the patients head. There's a few twists and turns that occur that really made the movie worthwhile, despite my attention going in and out throughout this movie. I think things could've been done a little better, but I really love the dynamics between the characters, the visuals, especially during the hypnosis moments, are beautiful, and it has some cool moments that reminded me of Inception, which is a good thing.
Queen of Katwe (2016, USA) | Rating: 3.5/5
I don't think I heard too much about this movie, despite it starring the fabulous Lupita Nyong'o and talented David Oyelowo. The little praise I did hear and the cast made me interested in checking out this movie. Plus, I like chess and I try to watch these black centric movies. The movie is quite lengthy, but it is a biopic of an Ugandan female chess player and her personal journey and struggles. I enjoyed watching her relationship with Oyelowo's character, Robert Katende, as she learns the game of chess and beating out all the boys in this elaborate mind game. There's a lot of ups and downs that occur, but overall it gives an encouraging, heartwarming feeling in the end, especially when you watch the actors interact with their real life counterparts in the credits.
Loving (2016, USA) | Rating: 3.5/5
Thanks to commercials and a little bit of the Academy Awards, this movie slowly appeared on my radar, especially seeing/hearing that my favorite badass lady from Preacher was starring in this historical movie. The movie is about the real life Loving couple. That's their actual last name, which I think is pretty cool and appropriate. Anyway, the story is about Mildred and Richard Loving and their fight for legal interracial marriage in their state. The format of this movie is kinda different than most biographies I've seen. There's no backstory on how they met or chronicling their relationship to the point of marriage. No, this movie jumps right into the meat and potatoes of the problem with them getting married and the police persecuting them for their union. It was eye opening to see this couple struggle to hide their relationship, raise a family while being separated, and just exist in this harsh world with such a dumb law. Although it took some adjusting, I appreciated the change in format for this biography. It was definitely different, even though I kinda would've liked to know a little backstory on our couple, but it was nice that they focused on the law instead of their love, which was obvious and apparent throughout their struggle.
Tuesday, August 22, 2017
At the Devil's Door (2014)
Starring: Naya Rivera, Catalina Sandino Moreno, Ashley Rickards
Directed by: Nicholas McCarthy
Running Time: 91 minutes
Synopsis: When ambitious young real estate agent Leigh is asked to sell a house with a checkered past, she crosses paths with a disturbed girl whom she believes is the runaway daughter of the couple selling the property. When Leigh tries to intervene and help her, she becomes entangled with a supernatural force that soon pulls Leigh's artist sister Vera into its web - and has sinister plans for both of them.
What's up in the world of horror? Very little plot and disjointed timelines plague At the Devil's Door. The only thing that made watching this one better was sharing the torture with Miko. From the very beginning, we were left wondering when the plot would actually begin. The movie opens with a teenage girl making out with a boy who may or may not have been her boyfriend. He tells her that she can make some money by playing a game with a creepy guy in a camper in the middle of nowhere. Sounds like a bad idea, right? After sticking her hand in a weird container, they play three rounds of the shell game often seen on city streets near subways. She wins and is 'chosen' to go say her name at a crossroads so some mysterious being will know what to call her. Oh...and he will call because that's how these things work.
Awhile later, the plot shifts from the girl to another set of girls, Leigh and her sister, Vera. So wait...what happened with the first girl and the creepy guys? Instead, we're learning that Leigh can't get pregnant and wants Vera to settle down instead even though she refuses because she's a wild child artist. Leigh is a real estate agent who is trying to sell a house that belongs to a couple with a runaway daughter. She sees a strange girl in the house and everything goes down hill from there. Oh...it's the girl who said her name at the crossroads. Of course, it is!
This one has more plot holes than a block of swiss cheese. If the prerequisites for demonic attachment were making out, playing a game and saying your name at a crossroads, all of this is dropped after the initial use. It's not a daunted house story so it makes little sense that the demon or whatever it is would attempt to latch on to Leigh or Vera from visiting a house. If it's taking a cue from Jeepers Creepers with the demon 'sensing' what it wants on certain people, then what makes one chosen aside from bad timing and a working uterus?
Questionable moments continue throughout. If your wardrobe starts talking to you, I can guarantee you that it's not Narnia calling. There were several clichéd moments like creepy kids, overuse of mirrors and dark figures lurking. As usual, stupid choices continue in horror movies. If the babysitter is acting weird, don't leave your baby with it. Just saying. The same goes for leaving your six year old with a stranger. Catalina Sandino Moreno (Leigh) can do much better than this. Even recent episodes of Glee are more unsettling, just ask Naya Rivera (Vera).
Sunday, August 20, 2017
Friday, August 18, 2017
Starring: Annabelle Wallis, Ward Horton, Tony Amendola, Alfre Woodard
Directed by: John R. Leonetti
Run time: 99 minutes
Synopsis: John Form has found the perfect gift for his expectant wife, Mia - a beautiful, rare vintage doll in a pure white wedding dress. But Mia's delight with Annabelle doesn't last long. On one horrific night, their home is invaded by members of a satanic cult, who violently attack the couple. Spilled blood and terror are not all they leave behind. The cultists have conjured an entity so malevolent that nothing they did will compare to the sinister conduit to the damned that is now... Annabelle..
I went into Annabelle with mixed feelings. The doll was featured in 2013's the Conjuring as part of the artifact collection in the home of paranormal investigators, Ed and Lorrainne Warren. The doll's story was touched on, but not expanded in the Conjuring. In those brief clips, Annabelle is mentioned as tormenting two nursing students and their friend. Later, the doll makes an appearance with the Warrens' young daughter. I won't go into detail on reality versus fiction in this review, but I was interested in seeing how Annabelle and the nursing students ended up meeting the Warrens. This movie doesn't cover that story. Instead, it offers an original take on how the doll became haunted/possessed before she's given to one of the nursing students by her mother.
John Form and his wife, Mia, are expecting their first child. Mia is an avid collector of dolls and is given one by her husband after a minor disagreement. Two home invasions happen shortly afterward that make Mia feel paranoid and uncomfortable. Who can blame her with everything that's happened especially when she could give birth any day?
Annabelle hasn't been able to capture the atmosphere that the film it's spun-off from had. The tie-in moments, other than the doll itself, is the baby's mobile playing the same tune as Rory's music box. As a whole Annabelle lacks a feeling of dread. Most of the 'scares' have consisted of the typical jump scare or misdirection that is highly overused. There's an effective transition shot that was more neat than scary. Another seen involving darkness and an elevator played on the idea of being unable to escape being pursued by something.
One of the biggest flaws in Annabelle were the underdeveloped characters. Who are John and Mia aside from pretty faces? Why are we supposed to relate to Mia and root for her to save her baby? The neighbor, Evelyn, who befriends Mia isn't really explored either. Her purpose seems to merely be exposition and a convoluted resolution. The actors weren't bad. They couldn't overcome a flimsy script that borrowed heavily on Rosemary's baby. Both films feature blondes, cults, pregnancy and childbirth as well as suicide. The families both end up with strange things happening in and around an apartment. The main characters in Annabelle are even named John and Mia. Rosemary and her husband were played by Mia Farrow and John Cassavates. Coincidence or homage?
Monday, August 14, 2017
Director: Juan Carlos Fresnadillo
Starring: Clive Owen, Carice van Houten, Daniel Bruhl, Pilar Lopez de Ayala, Ella Purnell, Izan Corchero
Running Time: 100 minutes
Synopsis: Two children living in different countries are visited nightly by a faceless being who wants to take possession of them.
Don't go into this expecting a jump scare, gore filled horror movie. You won't find that here. This is a slow building psychological horror where you'll find that you have to pay attention. That's a downfall for some viewers simply due to a slow pace. The director, Juan Carlos Fresnadillo, isn't unfamiliar with the horror genre. His previous foray was directing 28 Weeks Later. On this film, the screenplay wasn't handled by the director. Instead, those credits go to Nicolás Casariego and Jaime Marques.
Luisa and Juan
The film follows dual storylines that tie together. It begins in Madrid with Juan telling a story to his
mother, Luisa, about a monster he calls Hollowface. This particular monster wishes to be loved and thinks he can achieve that by stealing the face of a particular child. Juan begins seeing this monster. Is it just a story or is his monster real?
At the same time, we're introduced to Mia in London. She finds a wooden box in a tree at her grandparent's house. In the box, is an unfinished story. Mia begins to tell the story, adding on to it as she goes along. Shortly afterward, the monster begins to appear in her bedroom. Hollowface has decided to take Mia's face instead. Both parents, Luisa in Madrid and John in London, have begun to see the monster as well. What is going on with both families?
John and Mia
I was instantly intrigued as a writer. The most frightening things for me as a child were the things that I had created in my own mind. The idea of a monster created in the mind of a child coming to life was rather creepy. What would happen if all of your childhood nightmares came to life? Another familiar aspect was one parent believing the child and the other thinking it's just for attention. This is what happens to Mia. John believes her while her mother, Susanna, doesn't.
The belief and disbelief are extended to Juan and Luisa as they visit a church for help as his nightmares worsen. Father Antonio believes that something is going on with the family while his superior doesn't. Is this a supernatural problem? Or is this a matter for psychology to solve? While religion is explored with Juan and Luisa, Mia and John are taken to a psychologist. Will either be able to find some help?
As the film progresses, the lines between reality and the supernatural blur. I personally didn't see the twist coming. I hadn't expected it and it was clever. Sure, there were some plot hiccups. I hesitate to call them holes simply because they're more alluded to rather than spelled out completely for the audience. What really sells this film is the acting. All of the actors do a great job, especially Clive Owen, Pilar López de Ayala and the two children. Neither of the children had a particularly long list of acting credits either.
The cinematography is also very nicely done. There are often times when scenes are set up with the monster lurking, but you're left with darkness and clever angles instead. The director knew what he was doing in order to keep that level of mystery up. I think the film could have suffered greatly if the director hadn't kept up that mystery. Keep an open mind and give this movie a chance.
Sunday, August 13, 2017
Atlanta (10 episodes) | Status: Renewed
Being a casual fan of Donald Glover's musical persona, Childish Gambino through my brother, I heard a lot of hype for the his newest television venture. Unfortunately, I have yet to delve into Community, but I plan on doing so at some point as I see gifs of it on my Tumblr feed and heard it's quite hilarious. When I saw commercials for Glover's newest show, I figured I'd check it out and see his acting side. Now, BlipMasta5 has already given his opinion on the show, but I figured that I'd do a quick little thing on my thoughts. Getting into the show took a bit of time for me. While I did enjoy each episode, they didn't make me go "wow, you really need check this out", but there were a couple or so episodes that really kept my attention such as "Nobody Beats the Biebs", "Value", and probably my favorite "B.A.N". The show definitely has a special kind of humor and satire of the world and the black experience through entertainment, so it might not be for everyone, but I definitely enjoyed it and I look forward to checking out the second season.
*Loosely Exactly Nicole (10 episodes) | Status: Cancelled
Nicole Byer is a hilarious comedian who makes a regular appearance on MTV's Girl Code, which explores the unwritten rules of womanhood and how to navigate life with a comedic and somewhat educational flair. When I saw commercials for her own TV show, I was quite excited as she was one of my favorite ladies on the show. The show follows Nicole in her day to day life as she tries to make it big in Hollywood, while dealing with intimacy, rent, and close friendships. While I enjoyed Nicole's loud and proud personality and wacky shenanigans, I realized that the show probably wasn't strong enough to attract a large audience. At least, I didn't know anyone else who watched the show in my friend circle. Before putting this post together, I saw that the show was unfortunately (and unsurprisingly) cancelled after the first season ended. Despite the short journey of Nicole's show, I still think it was funny, entertaining, and unique in content as it starred a woman of color who's proud of who she was and aspired to bless the world with her charisma and style.
American Horror Story: Roanoke (10 episodes) | Status: Renewed
It's tradition here on Muddy Cult to cover American Horror Story. Buonaventura has made her debut solo review covering this show already, so it didn't make sense to have two full reviews covering some of the same grievances we had with the sixth season. Although, I could easily rant about my issues with the season too, but I will try to condense it down to suit my quick review format and perhaps simplify my thoughts on certain points. Positives: I really enjoyed the new format of the first section of the series, despite giving away the fact that they all survived during this retelling of the story. But I still enjoyed the entertaining story and tension that the storytelling gave us through the "real life" characters and their reenactment counterparts. To some extent, I kinda enjoyed the "Big Brother" portion as well when the actors meet the "real" people and stay in the haunted house together. Their interactions and relationships with each other gave some entertaining dynamics to their horror experience. Lastly, some characters I enjoyed watching were Shelby and Lee with their amusing romantic relationship, the delightful, whimsical Cricket; and the over the top performance by Kathy Bates as Agnes. Negatives: Pretty much everything else. haha I guess I should be more specific. Once again, this season is overstuffed with too many ideas that sound good, but could be left for later. Of course, there were some ideas that should've been left behind as it brought down the quality of the show. There are way too many segment ideas: haunted house, "Big Brother", talk show, ghost hunters. Buonaventura pretty much mentioned this in her review. Some of the choices the characters make sometimes don't make sense like Shelby and Lee's rocky relationship, the lore behind Scathach (Gaga's character), and, also mentioned in Buonaventura's review, the original owner of the house's lack of help later on. There's a lot of open ended questions and convoluted explanations for the supernatural; it's just a mess in short. It's really unfortunate as this season seemed so promising in the beginning, but when you have too many ghost stories (just like AHS: Hotel) and really too many ideas, it gets confusing and less entertaining...at least in a positive perspective. We shall see what this year's season holds for us, aside from amusement over Murphy's usual mess.
Cosplay Melee (6 episodes) | Status: Unknown
Here we have Syfy's second attempt at a cosplay based show. I was kinda surprised that they were going to try this venture again, but it looked very promising as the host was the lovely Yvette Nicole Brown. Seeing her time and time again of being a guest on AMC's Talking Dead, I knew our fandom would be celebrated and appreciated with her on board. This show was everything cosplayers wanted from Heroes of Cosplay; a cosplay competition with a Face Off inspired format. Each episode features four different contestants with their own special skill to compete for $10,000 and a different theme, similar to Face Off. The show is split into two rounds: first round the competitors create a prop for the original character, such as a sword, crossbow, or wand and the second round the remaining three competitors get to choose an item to enhance their overall costume design such as a vacuum and assorted LED lights. This show brought enough excitement, construction involvement, and competitiveness that I for sure wanted in Heroes of Cosplay. While there isn't any personal drama or feuding, the struggle is more within themselves and the construction process, which is something that would be hard to fake and I think that's one reason that Face Off works so well; it doesn't depend on the typical person-to-person drama. Of course the highlight of the show is watching each costume walk down the runway. One thing I wish the show did was not make the winners so obvious before the runway begins, but I appreciate the attention to detail in explaining how these cosplayers achieved their end goal, minus the make-up. I'm not sure what the future is for this show, but I look forward to seeing more, especially since it features a range of amateur and professional cosplayers
Strut (6 episodes) | Status: Unknown
Since America's Next Top Model decided to hang up its towel...and surprisingly picking it up one more time later on, Whoopi Goldberg produced a show that delved into the lives of a group of transgender models. For the most part, the show revolved around Slay, a transgender modeling agency, with glimpses of the models dealing with personal situations such as along distance relationships, being accepted by their parent(s), and getting back into the dating scene. This reality show didn't just have some of the drama you would expect, but manages to balance trans issues and normal every day issues. In other words, showing audiences that trans people are just people. I really enjoyed watching these models and agents interact with each other on a professional and personal level. The drama wasn't too over the top, I was happy to see ANTM contestant Isis King, and seeing these people compete and converse with each other made it worth watching. I'm not sure if this show is getting another season or not, but I was sad that this show only had 6 episodes. The models really made the show interesting and it was great seeing that them being trans wasn't overly emphasized; in other words, that's all they are is their gender.
Thursday, August 10, 2017
The Awakening (2011)
Starring: Rebecca Hall, Dominic West, Imelda Staunton
Directed by: Nick Murphy
Run time: 107 minutes
Synopsis: In 1921, England is overwhelmed by the loss and grief of World War I. Hoax exposer Florence Cathcart visits a boarding school to explain sightings of a child ghost. Everything she believes unravels as the 'missing' begin to show up.
There were some things about this film that really made me question whether they threw them in last minute to add to the running time as they serve no real addition to the plot. Overall, it could have been a decent thriller about a skeptic learning that there is more to the spiritual world than hoaxes. The plot is too full of inconsistencies to be effective. The love interest/sex scene was entirely unnecessary as was the attempted assault on the main character. There were so many things that detracted from the eventual twist that it was entirely implausible.
Case 39 (2009)
Starring: Renee Zellweger, Jodelle Ferland, Bradley Cooper, Ian McShane, Callum Keith Rennie, Kerry O'Malley
Directed by: Christian Alvart
Run time: 109 minutes
Synopsis: A social worker fights to save a girl from her abusive parents, only to discover that the situation is more dangerous than she ever expected.
This film suffers even with its big name cast. However, Jodelle Ferland is quite possibly the creepiest horror movie kid. Her creepy acting and deadpan delivery can't save this production though. The biggest downfall is the plot never really deciding what Lily is or what she wants. That's an issue with the writing of the script not Miss Ferland's abilities as an actress.
Don't Be Afraid of The Dark (2011)
Starring: Katie Holmes, Guy Pearce, Bailee Madison
Directed by: Troy Nixey
Run time: 99 minutes
Synopsis: A young girl sent to live with her father and his new girlfriend discovers creatures in her new home who want to claim her as one of their own.
I don't care that most people hated this movie. I've seen both it and the original 1973 tv movie. The remake has several key plot points changed; Sally was the wife in the original and the house belonged to her grandmother. In the remake, Sally is the daughter and the house belonged to a reclusive artist. However, the basis for everything else is the same. The scenery is beautiful. The cinematography is what you'd expect from something Guillermo del Toro was involved in. Both films creeped me out. Weird little creatures are crawling around in vents and under sheets. Uhm, no thank you. My skin crawls just thinking about it!
The Ward (2010)
Starring: Amber Heard, Mamie Grummer, Jared Harris
Directed by: John Carpenter
Run time: 88 minutes
Synopsis: A thriller centered on an institutionalized young woman who becomes terrorized by a ghost.
While not your typical John Carpenter fare, The Ward isn't necessarily bad. It's not going to appeal to your average horror fan. The body count and gore are pretty much non-existent. Even as a psychological horror, there are a few jump scares and misdirection present. Once you get to the twist, the rest of the film seems to make sense. This is almost too little, too late. Regardless, I was intrigued by the twist. I just wish it had been explored in a better way.
Red Mist (2008)
Alternate Title: Freakdog
Starring: Arielle Kebbel, Sarah Carter, Katie McGrath, MyAnna Buring
Directed by: Paddy Breathnach
Rating: Not Rated
Run time: 82 minutes
Synopsis: A young doctor in a US hospital administers a powerful and untested cocktail of drugs to a coma victim. But instead of curing him, it triggers a powerful "out-of-body" experience and enables the patient - a depraved and dangerous loner - to inhabit other people's bodies and, through them, take revenge on the bullying medical students who were accidentally responsible for his condition.
Medical students more interested in sex, drugs and drinking get in over their heads cause injury to a creepy janitor and leave him outside of a hospital. While this isn't the greatest premise ever, it's fairly original considering all the remakes we've been expected to enjoy. Arielle Kebbel has an innocent look to her that's easy to sympathize with. There are lots of pretty faces and bloody deaths to satisfy the average horror fan. I couldn't quite get past the plot holes or the weak ending to really enjoy it.
Sunday, August 6, 2017
Tuesday, August 1, 2017
Title: American Horror Story: Roanoke
Starring: Kathy Bates, Sarah Paulson, Cuba Gooding Jr. Lily Rabe
Genre: Drama, Horror, Thriller
How psyched were you when you found out that this season’s AHS was going to focus on Roanoke, and GHOSTS!?!?!?!?!?
I was super psyched. My all-time favorite season has always been Murder House. I can’t help it, I love the ghosties! I don’t believe in ghosts myself, but I’ve always always always been super into ghost stories. They’re like little history vignettes personified. Ah, love it!
The elements were sort of similar to Murder House as well. There’s a main entity that got the whole ghost thing started (ahem, Lady Gaga and the colonists), a variety of ghosts from different time periods, and a super fantastic looking old house.
However season 6 used different techniques from previous seasons that both helped keep the narrative interesting, but also fell victim to a lot of the problems I have with AHS in general.
We start off with My Roanoke Nightmare, an “unsolved mysteries” type show with dramatic reenactments. I love those types of shows so it really resonated and I was into it. However, as we progressed, I noticed a glaring flaw. Anyone who’s talking about what happened obviously didn’t die so a lot of the tension just wasn’t there. Jeez, lady. It’s dark and you’re in a hot tub by yourself in the middle of nowhere?! Oh wait, nothing too bad is going to happen because you are here telling us this story. Carry on.
I think Ryan Murphy realized this, too, because part two had all the actors and their “real” counterparts come back to do a Big Brother type show. Besides not being able to imagine why anyone would have any motivation to go back (especially Matt), I hate reality shows like that. Captivation lost. Having the actors, the “real” characters, and “real” ghosts all together was like too many cooks in the kitchen and created a huge clusterfluff.
I still would have been on board with this premise (after all, it does take care of all that lost tension when you bring every one back), but I swear Ryan Murphy can’t help but play Jenga with his creations. Not only did he add a part three with a “ghost team” but also a part four with a found-footage-Blair-witch thing and a part five with a cops thing and a part six with a 20/20-dateline type thing.
This was too much. What’s the next thing after overkill? This was two stops past that.
I would much rather have had a ghost team and amateur ghost team combination instead of the big brother portion.
I didn’t like the gore, but then again I’m not a gore person. The reenactment gore was over the top and so it was gross, but still palatable. The impaling of the found footage crew and the cannibal rednecks were more realistic and not as palatable. There was gore, it was gross, moving on.
I really appreciated Kathy Bates’s character. She was just so pitiful and at the same time aggravating and misguided as hell. I wanted to give her a hug and at the same time tell her to go home and move on with her life.
Other than her, I didn’t really feel for any of the characters. Instead of fretting over the safety of characters I liked, I ended up rooting for certain characters to die (I’m looking at you, Sidney). This was problematic because a lot of the driving force was supposed to be an attachment to main characters, especially Lee, and it just wasn’t there.
I was disappointed that the “real” ghosts didn’t have much screen time, but I suppose they never really do. Something that really irritated me was that Shelby seemed to know a lot more about the situation than she let on. She and Matt never fully explained how they got out of the house the first time. The ghost of Edward, the plantation owner, supposedly helped them escape so why was he so malevolent the second time around? What gives? It was a loose end that was never tied up and is the most frustrating aspect of this season.
I had high expectations for this season. It really should have been better or at least on par with Murder House, but it caved in on itself with an overabundance of unnecessary plot. Boo.