Showing posts with label beni. Show all posts
Showing posts with label beni. Show all posts

Tuesday, September 3, 2013

Quick Music Reviews

Ruiza - Abyss (2012, Japan) Rating: 3.5/5
Favorite Tracks: Sphere; Crepuscular Rays; Abyss, Deep Blue

Most know Ruiza as the lead guitarist of the visual kei band, D. This isn't his first solo instrumental effort. He previously released a single, Ao no Hahen (2001) and a mini album, Amenity Gain (2006). Serendipity opens this mini-album with a heavy guitar track that will  have D fans sitting up to listen. His influence is clearly evident on the band's sound if this track is any indication. Faith has more abrasive feel provided by the drums. At times, it almost seems as if it's a power struggle between Ruiza's guitar and the drums. Sphere returns to more of the Ruiza that D fans know well; melodic guitar with a heavier flare. Crepuscular Rays has a bit of an interesting Latin influence. It's certainly the song that stood out the most on this mini album for me. Erosion jumps back to his heavy metal roots while still being very listenable. The title track, Abyss, is most likely what I would say is his signature track. Most of his skills are put to work in this one. I'd recommend it to someone interested in hearing his style. Deep Blue is a sweeping piece that nearly begs for some vocalizations. I'd be interested in seeing what he could do with adding vocals and lyrics to it. Perhaps, a feminine voice would compliment it well.


 BENI - Satsuki Ame (2013, Japan) Rating: 5/5
Favorite Tracks: Satsuki Ame; Runaway

Satsuki Ame is exactly what I love from BENI. It's an elegant ballad that showcases her voice perfectly. She has a sweet sound in this one, almost as if she's waiting for a love to return with the rain. The b-side, Runaway, is a cover of Rats & Star (aka The Chanels) debut song. BENI puts her own spin on it, creating an upbeat, catchy pop sound that brightens the single greatly. Runaway was also  used in Coca Cola's Share a Coke and a Song campaign. 




Kaya - Taboo (2013, Japan) Rating: 1/5
Favorite Tracks: Taboo

It's been awhile since I've listened to a Kaya single and really enjoyed it. I went into this one with an open mind. The title track, Taboo, has a dance-pop vibe. It reminds me a bit of something Lady Gaga would put out. The only downfall is that it's not catchy enough to really stand out. The b-side, Infection, feels like a leftover from the Schwarz Stein days. It's a gothic circus gone wrong, but overall, it seems unpolished. The two tracks don't really feel as if they belong in the same release. Kaya's vocals have been turned up on Infection where they felt a bit dialed down on Taboo. I wouldn't skip Taboo came on my ipod. At the same time, I wouldn't be rushing to turn it up and jam along. Sadly, Infection would be skipped quickly.



 The Gazette - Fadeless (2013, Japan) Rating: 1.5/5
Favorite Tracks: Quiet

Fadeless has some odd female vocals that I could have done without. They don't really add anything to the song. There's nothing really outstanding about the song. By the end, it felt like it was stretched out a bit too long. Maybe it would have felt less drawn out if the female vocals had been removed or simply lessened. Quiet sounds more like what I remember of Gazette. It's more along the lines of Reila or Without a Trace. It was nice to really hear Kai's drumming get a bit of a shining moment in this one. Forbidden Beaver goes back to that generic sound from their last releases. This could easily be a song from a dozen visual kei bands. It's highly repetitive with some English thrown in. From this release, the only song I'd want to listen to again is Quiet. 


 Acid Black Cherry - Greed Greed Greed (2013, Japan) Rating: 2.5/5
Favorite Tracks: Kagayaki Nagara.... 

This isn't my favorite Acid Black Cherry release. Greed Greed Greed has the heavy rock sound that I expect from Acid Black Cherry. It's not a bad song, but it doesn't stand out to me like some of the past releases have. It feels very repetitive. This single's recreation track is Kagayaki Nagara.... originally by Hideaki Tokunaga is a pop ballad. It's sweet and cute, a fluffy little bit to ease you out of the heavier track. I will say that Yasu has a way of choosing his recreation tracks. I often tend to favor them over the rest of the release.  Both songs together reflect the light and dark play of the cover art. As with Kaya's release, I wouldn't actively seek these out. However, Kagayaki Nagara....gets a higher rating for me.

Sunday, April 28, 2013

Quick Music Review


BENI - Covers (2012, Japan) Rating: 3/5
Favorite Tracks: Ti Amo, LA・LA・LA LOVE SONG, Suddenly -ラブ・ストーリーは突然に-

This was a request from a reader and I hope I do a good job of reviewing this album. Also, a small note, I haven't heard majority of the originals covered. "Ti Amo" was one of the promotional tracks for this cover album. Despite what people say, I think this cover is beautifully done. Beni's voice is just perfection and the music has this Latin and R&B mixture to it that makes it endearing and a bit sensual in the right places. "LA・LA・LA LOVE SONG" is sweet, upbeat track of infatuation. It has a nice melody and, of course, Beni's delivery is effortless. "瞳をとじて" falls into the usual ballad sound that Beni goes for, so this wasn't a stretch or anything super new for her or listeners. It's a pretty song, but nothing I would listen to often. "奏(かなで)" falls into the same category of piano ballad, love track, but has a little more punch to the melody. "One more time, One more chance" takes a step back to a softer tone that reminds me of something that would be in a music box. "ロビンソン" brings the tempo up with a slightly vintage feel in the composition and vocals. It's sweet and a bit uplifting. "Suddenly -ラブ・ストーリーは突然に-" has a hint of dancy elements to it, but tries to keep it under control musically. The music and vocals are very balanced with each other and creates a nice poppy song. "もう恋なんてしない" gives a lounge R&B sound and pushes the piano in the background to emphasis Beni's sweet vocals to charm listeners. "桜坂" is another piano ballad track with some added strings and heartfelt vocal delivery. "ここにしか咲かない花" keeps the tempo slow and I kinda wish that Beni took a little more risk with her vocals in this one. "今のキミを忘れない" finally brings the tempo back up to Beni's other safety net of pretty pop. "いとしのエリー" has more of an R&B flair to it that I enjoy a little more with her voice. It has an interesting melody that I'm not sure if I find weird or creative. "TRUE LOVE" closes out the album softly with piano and emotion filled vocals.



Jay Park - New Breed (2012, South Korea) Rating: 3.5/5
Favorite Tracks: Know Your Name, Up and Down, Star, 너 없이 안돼 (Acoustic Ver.)

"New Breed (Intro)" sets up the tone for this album...kinda. The beat is repetitive and the beeping or whatever is is a little annoying. The rap delivery is a little weak for most parts, but there are little shining places here and there. "Know Your Name" was one of the promotional tracks for this album and combines Jay's vocals with Dok2's effortless delivery. Hearing it now, I don't think this is the best of Dok2, but it works for the song. It's pretty catchy, confident, and a good club tune. "Girl Friend" pretty much recycles "Nothin' On You" melody with a seemingly freestyle deliver during the verses. Not the best of Jay Park's work, but I like the singing parts. Those moments are a little charming. Otherwise, the song is kinda annoying due to the recycled melody and cheesy due to the chorus. "Up and Down" is a little better collaboration between Jay Park and Dok2. The song is pretty catchy and fun. I can see this as a good dance track for breakdancers and holds the same confidence and charm as "Know Your Name". "I Love You" takes what we have in the States that borders between R&B and pop. It has a quirky, but kinda cool melody that highlights Jay Park's vocals better than the previous tracks. Also, Dynamic Duo's contribution is quite good. "Go" is a couple steps down from the previous track. It tries to carry the same mood as "I Love You" with an opposing message, but the rap is kinda awkward and the double layers of singing vocals is too much. "I Got Your Back" is a little more upbeat with some piano and charming vocals, but nothing stands out that much, especially since the chorus is the same as "Girl Friend". "Star" was another promotional track and I think there might've been a split among the fans with this one. I actually prefer Jay's singing over his rapping most times and this song is one example. It's vulnerable, controlled, and the vocal layers are utilized better than "Go". It's a sweet track. "Come On Over" is a softer track that has remnants from 90s R&B. It's kinda bland and the vocals feel awkward. "Turn Off Your Phone" carries the same vintage R&B sound and includes a speaking introduction too. It's a little less bland than the previous track. There's a lot of potential and, depending on the mood, I could learn to like this song more. "너 없이 안돼 (Acoustic Ver.)" was a refreshing take of the original and surprisingly, I like this version way more. The lack of music and acoustic work goes very well with Jay's sincere vocal delivery. I honestly should automatically love "Aom&1llionaire" because it features The Quiett and Dok2, but not really. It's a very freestyle track with freestyle-ish beat and booming bass. It's too cocky and unfitting to follow such a beautiful track. Since the previous tracks set us up for more cocky rapping, "Enjoy the Show" continues on those lines with The Quiett and Dok2. It's a little less annoying, but I think I enjoyed this when the album first came out. Listening to it now, I just can't deal. "Wasted" continues with the hip-hop sound, but gets a little gritty with the help of Bizzy's confident delivery. Between the three tracks, this one seems more successful and sounds a little more on the professional side. "Clap" closes out the album with khip-hop royalty Tiger JK and Tasha. It's very much a hype track and has a refreshing beat to it while still staying in Jay's comfort zone, so his delivery seems less strained compared to the previous hip-hop tracks.



D - Dying Message (2012, Japan) Rating: 3/5
Favorite Tracks: Dying message, God bless you, 灰の雪

Finally found a D release that I can talk about and I'll try to put my grievances aside. "Dying message" seems like a borrowed sound from another band and stray away from their usual sound overall. There's still some D buried in there in the deep guitar and bass and vocal areas, but this upbeat tune isn't that bad...just different. "Eve(エバ)の系譜" mixes operatic vocals and this heavy sound that the band has adapted into their later material. It's a quick song that tries too many types of vocal elements. Echos, whispers, speaking inserts, vibrato, and slight growls. "God bless you" has a good start with electronics and a nice bass line. This sounds a little more like D, but Asagi's voice seems strained in a couple places and removing the screams or group vocals would make this song better. I really love the musical arrangement though. "灰の雪" brings in everything I enjoy about old and new D together in a nice little package. It gives me hope that the band can delivery something beautiful and fresh. It has a sprinkle of orchestral elements and piano, rock, and a good steady drum and bass composition that highlights Asagi's vocals.



SiM - Evils (2013, Japan) Rating: 4.5/5
Favorite Tracks: Blah Blah Blah, Same Sky

"Blah Blah Blah" starts off this single strong with some fast attacking drums and guitar work with slightly playful vocals. It definitely sounds like some sort of speed run, but the chorus almost counters its slight upbeat sound. "Same Sky" has a nice build up with the drums and strategically placed guitar, then softens up during the verses to show the vulnerability in the vocals. It's soothing, charming, and alluring. It shows that the band can handle softer material naturally. "F.A.I.T.H" is a short track of aggression that completely throws off the mood created by the previous tracks. It's okay, but I would've just left this one off or choose something else to close this nearly perfect single.



Big Bang - Still Alive (2012, South Korea) Rating: 2/5
Favorite Tracks: STILL ALIVE, MONSTER

This is probably a pointless review, but here it goes. "STILL ALIVE" received some attention and thus it was expanded to a full track than just a short intro track. It is a pretty good song and I'm glad they expanded it. It has a steady beat and gives each member some vocal time...like equally distributed to some extent vocal time. "MONSTER" is probably the main reason I even bothered with reviewing this recycled album. I loved the music video and the song, but together they do not work at all. It's a beautiful song with softened up electro-pop, piano, strings, and an impressive vocal arrangement. It has dynamic musical elements in it that doesn't sound like they're trying too hard. The lyrics are pure from the heart too. The only flaw I could hear is that damn auto-tune. Get it away! "Feeling" is from the Japanese version of the ALIVE album, but in Korean. I did mention that I really like this song, but ugh, I like it in Japanese more surprisingly. It doesn't sound that awkward to the ears, but I just like the chorus better in Japanese. I'm going to skip these supposed "Special Edition Ver." songs because I honestly don't hear any differences from the originals. "빙글빙글" is another new track and I honestly forgot this track existed until I had to review this album. That's saying something. I guess they were trying out the whole pop/rock thing, but meh. It's not a complete dud, but it's cheesy as hell in places. Once again, "EGO" is my favorite song from ALIVE and having it remade in Korean is just cringing to my mind. It just doesn't flow or something to me. Maybe if I came into with pure ears, but still...it seems awkward.



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Tuesday, February 12, 2013

Recommended Music Videos: Valentine's Edition

Happy Valentine's Day!



Whether you're involved in a relationship or not, Valentine's Day is often a time of mixed feelings. It may be because you can't be with the person you love. It may be because you have no special someone. Then again, it may be because your special person is being annoying. Love is a very complicated emotion. It's not all good nor bad. Most of us just enjoy the holiday because it means a lot of chocolate and candy hearts.

Regardless of your feelings on the holiday, I've decided to do something a little fun. I've put together nine eligible bachelors and one bachelorette in the form of music videos. Take this with a grain of salt. I don't intend to be offensive to any fangirls who may read this. There will be a second half to this post that I'll get up tomorrow. That one will be the opposite with songs that feel very anti-love and commitment. Feel free to comment as always. I'd like to hear feedback from the Muddy Cult readers!


Leave it to Kirito to paint a the scene of a lover who will destroy everything to leave you lost and alone. Once he's accomplished this, he'll rebuild the world and show you his vision of the future. It's unclear whether this is a healthy relationship to be in, but it's certain that Kirito isn't the type to give up on what he wants. Approach your future with Angelo's dictator frontman with caution.


This is a man who will love you forever. No matter what the future brings, he's willing to walk hand in hand with you toward it. Even if the time comes when you forget him, he'll still stand by your side and strive to reach your heart. Don't let his age fool you. His life experience only adds to his charms. Kiyoharu won't play around with your heart like some of the younger men will.

Oh Asagi. It was inevitable that a creature of the night would sneak his way onto this listing. Our dear vampire vocalist will condemn you to an eternity of endless darkness. Yet, he won't abandon you along the way. He'll guide you through every step of your damnation with a firm, loving hand. If you want commitment ladies, this is the one for you. To escape his love, you'll have to endure a big stake through the heart or burning alive in the sun! You can't get much more committed than that!

Hyde might be gone for most of your relationship. You can be assured though that every night before he goes to sleep that he's thinking of you and the life you have together. He might not come home tomorrow or the next day. His friends may take up more of his time than you'd like, but eventually he'll make his way back into your arms. You can sleep well knowing that you own his heart even if he's miles away from you.

Your blossoming relationship with Atsushi Sakurai may be the last one you ever have. Life with a gothic prince such as Sakurai-san is bound to have some side effects on your health. Whether he's a vampire or another sort of demon, it's quite certain that his darker charms will keep you spellbound for centuries to come. If nothing else, that hypnotic stare and smooth voice will lure you into his web.

Gackt is capable of having deep affectionate feelings for a person. The trouble is getting him to narrow this down to one person. He may hurt your feelings by flirting with that cute girl down the street. He may break your heart over and over by stealing a kiss from the hot guy he's been spending a questionable amount of time with. In the end, no matter how much he hurts you, he always tries to make up for it. If you can handle his playboy ways, Gackt will always come back to you in the end. 

Beni is the type of woman who'll support you even if you don't fall head over heels for her. She's scared of rejection, but she's hopeful that you might give her a chance. This is a woman with a big heart and a lot of love to give. Her heart is open to you. All you have to do is reach out and make the first move. 

Kyo is a complicated man. He's rarely one to let his emotions spill to the surface with the weight of truth behind them. However, that doesn't mean he is incapable of feeling nor telling the truth. He's a man who will protect himself with a carefully crafted lie. If you break his heart, he'll keep his pain secret. It'll take a bit of work for you to find a way through the shell he uses to protect himself. Once you have, he won't let go easily.

Inaba Koshi is a simple, honest man. If you fall in love with him, you can be guaranteed that he'd be loyal and dedicated to assuring that you're happy. The safety and happiness of his loved ones are the most important things to a man like this. He's a protector, a nurturing soul. Loving such a man is likely as close to having your own Prince Charming as you're going to get. 

Tatsurou is usually a fun, outgoing guy. You're guaranteed to never have a dull moment with him in your life. He's also capable of being romantic. Tatsurou will share his umbrella with you when you're caught out in the rain. It may take him awhile to recover if you decide to leave him. He has a deep heart that could be easily broken. Treat him with care and remember to enjoy the small things in life. 

Sunday, March 11, 2012

Top 5 Recommended Music Videos



"Climax" by Usher
OMG! The real Usher is back and I'm addicted! This song is not only addicting, but it's emotion filled and everything that I love about his music is back. The music transitions are smooth, dramatic, and memorable. The video, some like it and some don't. For me, I think it suits the lyrics and emotion very well. You can feel and see the confusion and emotional drawbacks. Simply said I can't get enough of this track. Keep it up, Usher, and leave that dance, electro-pop nonsense behind. Way behind~




"mimic" by Nightmare
They're at it again and I'm loving this as well. This goes back to what Nightmare is good at which is rocking upbeat tunes. I missed this side of the band. Yomi's vocals are still very impressive and the musical arrangement feels familiar yet fresh to my ears. The visuals are very interesting as it has a couple characters and intertwines the story with the band effortless without one distracting the other.





"Like!" by BABYMETAL
Yes, more cracktastic cuteness! From the DDR-esque sounds to the double pedal drums and growls of metal to...deep bass rap breakdown. Yes, I said it, there's a rap breakdown that makes these girls even more "wtf" than they already are. I'm not even sure if I wanna say I'm a fan of theirs or not, they just amuse me so much with their concept, cute appearance, and music. Way to go, Japan! So, get your fox signs up and rock out, cult followers. (>o<)\>/




"Ti Amo" by BENI
The lovely honey blonde goddess is releasing covers and this is one of them by EXILE. It's completely in English and the PV has the dramatics of a Koda Kumi PV, but it doesn't take away from the emotion or delivery. BENI's voice is flawless and she looks fabulous in this as well. Very beautiful cover and I think it's just as good, if not better, than the original.




"News" by Nine Muses
I know you're probably wondering where's the YG at, but, to be honest, I actually was thinking about adding them to the list this week. Unfortunately for them, there was some mental conflicts I have with "Scream" and "Fantastic Baby" that I can't discuss on this post. So, I wasn't a fan of "Figoro", but I really like this song and the video is quite stunning. I was worried this would be another SNSD, but I can mostly distinguish the girls apart if I wanted to start learning names. The song is catchy, but has some vocal depth to it which is something SNSD and a few other girl groups lack. There's a lot of quirky energy and it's light and fun. I know they have a new music video out now, but this one is my favorite for now.

Sunday, November 20, 2011

Top 5 Recommended Music Videos




"Crazy Girl" by BENI
I know I complained about the dance craze going everywhere, but this is an exception. I'm so happy to hear something fresh and new out of the beautiful BENI. The style suits her and it proves she can turn any sound to gold with her voice. The song's really catchy and the video is simple, yet entertaining.




"Cleansing Cream" by Brown Eyed Girls
When I first saw this video, I was truly impressed. It has a very deep meaning and a few ways to interpret it. With the lyrics, I found a better meaning to the song and the video. It's very beautiful and I think it's composed by the same people who did Sunny Hill's "Pray", but I could be wrong. Either way, both songs are similar sounding and share the same beautiful, thought provoking tone. Good choice, ladies.




"Rescue Me" by coldrain
The same time I discovered SiM, I saw the PV to this song. I've never seen it before, but according to iTunes I've listened to the song before. So, watching the video, I was reminded how awesome this band is and how underrated they are. Perhaps they're underrated because they have more an "American" sound than your typical jrock group. Nonetheless, the video is very interesting and similarly edited as the SiM PV. The song is very catchy and features some great guitar work and easy to understand vocals.




"Narcissistic Cannibal" by KoЯn feat. Skrillex & Kill The Noise
A friend of mine mentioned that KoЯn had some new material out there...and it fell under the lines of dubstep. I've avoided it and avoided it, but curiosity got the best of me and I checked this video out. I'm hooked. Check my last.fm! *guilty* KoЯn didn't lose themselves to dubstep. They just combined forces and made something awesome! Between the two KoЯn/Skrillex creations, this is the better one.




"Bad" by TABLO
Old news, but TABLO joined YG Entertainment. I was a little weary about this decision, but from what I've seen and heard from others, it didn't seem like a bad move. As long as Epik High comes back with something awesome in the near feature, I will accept TABLO's solo work with open arms. His debut solo vid under YG is pretty cool...literally. It has a great concept and the vocal combo with Jin Sil is flawless. I'm not touching "Tomorrow" MV unless asked.