Showing posts with label pay money to my pain. Show all posts
Showing posts with label pay money to my pain. Show all posts
Tuesday, March 28, 2017
Saturday, January 4, 2014
Most Shocking/Disappointing/WTF Asian Music Moments of 2013
I thought it would be excessive to give each of these bands their own entry as there's not much to say other than I'm sad I won't be seeing much of them, if anything, in 2014. Some were bands I've followed in the beginning and sad to see their journey end when they were reaching their peak: otogadead, cocklobin, and Eat You Alive. Some were new discoveries, but sadly faced their end when I was about to jump on the bandwagon of greatness: Called≠Plan and 2the DISCOLAND. I hope at least they find something else to join and continue on their musical journey.
If you haven't heard the news, then I'll let you know that this isn't a rumor or a typo. I couldn't believe it myself, but apparently it's true. Angeline Jolie is directing a movie and Miyavi auditioned for it. I have no idea how his acting abilities have changed since Oresama, but I really hope he doesn't try to overwhelm himself with outside work like his pal Gackt. To make the situation even more amusing was his appearance in a tabloid claiming that Brad Pitt was jealous of Miyavi because he resembled a former lesbian lover his wife had. Don't you love tabloids~
I must admit that this whole Litchi Hikari Club thing is a bit hit and miss and a little confusing to me. I don't understand its purpose anymore, unless there's an epic anime series coming out soon based on the manga. Anyway, as a casual listener of Penicillin, I was surprised to see Gisho reemerge to join Hakuei's side for the project. I don't know if it's a permanent addition, but whatever. Hakuei's way of working has always confused me.
Normally I would leave news like this off, especially since I'm not super into this band nor do I know enough people that even know of their existence, but I couldn't resist the vagueness of the news. I do like this band and they make good music too. Among all the band member departures, I think this one won the best of the best. Kei was apparently fired for "inhumane acts". What does that mean? No one knows and I doubt anyone will tell what those "inhumane acts" may be, but it was amusing to see what other people come up with as to what it may be.
I think these member departures hit me harder after seeing them live and interacting with each other offstage. It's really weird. You believe everything is well and then bam! member departure or disbandment. It makes you wonder what happened between then and now to make someone leave or decide to break up the band. Anyway, I hope Setsua gets to fulfill everything he wants musically.
I thought about adding Signal to the disbandment entry, but there was something more going on with their story. I'm not sure how many people are familiar with them, but they are another talent j-indies band that sadly ended before they reached their peak. I was saddened by their shorten journey and disappointed to find out that their bassist embezzled money before their final live. I never understood the reasoning behind a member betraying their band, especially financially. Fyi, these visual kei bands don't really make much and most have to pick up another job or two to support themselves.
I'm not really a KARA fan, but I do like a couple or so of their songs and my favorite member is Nicole. I was aware that the group, or at least 3 members, had some contract issues with their label DSP Entertainment. Fortunately, things got settled and KARA has been one of the most successful kpop groups in Japan. Toward the end half of the year, Nicole and Jiyoung contemplated letting their contracts expire and leave KARA behind. Nicole made up her mind without hesitation and decided to let her contract expire, while Jiyoung takes the remaining few months at the beginning of the year to think things over. I think KARA is one those brave kpop groups that has a firm grasp of their individual futures and how business works in some way. Since I only have a bit of an attachment to Nicole, I hope this isn't the last I see of her in the public eye, but I want her to be happy with her freedom as well as whatever Jiyoung's decision may be on her own future.
It all started when Sunye announced that she was getting married and it kinda seemed out of the blue. Of course, a lot of people assumed that she had a bun in the oven and worried about the future of Wonder Girls. Well, she did give birth and probably extended the group's hiatus as she adjusts to motherhood and married life. There was hope, but then Sohee decided to let her contract expire to pursue acting and modeling. I'm curious as to what is going to become of the Wonder Girls now. Will they pick up another member? Form a sub-unit or conduct solo careers in the mean time? I suppose we'll find out eventually.
Rain had a rocky check out of the military and SE7EN decided that he was continuing the celebrity military scandals when he began his 2 year service. Normally I would make fun of how big of deal South Korea made of SE7EN's trip to the massage parlor, but I can understand the fuss. Aside from ruining his dignity as a South Korean citizen serving his time, he also committed infidelity on his long time girlfriend. The interesting thing is that this scandal may change the system for male celebrities serving their mandatory military time. I guess something about it causes their hormones to go crazy.
Overseas media love picking up bizarre "trends" that aren't really trends at all. Sure, Japan can be weird, but most things westerners think is weird they think is weird too. Eyeball licking happens to be one of those things. Although this viral "epidemic" was proven to be a hoax on CNET, BORN gained some views for "Spiral Lie" and of course some humorous commentary on the situation. Most long time fans of jrock are familiar with the late hide and Zi:Kill's TUSK's short film Seth et Holth and mentioned that, if anything, they would be the ones to start the "trend" of eyeball licking among visual kei. Nonetheless, everyone had a good laugh while it lasted.
Piggy Dolls was a group that not many people knew about that possessed massive vocal talent and charisma. They started off with a bit of controversy with their image and name, but they embraced it and joked about their appearance while delivering powerful and confident performances. They were silent for a while, but I was happy when they returned with their first album. Unfortunately, more weight controversy arose when the girls lost weight. Whether it was the label's decision or they really did work their asses off literally, no one will know. Piggy Dolls went silent once again and returned with another controversial comeback: the original members were replaced. This upset me as well as other Piggy Dolls fans. Something I enjoyed about the group was that they stood out from the stereotypical imagery of kpop, but most of all they had mesmerizing vocals. Their replacements were quite vanilla and their debut was very bland. In short, I gave the new girls a chance and decided to abandon this new direction.
It seems like the overflow of drama has made it to 2013 with Kim Kwang-soo's initial plan falling apart before his eyes. Although we'll never know the truth behind Hwayoung's departure and relationship with the other members, we do know that new addition Aerum left before any serious attachments formed, but is said to possibly have a solo career in future. We also know that Dani will probably never be part of the main group and remain in T-araN4 as long as that exists or until she follows the same path. Either way, the line-up remains as six as it should've been in the beginning.
As mentioned in my entry about Setsua's departure, I had the same feeling toward the announcement of -OZ- disbanding. They were an indies band that I felt would be producing music for a long time as their quality seemed to improve with every release. The band had amazing chemistry on and off stage and they were very consistent with everything. I hope the members find some projects to participate in because they are very talented, but nothing will replace -OZ-'s powerful energy.
I've gained some enjoyment from this band after a few releases and seeing them in person. I still might not get over the whole name thing, but I learned to look past it enough and simply enjoy the music. Some time passed and Taito was announced to be part of the band as keyboardist. Later, KENZO stated he was leaving the band and I was really surprised, but it was nice he was working with Nightmare's Hitsugi on a side project called GREMLINS. After releasing a new single after his departure, Yumehito and Intetsu announced that they would be departing at the end of year. It looks like the band will continue with a new set of members to the existing and I'm really curious how that's gonna go.
I've surprisingly enjoyed KAT-TUN more and more over the last year and I know my younger self would be surprised that I would pick them over Arashi now,
After recovering from vocal issues...again, Kyo decided to be more interactive. He opened a Twitter and Facebook account, had his photos featured in a gallery, created a website for his solo endeavors including some fictional characters he drew up, and lastly put together a band called sukekiyo. As much as I worry about Kyo's health, it is exciting to him open up more to his fans and try new things. Unfortunately, you have to deal with these crazy fans who think Dir en grey is breaking up. To those people, please calm down and reevaluate everything.
Block B has been through a lot of ups and downs as a rookie group, well somewhere in between rookie and veteran. They recovered fairly well after the mistranslated Thailand incident and soon the contract dispute began. I really wish companies would stop taking advantage of young talent (and their parents). The struggle was over their contract and not being paid what was due to them. According to sources, their parents contributed to the group's funding as well and the group never received what was promised to them. Fortunately, Block B made a true comeback under Seven Seasons and a new mini-album.
Some of you may know that Rain is my ultimate kpop bias and the reason I even know what the heck kpop is. I've already expressed my excitement when I watched MAMA 2013 and watching him perform on stage like a boss. I remember holding back just a little when I heard the announcement of a new album for 2014 and a documentary/reality show. The more Rain the better. I'm obviously not complaining and can't wait to hear and see and feel everything for this man.
Some of you may know I really dislike AllKPop and that I don't understand why people rely on them for news because they're as poor, reliable, and unbiased as Fox News and CNN. Most people know the story, AllKPop posted some nude photos of Ailee and everyone went crazy over it. I never really voiced my opinion on the actual situation of who was right or wrong, except for a class assignment, but I don't think I will be changing that anytime soon. Although, I still thought the "boycott" was stupid. Fans will continue using the site and continue to bash Ailee.
Congratulations, you made the list twice and stayed consistent with being the spotlight of scandal! I thought things would settle after the financial and possible illegitmate child news and then we would get new material. Well, Gackt has been super busy throughout 2013 as an actor, judge, and musician, but he didn't avoid the scandal boat. As much as I wanted to rant about the fan commentary presented on the matter, I didn't make the time for it and I kinda wanted to avoid certain aspects of it. In short, a woman went to a tabloid and exposed her sexual exploits with Gackt. She accused him of sexual assault and the story went all twisty turny. As I want to still maintain my opinion on the whole situation toward the comments a secret, I'm not surprised that Gackt continues on by gearing up with several singles for 2014 without a moment's hesitation.
Only a few days after posting 2012's list and mentioning K's mental health, it was announced that the vocalist passed away. I wasn't expecting such news to occur so quickly when there was so much hope for recovery and new material for the coming year. With two new songs on the compilation album to hold us over, they did a fine job honoring K's essence with their last album.
Tags:
-oz-,
(bi)rain,
ailee,
alsdead,
ayabie,
block b,
born,
gackt,
kara,
kat-tun,
litchi hikari club,
miyavi,
music,
pay money to my pain,
piggy dolls,
rubik,
se7en,
signal,
t-ara,
wonder girls
Thursday, December 26, 2013
Quick Music Review
Hey Monday - Hold on Tight (2009, USA) Rating: 1/5
Favorite Tracks: Homecoming
When Paramore was new and popular, there were a few pop/rock female fronted bands that had a similar sound to them. Hey Monday was one of them. I saw their video for "Homecoming" on the channel Teen Nick (f.k.a The N). I really liked it, despite it being nothing super special. Some time ago, I was curious what the rest of their music sounded like from that album and I recently found out...very boring. There is nothing memorable or redeeming about this album at all. "Homecoming" is still enjoyable and simple, but everything else sounds like a whiny and annoying version of Paramore.
M.I.A. - Matangi (2013, USA) Rating: 4/5
Favorite Tracks: aTENTion, Exodus, Bad Girls, Know It Ain't Right
It's hard to stay consistent and remain fresh at the same time, but this latest album by M.I.A accomplishes that. Her collection of music on this album remains eclectic in sound like her previous albums and delivers strong, thought provoking messages in her lyrics. Some songs are still clashes and collisions of noises, some have an interesting vague dance beat, and others have this awe inspiring arrangement, but it all fits the M.I.A sound. I can't quite pinpoint why I like this album so much or even why I think this is her strongest work, but all I can say is just listen to it from beginning to end and let your soul flow free through the various shifts in melodies and tempos.
Icon For Hire - Icon For Hire (2013, USA) Rating: 4/5
Favorite Tracks: Cynics & Critics, Hope of Morning, Pop Culture, Watch Me
I don't think I've ever pre-ordered a non-Asian album, but I believe this is the first. I got a little preview of a couple songs from seeing them live and it took me listening to it in the car to truly appreciate the shift in the band's sound. From what they said at the live, this was their opportunity to take control of their musical direction and sound. So, this is their true sound and something that represents them and I must say it's a very good representation. It doesn't remind me of other bands like Scripted, but it still has that signature sound that helps me identify the songs as Icon For Hire and no one else. I'm looking forward to what they have planned in the future for the next album.
Nocturnal Bloodlust - GRIMOIRE (2013, Japan) Rating: 3/5
Favorite Tracks: PANDEMIC, Sphere, Bury Me, A Day to Re:member
While I'm glad I gave this band a second chance, I will admit at times that some songs were too growly for my liking, but the music was thoroughly enjoyable. All the growls and double bass drums tend to make each track sound too similar. It's a problem I had with one of Dir en grey's albums, but I still enjoyed it. As I continue delve deeper into this band, I hope there is a better balance of singing and growling, because the vocals aren't that bad. He has a nice variation of alluring, haunting, and so on.
Pay money To my Pain (2013, Japan) Rating: 4.5/5
Favorite Tracks: Innocent in a silent room, God drive, Resurrection, Rain
Surprisingly, this was kinda hard to get through. I admit there were a couple or so tracks that grabbed my heart and squeezed it over and over again. Similar to Daisuke's last album, they treated the remaining unfinished tracks with respect and allowed close musical associates to finish up the vocal parts that K left behind. These tracks turned out wonderfully and carried the essence of K's spirit and high energy. I hope the band's last live of the year turned out as wonderfully as this album did. For PTP fans, I think this is a great album that they could cry over with pride and sorrow.
If there's something you want me to review, check out this post on how you can submit requests.
Sunday, January 6, 2013
Top 13 Recommended Music Videos
"Bones" by Rose Noire
I'm so glad Kiwamu hasn't ditched these talented musicians. Sometimes it's just nice to listen to some melodic, haunting vocals accompanied by some beautiful violin. This is definitely a step up production wise for these two and I hope they get more backing this year with their music. They're sadly underrated and exude so much talent.
"SOMEBODY WANTS DAYS YOU CLOSE" by NOISEMAKER
After "PLATINUM SHOES", I was thrilled to see something new from this band and it was equally, if not as, incredible than what I heard before. The title of the song doesn't really make sense to me grammatically, but I'm willing to ignore it. The setting reminds me of P.O.D video and shares some small similarities to it. This is definitely a memorable, emotional effort from this band and I am anxious to listen to this new mini-album.
"Cheeky Ren" by DALATH
I must admit that I was confused by watching this the first time. I thought it was another all female band, but it wasn't. I was a little disappointed, but I kept listening and ended up liking what they had to offer. It's a simple concept and reminded me of old Girugamesh visually. The vocals aren't extremely clear, but they are tolerable and quite good for what it's worth. I'm hoping to hear more from this band in the future.
"愛國革命" by R-shitei
I don't think I've ever mentioned this band on this site, but I've been following them since they were called Catheline. Anyway, this is a totally new direction and it still manages to suit their upbeat, slightly dark style. It's a very high energy song and the visuals are interesting. They can be a little overwhelming, but your eyes get used to the over use of white. The only odd part for me is the dubstepish dance break that reminds me of SuG and xTRiPx.
"Take My Chance" by DOLL$BOXX
Remember Acid Black Cherry's "SPELL MAGIC"? Well, this video is just like that. The girls play with the stereotypes of cutesy girls and lonely male otaku audiences, then flips it around to blow the crowd away with an epic rock sound. The vocals are very strong and I always admire when a drummer does back-up vocals well. It has a playful, but decently hard fun sound. I'm looking forward to hearing these girls' first full length album.
"BEZOARSTEIN" by Megamasso
I think its been a while since I posted anything by these guys, but they have progressively gotten better and better with each release. This PV further proves my point. The band shows off some intense attitude, emotion, and passion. The transitions are smooth and share their signature style they've carried throughout the years. It's hard to believe that it's possible for them to continue to exceed my expectations with each release. Keep it up!
"and Cry" by JAWEYE
A friend introduced me to this band through this PV and I'll give a warning that there's a lot of flashing lights in this video. So, if you're sensitive to that, then this isn't a good video for you to watch. It's a a simple blue-greyish tone PV that's very band centric. It has some cool slow motion moments and plays with the simplistic set to make it interesting for the viewer. The music is energetic and you can definitely rock out to it in your bedroom. I'm thankful I was introduced to them.
"HALO" by BLUE ENCOUNT
With JAWEYE came my ventures off to more amazing non-visual artists. This is another simplistic, band centric video. It might seem boring, but I like the lighting they chose for this video. It's almost as if the members are merely shadows playing instruments, but you can clearly see them excluding their faces. The song is quite upbeat and kinda has this pseudo-college rock feel, perhaps. It's familiar, but fresh. Forgive me for having a hard time explaining their sound, but it's good!
"sympathy" by KEYTALK
I think I have a little easier time describing this one. The sound reminds me of a more upbeat Plastic Tree without the wispy vocals. It's a fun song and you'll have a hard to resisting those lalala's. The PV is quite artsy and clever. Lots of geometric shapes, play on colors, and doesn't distract you from the overall feel of the song. It's definitely a nice feel good song of sorts.
"二時二分" by Suck a Stew Dry
Unlike the previous non-visual bands above, I couldn't quite hook myself into these guys. Please don't let that discourage you from checking out this PV though. I have my reasons for posting it, like other videos where I didn't care for the group. The song is quite simple throughout the verses and has a nice storytelling feel to it, then the power hits near the chorus. The visuals are once again band centric, but they nicely compliment the storytelling aspect with handwriting, scribbles, doodles, and a pink/purple color tint.
"moody pavilion" by mudy on the 昨晩
Another non-visual band that didn't quite stick to me, but I really like this song. It's kinda eerie, especially with that upside down body floating in the middle of the room. There's a lot of eerie atmosphere actually and some interesting artistic moments with color splashes and falling pieces as the band plays. It's intense and very easy to lose yourself in that you completely forget that there's no lyrics. It also feels too short as well, but still strangely satisfying.
"Sweetest vengeance" by Pay money To my Pain
I'm still trying to figure out how I missed this track, but it's great. It's chaotic and mosh worthy. It has some nice melodic moments and the visuals are just as chaotic and mesmerizing. Watching it now makes my heart melt for more reasons than one. I'm hoping K recovers soon and rests up for more energetic, aggressive, and emotion filled songs like this.
"Mayaku" by Lycaon
Another PV that I have no idea how I missed, especially since I've listened to the single. It's a simple band centric video, but it speaks volumes. Yuuki is absolutely beautiful in this and you can feel the emotion from his voice. I'm glad that theykept this so simple visually, because the music fills in all the important gaps for the viewer to lose themselves in. Also, Satoshi's solo is amazing!
Tags:
blue encount,
dalath,
doll$boxx,
jaweye,
jelectronic,
jrock,
keytalk,
lycaon,
megamasso,
mudy on the 昨晩,
music,
noisemaker,
pay money to my pain,
r-15,
rose noire,
suck a stew dry
Monday, December 31, 2012
Most Shocking/Disappointing/WTF Asian Music Moments of 2012
I've already given my praise to these awesome set of ladies, but it was sad hearing that Rami had to depart from the band. Of course, fans understandably accepted this news and wished the departed member well on her health. Fortunately, the band wasn't knocked down and picked up KERA model Re:No to fill in the position. I'm sure her vocal talents will take some getting used to, but the essence of ALDIOUS are not lost.
I know they formed two years ago, but they didn't debut their awesomeness until this year and it was definitely a "wtf" moment. Who would've thought that fusing cutesy girly jpop with metal was going to be so amazing. I know for a fact that this group confused some people and it's definitely a group that you'll either love or hate, but either way. Apparently, they have something in the works for 2013 and I am looking forward to it. Perhaps, there will be a battle between them and BiS. That might be pretty epic.
It was sad to hear that PTP's vocalist K had to put his musical activities on hold due to his mental health. I tried to look up some information on the situation and you'd be surprised how difficult that can be to find a truly credible source. From what I gathered from Tumblr
Probably less surprising for those familiar with Shaura's (Juka) track record, but still saddening to fans of the band. For me, the band seemed to be gaining momentum with each release and made me excited as time passed by. They had an interesting line up of having triple guitars and utilizing every aspect of that. Unlike Kisaki, Kamijo, and Hizaki, this is the end of Shaura/Juka's musical adventures. I wish him a lot of luck and I hope that Erina shows back up in a new band as well, because his skills are amazing.
Another less surprising bit of news that's still saddening to me and their fans. I knew they had been having direction issues, but somehow they carried on to make a couple more singles before officially announcing their disbandment. They have one more release and then it's all over in April of this coming new year. If you've never checked these guys out, they are definitely not what you would think they would be judging by appearance. I remember thinking it was going to be the typical oshare kei, but then Suiya began to growl and I was instantly in love. Nonetheless, I wish them all the best and I hope they continue their musical endeavors, especially Suiya, in new projects.
The last of the disbandment news for me was hearing this bit of saddening news. In a way, it seemed expected as the band had been silent for a while and TenTen's bands don't last long from what I noticed. I'm hoping that TenTen shows up on the scene as he normally does and even the other members as well. They had a lot of potential and it's sad that they couldn't fully develop a little longer.
So, D'erlanger is probably my favorite legendary jrock band and I'm sure most of you know that I adore/love Die probably more than any person should. Hearing that the two shared a stage together and doing a BUCK-TICK cover made my heart explode. I know how much Die admires Cipher and, if you didn't know, they share the same tattoo. In short, it was the most amazing thing to see as a fan of both parties and reading Die fanboy over the experience warms my heart so much. I hope one day they do a collaboration in the near future. If you haven't seen it, watch it and brace yourself for epicness!
South Korea continues to amuse me with their conservative ways and lack of sex education knowledge. Seungri decided to be the break out star of Big Bang in Japan, which I believe he fits in quite well. He has the personality, charisma, and a good grasp of the culture and humor. Apparently, he also has a way with the ladies of Japan as well to the point that he ended up in a Japanese tabloid. He was rumored to be in a hotel room with someone and had some kinky sex, then didn't offer to clean up the mess afterwards. Japan was unfazed, but South Korea caused an uproar over the "scandal". If you want to believe the highly unreliable AllKpop, G-Dragon voiced his disappointment toward Big Bang's charming maknae and fans inappropriately used the flimsy information for poster inspiration during their world tour. *sighs* I have lost what little respect I had for V.I.Ps this year. Thanks, guys~
Hiatuses aren't too much to cry over, but when you slap the word "indefinite", it's acceptable to have some fears of no return. Having Soshi as their newest vocalist was a step up and their new musical direction was a positive move, so hearing that the band was taking an indefinite hiatus caused some panic. It's hard to accept improving bands taking such ambiguous breaks or even disbanding. I hope they will return in the near future to blow our socks off, but for now I shall be anticipating Ryosuke's solo project this coming year.
Who would've thought that we would be plagued by a silly, yet catchy kpop song for the end half of the year? I already voiced my thoughts on the viral phenomenon and I had my first radio listen of the song driving back to university after Thanksgiving break. Yeah, I don't listen to the radio, obviously. Of course the success and kpop fan victory blew up in their faces when newbies who claimed to know about kpop through one song tried to jump in on the action with false claims and accusations that every kpop artists were ripping off PSY's global hit. Eventually, everyone got almost as annoyed as I was over the song and Americans started making PSY the butt of jokes before promptly turning their backs on him with his anti-American lyrics from his past. Have my thoughts changed on PSY opening doors for kpop to be accepted in America? Eh...not really. I don't think he's made that big of a deal for hallyu to swoop in like they have in Japan and even Japan is trying to kick them out.
I mentioned this the last time I had Versailles news that I am not a fan, still not, but this flooded my Tumblr feed. The ridiculousness, guys! With mistranslated blogs comes riots and people claiming the world is ending, but indeed this is purely a hiatus. At least, that's how I see it when glancing over the articles. Although this wasn't big news for me, I had to deal with the aftermath spamming on my feed of dramatic fans overblowing minor news. Bands need breaks to explore other musical outlets and improve future visions for their band. Even if they decided to break up, Kamijo and Hizaki are not the types to go silently in the visual kei industry.
I think I've seen more fans jumping for joy upon hearing this news. SuG has become larger than life and want to take charge of their own fate without PSC's slimy hands controlling them. I am totally looking forward to their debut under a new label and I'm crossing my fingers that a couple or so other bands will follow suit. If I could, I would trade Under Code's closing for PSC to close. I wouldn't want the bands to suffer, I just want them to be free from the torturous conditions they've been put under. I suppose I can save my ranting for my new video project as well. In short, I'm cheering for SuG and their band growth. I'm expecting very good things from this move.
Kim Kwang-Soo has been extra busy this year causing trouble for fans, especially T-ara's. Apparently, he caused so much trouble that I had to dedicate a whole post to his plot to destroy something further that wasn't broken. It seems like his reign of "good" decision making hasn't ceased, unfortunately. Expect the same old b.s. nonsense from him in the coming year. I'm not feeling confident about his choices with his money making group, T-ara, and his attempts to redeem success without Davichi and a potential poor reincarnation of SeeYa.
Probably one of my favorite j-indies labels have decided to close its doors in March 2013 and the fans are deeply saddened by it all. Although the news isn't completely surprising to us all, we still feel the deep sinking feeling of our hearts when the news was announced. Perhaps Kisaki didn't manage his money very well after his tax evasion scandal. Along with this news was hearing Dali announce disbandment beforehand and lastly NEGA following suit. Dali may not be as surprising as they had gaps of silence between releases, but they were one of the last of not so well known UCP bands I enjoyed. As for NEGA, I'm hoping
I didn't touch too much on this in my v-log, but only because I merely skimmed over the posts on Aramatheydidn't on LiveJournal and Shattered Tranquility. It wasn't that I didn't care, I just didn't feel like reading it all, but now I have so I can properly comment on this list. If you want a scandal, Seungri, this is how you do it. The tax bureau of Japan decided to look into Gackt's taxes and found some interesting things with his finances as well as his secret love life. Not that it's anyone's business, but since Gackt is a prominent figure in the visual kei and jpop scenes, some people flip their sh*t over a potential secret mistress in Canada that he has been supporting as well as an illegitimate child she bared before moving out of the country. Whether this will taint Gackt's reputation or not, it's quite uncertain, but not many people are saying much about it lately.
Jin is no stranger to the tabloid scene and Meisa is a little less of a stranger, but Aramatheydidnt as well as other Japanese pop culture sites and tabloids had a field day with the fanfiction life of these pop talents. It started with a rumor of the two having a relationship and it was soon revealed that they had a secret marriage that slipped Jin's mind and angered
Tags:
aldious,
babymetal,
chemical pictures,
d'erlanger,
decola hopping,
dir en grey,
gackt,
jin akanishi,
jpop,
jrock,
kpop,
lolita23q,
meisa kuroki,
music,
pay money to my pain,
psy,
seungri,
sug,
t-ara,
vii-sense
Thursday, April 7, 2011
Quick Music Review
2NE1 - To Anyone (2010, Korea) | Rating: 3/5
Favorite Tracks: Can't Nobody, Baksuchyeo, Try To Follow Me, Nan Bappa
It's been quiet for awhile, but the girls have been plotting world domination. This album is the first step and I believe it's a very good one. "Can't Nobody" is probably one of the best openers for an album, especially a first one and after the silence. It's strong, catchy, and empowering in a fierce, sexy way. It's easily addicting. So, they keep their new found electro-pop sound in "Go Away". It took me awhile for me to accept this song and actually enjoy it. It's kinda slow, but still upbeat, even though the subject matter is serious, but inspiring. "Baksuchyeo" (or "Clap Your Hands") was what got me pumped for this album and it was my favorite for a while, until I got hooked to the first track. It's fun and more hip-hop than electro-pop like the previous tracks. More electro-pop! But I think this next track has a little hip-hop sprinkled in there too. So, we jump from upbeat, electro-pop to a smooth R&B ballad that you might have to bust out the tissue box for. The next track is also slow, but has a totally different, beautiful arrangement. "Try To Follow Me" is a fun hip-hop, electro-pop fusion that's easy to get stuck in your head and I love the video for it. The girls take one of their older songs, "I Don't Care", and give it a slight unplugged, reggae twist to it that makes the song more mellow and exotic. The last group track is "Can't Nobody" once again, but in English! My mind is so used to the Korean, that I hardly bother with the English version. I'm just picky like that. In addition to great tracks, the girls added some solo/duet material. "You and I" is Park Bom's electro-pop love song that's pretty sweet (but it's not my cup of tea). Don't know if it's my bias, but I wore out "Please Don't Go" by CL and Minzy. It has a nice hip-hop flavor, but it's catchy and kinda dancy with attitude. Lately, "Kiss" by Dara featuring CL has been getting the repeat button abuse. It's fun, upbeat, and just right to balance everything out as far as solo/duet stuff go.
Pay money To my Pain - Remember the name (2011, Japan) Rating: 4.5/5
Favorite Tracks: Drive, Deprogrammer, Relieve, Picture
I must admit that the jrock scene musically was getting pretty dull, so this album was very refreshing. "This life" brings us into a calm, emotional, and smooth side of PTP that some people seem to forget they can do. They keep the tempo consistent and add a little more fire and anguish to it as they progress through the album. "Deprogrammer" was the highlight of the album for me. Before Remember the name was released, I saw this PV for this song and I was in awe. It reminded me why I loved these guys. They experiment a little with sound distortions and levels and the arrangement was genius! "13 Monsters" takes a small step down melody-wise, but the aggression returns a little harder in the following few tracks. I believe "Greed" was the first to make it's appearance on YouTube. It's definitely a headbanging, moshing song. We touch some sorrowful vocals and acoustics in "Hourglass" and "In the blink of an eye". A little breather from the previous track. "Gift" picks up the pace once again and flows into a song from the previous mini, "Picture". If you purchase the regular edition of this album, you get to hear another soft, acoustic song called "Dilemma". The perfect way to end this masterpiece that has easily stolen my heart.
Meisa Kuroki - Magazine (2011, Japan) Rating: 3/5
Favorite Tracks: LOL!, CELEBRATE, 5-FIVE-, LOVEHOLIC
When I heard that Meisa Kuroki was releasing a new album, I was really excited. I'm still fairly new to her music, but I really enjoyed her previous work. The intro was pretty simple with little bits of her voice, then it leads to her first promo single for the album, "LOL!". It's a decent song and still maintains that element of being catchy to the ears, but unfortunately, doesn't quite stick to the mind as permanently like other songs I have enjoyed by her. Nonetheless, it is a fun song. "SWITCH <=>" has that nice dance beat to it and definitely has elements that made me like Meisa's music. The vocals aren't quite dancey like the music, but it works in some odd way. The follow track featured the same elements, but became a little more bland to my ears. "CELEBRATE" came at a slightly different angle and got my foot tapping to the deep bass surrounded by the cheeriness of the melody. I was really surprised that "SHOCK -Unmei-" was on this album, since it had been out for a while. I'm not complaining. It fuses orchestral sounds with deep bass and Meisa's signature pop flavor. "Say Good Night" and "Why" are nice Meisa style R&B/pop songs. "As I Am" is more electronic than usual and felt awkward for me. "LOVEHOLIC" is an acquired taste. It mixes a lot of different musical elements together that can sound either odd or creative. "WASTED" is a pop/rock/dancey song...that I didn't particularly liked. It seemed very unnatural for her. Unlike "LOL!", "5-FIVE-" actually stuck in my head and stayed. It's very upbeat and you can't help but bounce around to it. MAGAZINE leaves us with a soothing R&B track, "Somewhere...", that really showcases the beauty in her voice. Overall, I didn't believe this album was as strong as her first album, hellcat, but it was decent.
Koda Kumi - Pop Diva (2011, Japan) Rating: 3/5
Favorite Tracks: Pop Diva
So, I haven't fallen under Koda Kumi's spell, but occasionally I find something good from her. "Pop Diva" is a strong dance track that has a definite empowering sound emanating from your speakers. It has become a bit of an addicting track for me (along with "Hot Stuff", "TABOO", and "show girl"). I think she has accomplished that she's the top diva. "Black Candy" kinda threw me off with all the guitars and the slow tempo. It's, I suppose you can say, darker pop. It flows through your ears like molasses. It's a bit of a hit or miss track depending on the mood, but it's okay. The remaining tracks are instrumentals of both songs.
BORN - DOGMA (2011, Japan) Rating: 3.5/5
Favorite Tracks: SIX DAMIAN, RED DESIRE, Dammit!!!!!!
One after another, BORN has been doing good releasing amazing things since they've joined PSC. So, my worries have definitely disappeared. "dogmanism" is definitely one of those intro songs that you think you would hear when the boys are stepping on the stage for the first time, before the show kicks off. Brings back some great memories~ "SIX DAMIAN" opens up with a strong bassline and distant/megaphone/distorted vocals throughout the verses. The chorus definitely gets you pumped up, especially if you're actually there and in person to yell along. I really liked that they kept their signature bridge style. "Dammit!!!!!!" reaches deep down to BORN's roots and keeps the energy pretty high up there. With spit fire delivery and a great guitar melody, this song screams BORN in every way. From the music and lyric delivery, you can't deny that the boys haven't lost touch of what got them to this point. "RED DESIRE" is a little more upbeat, quick, and catchy. It has high energy and pure Ryouga chaos. "Toge Zakuro" also has bits and pieces from their roots and mixes it up with their new sound. If you pick up the regular edition, you gain two additional bonus tracks. "Gurou" is a chaotic, but very melodic song. "Dazzling Mob" is also a bit chaotic, but more intense than "Gurou". As much as I'm diggin' the new BORN, I agree with some fans that I miss the Ryouga only choruses. I hope they use that element for future releases and keep the momentum going.
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