
Juliette - MERCHEN A LA MODE (2009, Japan) | Rating: 3.5/5
Feeling excited about this amazing oshare kei band releasing their first album, I immediately obtained it and listened to it in my long list of new releases, after my vacation. They have great potential of being in the spotlight for new oshare kei bands. The album picked up some memorable songs from previous releases and combined it with a great variety of new songs to make Juliette fans and possibly oshare kei lovers happy. It's definitely worth a couple listen throughs and possibly worth adding to your jrock collection as well.

the GazettE - DIM (2009, Japan) | Rating: 3/5
I bet there was a mixture of excitement, anxiousness, dread, and hope for this new GazettE album. From the single releases, things were looking up and up, in my opinion. once it released, I got a little nervous to start up the first rack on my iTunes player and suddenly had horrible flashbacks of their last failure of an album, Stacked Rubbish. I started the first track and survived all 17 tracks without being disappointed or traumatized by another fail album. I was quite satisfied to the point that I added it to my wish list on CDJapan. I know a couple people disliked the album and thought it was boring, but you must admit it's a step up from the perfectly titled "rubbish" album. Although, I think I could've lived without all the meaningless instrumental tracks. For an added bonus, I would like to hear everyone's opinion on the album, since the GazettE is such a "big deal". So, please feel free to leave your comments below the review.

lynch. - SHADOWS (2009, Japan) | Rating: 4.5/5
For those who don't know me personally, I love lynch. to death. I'm very grateful I was introduced to them by a couple friends, because I followed them ever since. I've mostly became attached to Hazuki's unique vocal talent and adored their relationship with each other. Clinging to some of their older songs like "the whirl", "liberation chord," and "I'm sick b'coz I love you" and pleased with their new songs like "Adore" and "ambivalent ideal", I was getting very anxious to listen to their new collection of songs. not being surprised by the first run through, I re-fell in love with the band and immediately repeated the album at least twice that day. Shadows is absolute genius! Lynch. kept their signature dark, slightly aggressive and alluring sound and mixed it with something fresh and addicting. I don't know if any of my friends had any complaints about the album, because they were too busy relistening to the album. It's definitely worth adding to your personal collection. My only complaint about the album is the PV for "Shadowz". It was too boring for such an awesome song and made me disappointed they took the simple route of flashing lights and camera rotation on the band, but I still manager to enjoy the song no matter what. I hope they continue on the genius path they've created over the years.

Three Days Grace - Life Starts Now (2009, USA) | Rating: 4/5
Some fans complain that the album is too soft, but I think it's mature by having a nice balance of heavy hitting songs to make your blood rush and something slightly mellow to make you mentally reflect on personal issues. In my opinion, Three Days Grace just keep getting better and better though each album. You can tell that they've definitely grown but maintain their signature sound that makes them stand out from the rest. My only fear after hearing this album repeatedly is for the band to hit that horrible creative brick wall that Linkin Park has smacked into this year. But everyone has one big flop in their musical career.

Tokio Hotel - Humanoid (2009, Germany & USA) | Rating: 4/5
I've had some personal conflicts from seeing them live that made me hesitant to listen to them for a while, but I feel this album has redeemed them some to me. I think this is an improvement from Scream and I've been listening to a few tracks repeatedly every day now. Although, I must admit their first video choice was kinda weak for me. "Automatic" tried to make Tokio Hotel's appearance to be more bad boy than pretty boy by going all out in black, racing expensive sports cars through the desert, and featuring robots that end up falling in love. I didn't really like the song that much anyway, but tracks like "Human Connect Human" and "Darkside of the Sun" made me feel better about liking the German pop/rock band. I enjoyed the bonus tracks and the German album is equally just as good. There are a couple tracks I prefer in their native tongue, but the rest I like about the same in either language. Despite me praising this album, there's a good chance I still won't see them live again.



Through my own experience, I don't think I would be listening to half the stuff I do if it wasn't for downloading. Sure, it's wrong and all, but most times I either don't have the money and I'm desperate for a listen until I obtain the needed amount or I simply do not desire to buy the whole album, because I don't particularly care for the artist and/or I want a couple tracks for my own personal pleasure. I would never cross the line of actually making profit off of cheap burned CDs of Lady GaGa's Fame or the fanclub release of a Dir en grey DVD. I respect the artist and cash in my $15-$65 on a new or used release, but I want to make sure I get my money's worth.
I feel that JapanFiles is doing this to the fanbase. Once things calmed down a little, a Q&A was open from the fans to the company and many questionable things arose. The system doesn't seem respectable or even trustworthy for possible customers to even consider purchasing such items and when certain questions were asked, they were simply deflected with "we cannot disclose that information". It makes the company/site even more suspicious. Aside from being completely unprofessional and consistently losing potential customers, I heard there was drama among the company when they brought Girugamesh to Sakura-Con 2009 in Seattle, WA. I think it was something about making the fans rebuy the album or something for it to get signed. They couldn't use their Japanese release for autograph purposes. I may be wrong, but that's what I heard, but if it's true...that's a truly douche move to pull on potential customers...SERIOUSLY!
I know a good portion of fans try their hardest to support their favorite bands/artists. Maybe some of them are like myself and just want to put in for the album and some live DVDs. Or even the vast boat of fans that have to worry about paying for tuition and dealing with the worldwide recession. Life is hard for a college student, so we do our best to show our favorite bands/artists as much support as possible. Downloading gives them more fans which could increase their profits and demand other places, especially overseas, as well. On the other hand, many people know that downloading also can decrease profits as well and risk the band's active status. Life is hard for an indies band that has to pay for studio time, costumes, and everything that goes along creating a catchy single and/or album as well as promotional costs. So, in the end, do I think it's wrong to download? Not completely no, but not completely yes either. As mentioned before, the major thing I dislike about downloading things for free is when people try to profit off of cheap copies.
Anyway, there's a little topic floating around the Oni-Con forum that there's a curse on the jrock bands that perform there. I think it's amusing and I don't really believe in curses (most times). But let's start with the first jrock band I've seen live, Phantasmagoria. I think the reason for their disbandment is their growing popularity and success. Now you might think that's a weird reason to break up such an amazingly talented band, but I seriously believe that their band leader and bassist Kisaki has fear of being in a major band, but I will most likely expand upon that in a later rant. Then we have RENTRER EN SOI. I don't know enough to comment nor am I a fan of theirs.
Next is 12012 who were in the transition of graduating Under Code with Vidoll. They're staying stong, but in my opinion they're becoming musically weak. I'd like to believe that this won't hinder their growing popularity and creativity, but a little break to get in touch with their roots will bring a new wave of love in their direction. Let's move on to last year's bands, Sugar and Dio - distraught overlord. To me, Sugar's disbandment seemed completely random. Maybe the fictious curse broke up the band, but the members personal relationship with each other, along with their former bassist Koto, is still on a positive note. As for Dio, I ca't explain what happened there either. After performing at Oni, they had plans to revisit Europe, produce more amazing tracks, and move to a new label. Maybe it was a sign the band was going major and Erina couldn't handle the chaos any longer. Whatever came up, I'm not upset with his decision. I wish the best for him and the band.
































