Showing posts with label nu'est. Show all posts
Showing posts with label nu'est. Show all posts

Sunday, September 21, 2014

Top 5 Recommended Music Videos


"Psycho" by HISTORY
HISTORY is a group I tried so hard to like, but every video they released was kinda the same. They blended way too much into the scene, but I'm happy my mind is still open to give them chance after chance to prove themselves. Obviously, this video meets my approval. Even though I could still gripe about the melody still feeling a bit awkward in places and the whole style doesn't stand out from the others, something about it has some unique points here and there. As I shortly mentioned, the melody sounds a little odd in places, but I really like the transition from the verse to the bridge and even a little to the chorus. Something about taking away musical elements and letting their vocals shine and letting them lead their own trail. Their outfits are pretty goofy and I've seen it before, but the choreography and story is interesting, especially the execution of using special effects and playing with set pieces. I still want a little more from this group, because I find it really strange how much I want this group to be good yet have little interest in them at the same time.



"One More" by Fiestar
I honestly have no feelings for this group and I mostly became intrigued by this song and video because of one of my subscriptions. Despite me being sick of these high waisted, form fitting outfits trying to feed into this "sexy" concept all these girl groups are doing, they mix it up with some playfulness and a variation of outfits that give them personality and unity. The way the video is shot reminds me of SNSD's "Mr. Mr." by using different types of framing and odd settings for the girls to look pretty in. The music is pretty catchy too with its smooth bass, upbeat melody, and a touch of funky horns. In short, this is an artistically eye catching video with beautiful women modeling in between shots. I don't think I'll ever be a fan of Fiestar, but I am a fan of this song and it's hard to resist singing along to the repetitive chorus.



"Saturday Night" by G.O.D
I actually like this group and I like Kim Tae-Woo's solo material too. I don't really listen to them that much, so I can't really say I'm a fan of theirs, but I admire their soulful and diverse vocals as well as acknowledge their contribution to the kpop genre. I was surprised to a see a new video from them and I'm kinda hoping maybe one day H.O.T follows their footsteps and surprise their fans with something new. This is purely a fun video and song. It plays off their ages and what men do, lie about their lives to make up for their mundane routines. It really fits their image and their ages while still being a fun video and song. It doesn't try to make them like the current rookies and has a clear demographic to their fans who know who they are, but at the same time is entertaining enough for younger kpop fans...kinda like PSY's "Gangnam Style".



"Good Bye Bye" by NU'EST
My feelings for toward this group haven't really changed much, but they are still gradually growing with each release. This latest video surprised me a lot. Ren isn't a girl anymore! I'm glad to see them breaking out of their bishounen versions of B1A4 and SHINee and claiming their own identity. The song and visuals are more mature like "HELLO", but appeals more to my taste. The vocals and harmonization are gorgeous and match the heavy, melancholy tone of the melody and visuals. The visuals are not overdramatic and have a nice bold color tone with simple settings and storytelling to suit the lyrics. I like the mixture of techniques of light, slow motion, fastforwarding, and lots of dramatic motions with the body as well as interesting transitions such as opening a door to another scene. Lastly, the main point this video caught my attention completely was the song. I like the transitions from a slight emptiness with a lonely piano to a more energized pain, although I could've lived without the dubstep breakdown. I really hope that NU'EST keeps going in this direction and follow the same path as VIXX.



"Back" by Infinite
I really like Infinite...a lot, but lately their music hasn't stood out too much or met my expectations for them. This has made me sad and ToHeart didn't do anything for me either. When this video came out, I was back to being happy...not completely, but happy enough. Similar to NU'EST's "Good Bye Bye", I love the use of piano in this song and the transition from the beautiful gentleness to the strong determined spirit. The action and acting match this transition very well. The story is simple and I've seen it before with Block B and B.A.P, but whatever. Of course, the choreography's on point and I like the individual spotlight on each member. The boys look very mature in this, even though they're bloodied up and injured during this video. It gives me close to similar feelings I had with "BTD (Before the Dawn)" and "The Chaser", taking their softer and energetic sounds together in one beautiful symphony. Although, I wish they didn't get that SM influence of unnecessary sound effects popping in and out of the music. It's totally not necessary.

Tuesday, February 4, 2014

Return of the Notable Rookies of 2012

Back in 2012, I made a post about some notable rookies that debuted that year. I contemplated making another list for the end of 2013, but honestly there wasn't much to talk about. So, I figured I would revisit these rookies and post an update of them one year later.

NU'EST
When I think about or least see an update from this subbing channel I'm subscribed to, I check out these guys. It seems like they've tried to broaden their visual and vocal range with more mature concepts like "HELLO". They're latest release I've seen is "Sleep Talking", which isn't that bad, but it's shot in a way that has been used before by B1A4 and later A-JAX. KPop is really running out of ideas. I'm sure they're still the underdogs, but they still haven't gain my attention to follow them.



EXO
Not too much has changed with this group as far as my feelings are concerned. I'm in the process of reviewing their first full album release for you guys, so I can't say too much about it. I know lots of people have been complaining about the overexposure of this group, but you can't help that when you come from a company with lots of power and money. It's not their fault. Anyway, EXO-M seemingly appears to be the more successful one between the two. I've learned from Exo Showtime that the members, personality-wise, are more likeable, but let's focus on the music. It seems like the group is gradually growing into their talents. They try to do something to display their synchronization as a 12 piece group, like "Growl" and then something to show off their vocal range, like their latest, "Miracles in December". I haven't listened to their latest release as I write this, but just based off that one song, it's probably one of the most depressing Christmas songs ever. It's beautifully composed, sung, and performed, but thanks for the little push off the edge of the cliff, guys. Yesh! I'm looking forward to more new material, but I hope that SM paces things for them, because they are clearly overworked.



B.A.P
I guess the stupid rivalry or whatever fans are making up are still going between B.A.P and EXO, but whatever. I think they have new competition in rookies BTS and GOT7. Anyway, like EXO, B.A.P have probably released the most material out of everyone in this list, which is ridiculous. The interesting thing is that their material has improved since the notable list was made. "Coffee Shop" was simple, smooth, and gave the vocal chorus a chance to shine. Despite it's laughable Engrish, "Hurricane" was a fun, high energy song that was easy to dance to. "ONE SHOT" is probably my favorite and most strongest release they've ever made visually and musically. "Badman" wasn't as strong as "ONE SHOT", but it was still a vast improvement from their earlier work, such as "Power" and "No Mercy". I won't be calling myself a Baby anytime soon, but I'll definitely continue to follow these guys and hope that TS Entertainment doesn't burn them out with these constant releases.



Six Bomb
Despite having a catchy track in "Chiki Chiki Bomb", the low budget video and unpolished live skills didn't quite hook enough fans. There was potential in the group and, as mentioned before, buried within their mini-album in a song called "Baby Boy". Six Bomb had a short life span and disbanded in 2012.



ChAOS
As much vocal potential and energy this group had, ChAOS also had a short life span. While I didn't like their debut song, "She's Coming", I at least acknowledged that they had voices, but the song was very underwhelming and borderline insulting. "Racer" presented some interesting things to the table and had a cool build up. At least they tried with their artsy video for "Kiss Kiss".



SPICA
I've declared in a few places that this group is my favorite female kpop group. They have amazing vocals and a mature look to them similar to Brown Eyed Girls. They had a strong start with "Potently" and "Painkiller", but I didn't enjoy their follow ups, "Lonely" and "I'll Be There". So, I was a little nervous when I watched their latest, "Tonight". It took some time to warm up to it, but in the end, I enjoyed this fun song. It's not as mindblowing as "Painkiller", but I still enjoyed it. It looks like they have something coming soon called "You Don't Love Me", so I hope it brings back the fire in this group and people recognize their overwhelming vocal talent.



EXID
Not much has been happening musically with this group. Apparently, 3 of the members left the group and are now part of BESTie, which isn't anything special or new from what we have now. LE has been featuring a few artists' songs and there was an announcement that they would be coming back with two new members, which they've already named. That's about it. Not much to comment on here.



A-JAX
I'm not a huge fan of this group, but I was definitely on the support train. So far, every release had been pretty good and there was a nice little break for a moment. "INSANE" came out and it took some adjusting, especially since the visual concept had been recycled before. I learned to enjoy it, then "Snake" and "Stay With Me" came out and I was deeply disappointed and a little insulted. A-JAX went from mature and sleek to pedo-bait in boy scout uniforms and cuteness. I really hope they go back to their roots and ditch the aegyo routine.



JJ Project
I guess this duo was a temporary project? I really don't know. I wasn't closely following them anyway. I almost got mad when I found out about GOT7 and thought JJ Project was just a throw away, until I learned that they're part of the group. I guess this is equivalent to Bang Yong Guk and Zelo before B.A.P debuted. I haven't listened to their first release yet, so this is just based off their "Girls Girls Girls" video, which isn't that bad. I wanted to add it to my recommendations, but there's nothing special about the video aside from some choreography moments. The song's kinda unique in the kpop world and the guys are easily likeable off stage. My curiosity is definitely piqued though.



BtoB
Not much has been going on with this group either. I'm really hoping they don't fall into oblivion, because they have too much going for them in the talent department. Unfortunately, they're still in the shadows of B2ST. [Pun not intended] Their latest release, "Thriller", still looks and sounds like leftover B2ST material and it doesn't help that this video was released after VIXX's "Hyde", which has a similar dark concept. It's still pretty good, if you ignore all those factors.



CROSS GENE
This group has become a bit of an after thought and I wouldn't put it past South Korea to think the same of this group. It seems like their strength might lie in Japan, but it's still unsure if they'll fall in the same international trap U-KISS is in. Without looking at my iTunes library, I can't think of any stand out songs after "La-Di Da-Di", which isn't a good thing. I'll probably continue to check on them and their status every now and then though.



2BiC
What can I say about this flawless duo? Well, they remain flawless. That's always a good thing. I may not listen to them often as they make a lot of ballads and some of them fall in the drama OST sound of ballads, which I usually dislike. They might not keep my interest with those songs, but their voices are still amazing and breathtaking. Honestly, I think their strength lies with R&B and I think they should stick to that kind of sound, then they can have some range with more uptempo melodies and slow jams.



C-Clown
Similar to CROSS GENE, this group has become a bit of an afterthought and I don't think they've released much either. As mentioned in the notable list, I was really impressed with "Far away...Young Love" and I was hoping they would continue to grow in that direction. When "Shaking Heart" was released, it just felt like a lesser version of B2ST, so obviously not as impressed, but not completely let down. It was still alright. They did what they could with what they were given and I guess that's all you can ask for in a rookie group. Hopefully, the company and the fans give them a chance to a grow a little more, before making a decision to disband them or anything.


VIXX
Initially, this group gave me some really good feelings and I was looking forward to what they were going to do in 2013. I wasn't expecting to turn into a proud Starlight at the end of the year. Release after release, VIXX has consistently gotten better with every concept thrown at them. They have even be given the title of "Princes/Kings of Dark Concepts" by fans and I kinda agree with that, but just overall, they are a solid group. They're probably the most solid group on and off stage out of all the male rookies in this list. I do hope they take a little break though, before they start release more new material...and do another set of performances in the U.S.



D-Unit
Apparently, D-Unit has this rotating third member system, which I think is stupid. It's just as stupid as the T-ara leader rotation system. Anyway, I was surprised that JNEY from GP Basic was featured in their latest video and just assumed GP Basic was done. Upon investigation, they're gearing up for a comeback, so I'm looking forward to that. I still have their mini-album in the lineup for review, so I can't say much there. What I can say is that the group seemed to have detoured a little from the hip-hop concept. Whatever it is, I'm not particularly feeling it, but I do want to hear more of them.



100%
This group falls in the same category as C-CLOWN and CROSS GENE. If they happened to be in my feed with new music, I check it out, but not super attached to them. They haven't really done much in the release department, but I can say that I love "Want U Back" way more than "Bad Boy". As generic as the sound, concept, and visuals are, it's a song I can listen to more than once and sometimes dance to. They still have a lot of talent potential and I wouldn't mind seeing more of them. Make it happen!



EvoL
Maybe because the company was occupied with disputing with Block B and creating a replacement with ToppDogg, but not much has been happening with this group. It's a little saddening that there's so little activity, especially since I kinda like them more than D-Unit. They did make "Get Up" during the label mess, so I hope they release more amazing and unique material or go to a different label to pursue that greatness.



AOA
Since this was the only group on my list that I dislike, this will be different than the others. Have my feelings changed toward them? No, not really. They still remind me of SNSD and don't suit my tastes. Their latest release, "Miniskit", I guess is their attempt to be sexy. Too bad Girl's Day did a better job with the skirt teasing. Hopefully, this is the last time I'll be talking about AOA to this extent.



Tasty
I wasn't super impressed with this duo, but I did like them a little bit more than JJ Project. Despite the assistance of Infinite H in the songwriting, their follow up single for "MAMAMA" just felt the same as their debut track, a long choreographed commercial. I just convinced myself that Tasty was nothing more than a dance duo and that they should completely ditch trying to sing or whatever. Fortunately, they redeemed themselves with their latest release, "Day'n Night". Their music still sounds like 90s boy band pop, but the content had a little more substance than the previous two video releases. I hope Tasty gets to polish up on the sing abilities.



24K
Another group to add to the list with 100%, C-CLOWN, and CROSS GENE of groups that I check on every now and then. It doesn't look like they've been doing much. Their latest video is "U R SO CUTE", which isn't overly cute. It's more sweet than anything. Unfortunately, it's not as impressive as car commercial "Hurry UP", but I hope they gain momentum and play around with their potential some time soon.

Tuesday, March 5, 2013

Quick Music Review

Kara - Pandora (2012, South Korea) Rating: 3/5
Favorite Tracks: Pandora, Way

Kara never strays too far from their signature retro electro sound -- they just tweak and modify it a little at a time. This might not be a bad approach as I interpret this as Sweet Tune's attempt to recreate the huge wave of success they found in previous hits such as 'Mister' and 'Lupin'. “Way” is an infectiously cute song that combines an assortment of electronic beats and synths with a colorful melody to create a futuristic jpop-esque track. “Pandora” takes a little detour with a dark but energetic style amplified by its edgy guitar riffs and cascading synth effects.The harmonies are pleasant to listen to and I feel like the song is mixed in a way that made even their weakest vocalist sound impressive. “Idiot” gives off a similar vibe as the first song. It's a bubbly, summery track that reminded me of 8bit nintendo game music – a genre that I would ordinarily find quite charming. Unfortunately, the immature, childish vocals make up one of the most nerve-grinding songs I've ever encountered in kpop.  I would have appreciated a little auto tune magic in this track. The mini-album closes with “Miss U,” an upbeat, swing, jazz-influenced piano tune that features big band style instrumentation. I didn't really care for this song because I'm not too big on anything of this genre. Overall, I wish the other songs on the album would have retained the sexy, dynamic sound found in 'Pandora'. It might have given them a unique edge over all the other girl groups. I hope in the future DPSmedia realizes that one well-polished title track is not enough to sell us on Kara's mature image, nor is it enough to make Kara's singles worth investing in.


Sistar19 - Gone Not Around Any Longer (2013, South Korea) Rating: 4/5
Favorite Tracks: Gone Not Around Any Longer, A Girl in Love 

Subunit duo Sistar19 is back with a slow, sultry r&b title track that follows the current heartsick, melancholic theme that's been so popular this year. I'm convinced that "Gone Not Any Longer" is a filler track that didn't make it onto Sistar's “Alone” album. Just like with Sistar, Hyorin dominates this song, leaving little room for Bora to show off her talents. Hyorin exhibits full control over her slightly husky, soprano range voice. She doesn't rely on adlibs to convince us of her singing capabilities. Her technique is incredible and it's easy to understand why they shine the spotlight on her so often. The saxophone and piano melody really complimented Hyorin's vocals nicely and added to the overall sophisticated, sensuality of the song. So I'm at a loss to understand why Bora's misplaced, monotonous rap was even added. I felt like it interrupted the flow of the song and made Bora seem like she was just a featured artist or an afterthought. Luckily, the second track redeemed her a little. "A Girl in Love" continues their mellow urban sound but adds a more dance-able beat. This time the duo maintains the perfect balance as Bora's rap is confident and even a little playful in its delivery, while Hyorin's flawless vocals are the proverbial icing on the cake. This was another one of my favorites, one I could find myself playing over and over again. This short album wraps up with "Ma Boy," a classic r&b tune that's pretty original to kpop but not exactly in a good way. Honestly, it's a love it or hate it kinda track. I mostly thought it unnecessary for them to include an extra from their debut single, but again that's only because I didn't enjoy the repetitive hook, bland rap insert and Hyorin's pitchy vocals here. Yes, for once I didn't care for Hyorin's voice. Other than that, I felt this single effectively showcased the classier side of kpop and I can't wait to hear more from these two. 


Nu'est - Hello/The Moments (2013, South Korea) Rating: 3.5/5 
Favorite Tracks: Hello, Hello Hello



I've been patiently awaiting rising star rookie group Nu'est's return from their 6-month hiatus because I've enjoyed what they've put out so far. As we all know, the kpop market is already over saturated with groups that recycle the same generic musical formulas. So I wondered, “Could Nu-est churn out another attention-grabbing title track like the ones found on their previous mini albums?” I convinced myself to give it a try, hoping I'd find another reason to keep my eye on them. I couldn't help but feel a little disappointed that the album begins on a mid-tempo note, but my expectations weren't exactly crushed. Warm acoustic riffs and sentimental piano melodies blend together to elevate clean, evenly distributed vocals in "Hello." Truthfully, I wasn’t very fond of it at first, but I realize it is a good idea for them to have chosen a promotional song that showcases their singing abilities early on just to let the public know they aren't one-dimensional. Nu'est returns to its roots in "Hello Hello," which gives me a little bit of hope. This synth-driven, power pop tune pulls from most of the musical conventions currently popular in kpop. And while it's not exactly original, the pulsing bass-line and slick electro trance buildup towards the chorus still makes this song worthy of repeated listens. The third track, "너네 누나 소개시켜줘The Girl Next Door," begins with a talking introduction (a voicemail message, perhaps?) over a piano rendition of “Mary Had a Little Lamb,” which made me immediately exit my itunes application. After a few minutes of prepping myself for the song, I decided to give it another go. This song throws me for a loop when a 70s era r&b accompaniment kicks in. Once again, I’m happy to compliment them on their harmonizing, but this is not something I'd listen to all the time. Break out the tissues and a half pint of ice-cream for this next song. "조금만 A Little Bit More" is yet another typical, filler drama ballad. The first thing I picture the moment this song starts playing... is a screen and credits rolling in slow motion. The end of some movie or a TV Drama? Not exactly a good thing. But it's still worth listening to if you're in the mood for sweet, heartfelt vocals sung over dramatic string instrumentation. The album concludes with “Beautiful Solo,” which treads unfamiliar ground with an energetic, pop rock set up that reminds me of something B1A4 would have put out in their earlier releases. I applaud Nu'est's efforts to explore a different side of their talents, but I can't say this is their strongest release. Hopefully in the future, we’ll see even more improvement as they build on what they've done and succeed in creating their own niche.

Nishino Kana - Sakura, I Love You (2012, Japan) Rating: 3/5
Favorite Tracks: Sakura, I Love You, My Baby

This little gem of a single came to me during a time when my music listening had sharply declined in favor of non-media related hobbies. Coming from someone who absolutely loooves J-r&b style singers, I was definitely in need of something familiar but fresh to help pull me out of my music slump. "Sakura, I Love You" is pop-oriented with colorful vocals and a catchy, almost tropical sounding chorus to go with it. Even though this song could be strictly classified as jpop, I still felt as though it would fit in quite nicely on a j-urban themed playlist. "My Baby" is a sentimental, filler-esque slow-jam. It may not be my style, but I was still impressed with how smooth the combination of English and Japanese was in this song. "Sweet Sweet" amps up the beat, with a synth-filled, bubbly "pretty girl" theme song. There didn’t seem to be much of a difference between this track and the opening track in terms of the mood it brings and there's something really infectious in the way she raps between the chorus. Needless to say, I was impressed with Nishino Kana, and after listening I experienced one of those "If only I would have checked her out a billion years ago" moments.

Nell - Holding onto Gravity (2012, South Korea) Rating: 4.5/5
Favorite Tracks: White Night, Holding onto Gravity

Nell is one of many k-indie bands that successfully infuses emotion into their music in a mature and authentic way.  I've found myself able to relate to many of their songs on a deeper level, and I often listen to them whenever I need a break from manufactured kpop tunes. I thoroughly enjoyed their last two albums, so I felt I wasn't taking too much of a risk to order this latest single without listening to previews. "Coinseller" is a short simple instrumental with a distant, resonating acoustic melody that creates a smooth transition for the second track. "White Night" carried me away with its lush arrangement and emotionally rendered lyrics. There was a feeling of ethereal, dreamy ambience in this particular track that was – for lack of a better word – absolutely lovely. The percussions fit nicely and even brought out the best of the song, second to the vocals of course. "Holding onto Gravity" continued on that note, with the perfect combination of strings, cymbals, and acoustics. The blending of instrumentals in this track works superbly with Kim Jong-wan singing as their front man. The final song on this ep is "Blue," which opens with the soft sound of rain and pulls you along gently with a soft steady beat and bassline. The vocals are nice enough to fit the song's overall longing and contemplative theme. Every song seamlessly runs into the next, bringing with it subtle differences that allow the album to feel cohesive. I encourage anyone who hasn't given Nell a try to start with this short album as I feel its one of their most accessible releases.

Friday, January 4, 2013

Notable KPop Rookies of 2012

The industry has been obviously saturated with rookies since 2010 (more so in 2011). It seems like companies are even more desperate for cash this year and there's been more than 50 rookie groups that have been introduced to the kpop scene. Quite ridiculous, right? Well, I've checked out some of these groups over the course of time and here's a list of notable rookies that left an impression on me, whether negative or positive.


NU'EST
Debuting with a reminiscent 90's electro-pop mixed with that obnoxious dubstep dance break song called "FACE", I couldn't get into this group at all. Although they are very much polished in the looks department, group and video wise, I couldn't get over this simplistic sound. Ren turned me off a lot. He seemed...out of a place. Somehow with the hard hitting "Action" made me give them a more serious chance. The image was edgier and Ren looked less like a visual kei reject or wannabe. They have potential and have garnered some respect as underdogs with the whole battle between Exotics and Babies. Am I a fan? Not really. They've fallen back to their aegyo image and none of their latest releases have caught me like "Action" has.



EXO
The most overly promoted rookie group of 2012, Planet EXO, brought to you by the makers of Super Junior and SNSD -- SM Entertainment. I've rambled about the marketing strategy when they presented their "prologue" song called, "What is Love". It bothered me that they were skirting around calling this song and their follow-up "History" a prologue to an official debut. Do I still think that SM Ent. wasted loads of money on pointless and annoying promotional efforts? Yes. Do I still believe that EXO-M will be short changed for EXO-K? Of course. But I still cling to my bias EXO-M as the more talented and harmonized group between the two. They have also shown the more successful and play less to SM biases, in my opinion as well. On a positive note, EXO-M has the best chemistry with personality, choreography synchronization, and vocal harmonies. I also pointed out in my v-log that they are more expressive in their music videos as well. The obvious negative is that EXO-K, the most likely the main focus and main money maker of the two, lacks all of that in my eyes. If it's any constellation they have the most insane fans now. I'll definitely will be keeping my eye out on comparing the two and supporting EXO-M.



B.A.P
TS Entertainment accepted SM Entertainment's promotional challenge with a reality show and tough talk from the members of B.A.P. They took a slower, perhaps more clever approach with their efforts. Instead of pounded images of the group's leader with no real substance, the label placed Bang Yong-Gook in the pseudo-"Flashing Lights" music video with Secret's Song Ji-Eun, then smoothly transitioned to B2ST's tiny powerhouse YoSeob in a solo effort that reflected an Eminem and Rihanna duet effort and, for me, an annoying duo effort with future group mate Zelo in a more upbeat effort. I was saddened to hear the talented Bang Yong Guk would be stuck in some rookie group with this cutesy young blonde Zelo. The promotions were interesting and shared that similar alien storyline. Kpop fans constantly compared them with EXO, but they seem to fall under the lines of former hip-hop inspired rookies Block B. The group started off strong with a bombastic debut, "Warrior" and used a technique to emphasis talent over appearance by dying the group's hair blonde. Unfortunately through the year, their music went downhill from there with repetitive lyricism and weak choruses in "No Mercy" and "Power". I assume the label tried to broaden their appeal by putting aside the harden, masculine image for a more soft, aegyo one that didn't sit right for me. Although the group is very much overrated in the rookie department with EXO, I'm hoping they'll return to their original concept and work on being less try-hard in the aggressive area.



Six Bomb
With one kinda known song under their belt, it doesn't look like a positive start for these six ladies and they may be forgotten this year. I must admit watching the low budget debut "Chiki Chiki Bomb" took at least a couple viewings, but the song was undeniably catchy. If kpop fans actually give their first CD release a chance, they would learn that these ladies do bare some talent beyond their low production and simplistic wardrobe. It's not all about the money, guys. [Check out "Baby Boy"]



ChAOS
I mentioned earlier this year that these rookies left a bad first impression on me. "She Is Coming" showcased basic choreography and visuals with horrific styling for the boys. On the plus side, I could definitely admit that these young men did carry some strong pipes, but the debut song was quite unfortunate. Luckily, "Racer" roughened up their imagery and brought something with a little more personality, while "Kiss Kiss" contrast with a softer, more artsy indies touch that reeled me in more than their debut. I'm hoping they don't fall victim to boy band trends and utilize their strong vocal powers to intimidate their competitors.



SPICA
It feels blasphemous calling these ladies rookies when they possess such strong vocals. Stronger than most popular girl groups that are very well established. I've already went into the back story with my relationship and a little bit about them in my promo post. After the release of "Painkiller" and their first full mini-album, SPICA easily booted 2NE1 out of their spot as my favorite female kpop group. Sure, their choreography isn't the most elaborate, but I'll take passionate vocals any day. Similar to B.A.P, they took an anonymous sort of debut in "Potently" by not appearing which I mention in the promo post as well. As the year went on, I'm not sure if it was the label or the members decided to take a new approach with their song "I'll Be There". The song felt like a step back for me, but I guess they were trying to go with a more playful image while use some 90's Janet Jackson instrumental. While "Lonely" was a half step forward, but sounded like every other female kpop group to me with miss A/Sistar pale visuals. Despite that, they still are my favorite and I'm looking forward to more amazing music from them.



EXID
Initially, I didn't like this group at all. I was upset that one of my favorite female rappers LE joined such a cheesy group and their debut song, "WHOZ THAT GIRL" annoyed me. Something about the vocals, silly chorus, and concept for the video put me off. "I Feel Good" was a little more tolerable and I didn't like it until after their release of "Every Night". It's nothing super complex and the styling is still bad, but something sticks more naturally to me. The chorus is nice, the beat is fluidly danceable, and the video is entertaining and relatable. With "Every Night", the girls followed the path of 4Minute, miss A, and Sistar with a sensual, simplistic style. It was less colorful and presented a more mature side of the girls, not only visually but vocally as well. The styling isn't the best as the biggest pet peeve was the visible bras. Otherwise, the video is creative and kinda dark with a little humor. They definitely have potential.



A-JAX
If you've paid attention to my music video recommendations, you would know that I immediately fell in love with this group upon their debut with "Never Let Go". Using the same tactic as SPICA's "Potently", they utilized familiar figures in the kpop industry and let their emotion filled vocals sell to the audience as opposed to their faces. They're not my favorite rookie vocals in 2012, but they definitely have a leg up on a lot of them as I followed each of their major releases. "ONE 4 U" introduced the handsome faces behind the lovely vocals as well as some amazing Grecian visuals. Of course, some audiences were quick to say that the boys ripped off SME's concept they used for DBSK and EXO, but I think they did it better...all bias aside. The vocals, music, and styling of the boys and video scream strength and perhaps the live choreography echoed that as well. "HOT GAME" broke out of the serious tone, but did a better job than SPICA did with their third release. The song is upbeat, a little more playful, but it doesn't take away from their vocals too much. Sure, this reminds me of Flo rida's "Low", there's some autotune here and there, and it kinda sounds like every other rookie, but something about it still stands out from the rest. Their dance skills are showcased more and you can truly see the boys' personalities shine. It's just a charming video~ Their last entry for the year was a response video to SNSD's "Run Devil Run" called "2MYX" (read "to my ex", clever, right?), which I can actually see more clearly than NassuN & G.O's effort in "O-IWI-O". This video combines that charisma and dance talent from their previous video with their maturity from the beginning. It's nothing spectacular like their first two videos, but it's still pretty good and worth checking out. I will definitely will be keeping up with them.



JJ Project
Well, JYP tried to put himself in the ring of rookies with a male duo. I found them different from his other projects and fell on the lines of 2PM's "Hands Up". From the hip-hop-esque electro instrumental track and the annoying bouncing camera movements. I know, it's supposed to go with the title of the song, "Bounce", but I never was a fan of this movement when I saw it 2PM's video. It's nothing special musically, but it has some smooth transitions with hip-hop, electro-pop, and rock. The choreography is quite impressive and the vocals aren't that bad. Mostly, I think they did what Bang Yong Guk and Zelo couldn't do successfully in their video, in my opinion. I wish there was more effort put forth on the duo during 2012, but there's always 2013 and I hope JYP doesn't forget about them either.



BtoB
I think it took me a couple listens of their debut song "Insane" to truly give them a chance. The song is very lovey dovey semi-grating to me on certain days. It's not a terrible song, but it was like ChAOS' starter song. Although, I am so happy I checked out the b-side because I absolute love "Imagine". It showed off the members' vocal range, harmonization, and strength more steadily than "Insane". It's truly a beautiful song and even live you can feel the power of the lyrics. "Irresistable Lips" brought that same power from "Imagine" and made it more danceable. I didn't go crazy over this track and the video was pretty cliche, I also got distracted by the girl's lips. >> "Father" is less memorable for me, not that it was a terrible song, but I tend to avoid most tributes to parents ballad type songs. I know they had a song or two, maybe more of little digital releases or drama songs, but I don't bother with those, so...onto "WOW". It sounds like those 90's boy bands! One of the lesser known ones. I think I mentioned this before. Anyway, this reeled back to the "everyone sounds like this" sound. The visuals are very polished and it's kinda a shame that this song is so...dated? Not terrible, but not their best. The biggest challenge will be directing BtoB away from being another B2ST, but I'm still looking forward to what they have next.



CROSS GENE
Like JJ Project, the group only has one real music video promotional effort which is their debut for "La-Di Da-Di". I was a little skeptical with the intro talking part, but the song was very catchy and I couldn't help but abuse that repeat button. The visuals are extremely appealing and the choreography is simple, but creative in some parts. The instrumental sounds familiar, but the vocals lure you in. I'm hoping they don't get lost in the shuffle because they have a strong power behind them vocally and charisma wise. The choreography is quite strong for rookies too.



2BiC
This male duo doesn't feel like a rookie group either as they share strong vocals and mature presence similar to SPICA. Unfortunately, their first effort "Made yet another woman cry" wasn't the first thing I saw from them and looking at it now isn't anything I would watch nor listen to. It's not bad, but it's one of those usual slow love song ballad things. My first experience was "LOVE AGAIN" with rising female soloist Ailee. This song made me give Ailee a second chance as I didn't know she could rap like that. Their voices compliment each other so well. The song is catchy, mature, soothing, and alluring. The video has some classic R&B elements to go with the men's styles and some dancing girls that are a little distracting. "24Hours Later" is more a lounge type R&B. It's nice to listen to every now and then, but nothing I could repeat like "Love Again" easily. It has that drama OST sound to it with a twist of their signature soulful sound. Since they're a little slower type of R&B that I'm not really used to or fond of, I didn't really listen to much of their other stuff after that. If you're new to them, I'm not discouraging you from listening to it, it's just not my thing.



C-Clown
I will admit that this group didn't have the best production value with their debut video for "SOLO". The song was your typical electro-pop sound and shared a slightly atmosphere to old Big Bang and "Blue" Big Bang. It's not a terrible song either. The chorus is cheesy catchy and the choreography follows that, but the insertion of individual member pictures between scenes cheapened the video. Their follow-up, "Far away...Young Love", was more successful musically. It showed off their skills to emote through their acting and vocals. The story has been used before, but it was still successful in entertaining me. There's even a dance version of the video, but I won't go over that. The second promotional effort definitely gave me a little more confidence in the group's potential skills for the coming year.



VIXX
I think this group had the most colorful video debut for the guys in this list. "SUPER HERO" was an immediate click for me. The opening was less off putting than Cross Gene and the song was extremely catchy. I couldn't help but dance and smile to this as I repeated the track over and over again. The video is extremely visually stimulating with it's vivid pop colors from cotton candy and comic book palettes, while still having a slick approach used by groups like B2ST and MBLAQ. There's a lot of personality in this debut package and perhaps that's the reason they had the opportunity to guest at an east coast convention last year. Their second video for "Rock Ur Body" shared the same amount of energy and charisma. It's full of color and a cool video game theme. I hope I see more great, energetic music in 2013.



D-Unit
I'm sure this female trio was accused of copying 2NE1's "I Love You" with their muted colored debut "I'm Missin' You". Well, they were produced by similar sources. Sad to say, I might slightly prefer this more than "I Love You". Visually 2NE1 did it better, but musically D-Unit has more passion in this simple song. I think they have the right foundation, especially listening to their first CD release. The rap and singing are equally on par. "Luv Me", their second video contribution, reinforces this point. They display some natural attitude and passion with their actions and vocals. The song is a little more catchy and the video has the same washed out color palette as their debut. I would like to see more bold colors from these girls, perhaps on the lines of SPICA's "Painkiller" video. Otherwise, I believe they are headed in the right direction and they have some decent dance skills as well as the right backing.



100%
I swear it seems like these groups use the same 3-4 color palettes. Anyway, "BAD BOY" is very similar to C-CLOWN's debut effort. It's not terrible, but nothing new. The song's decent and there's moments, like the black and white scenes, that remind me of U-KISS, which is mostly a good thing. Unfortunately, I didn't actively seek out any more of their videos, but there are two more, I believe. I have listened to their mini-album which isn't that bad either.



EvoL
One more 2NE1 comparison from the public, but you know what, I'll give 2NE1 credit for bringing back the girls with attitude and sex appeal for girls like D-Unit and EvoL. Anyway, "We are a bit different" was an easy sell for me. The colors popped like some high production YG video and the chorus exudes attitude with a hint of sexuality. The vocals are on point and full of sass and energy. The choreography even matches the attitude of badass and sex. It's a shame they didn't have a follow up video, but I'm hoping these ladies don't trade their hard, rebellious image for the soft and aegyo or anything that doesn't fit this initial concept. Also, I must add that the rappers are very strong and cause a huge threat. [Check out "Magnet" dance practice]



AOA
This group is going to be difficult to talk about, but they did leave a strong impression on me. Upon seeing their debut video for "ELVIS", I knew this wasn't for me. It was too much like SNSD trying to be cutesy bad girls and you all know I do not like SNSD. The production value, the aegyo gestures, styling, and even the song was too similar to SNSD, but they had to throw in this seemingly pseudo-band thing into the mix. Whether they really play instruments or not, I could care less, but idol rock is not my thing. "GET OUT" was practically the same thing, but a little better with movie nods. So, it's obvious I won't be following these more talented SNSD wannabes.



Tasty
Well, everyone knows that twins sell, look at Boyfriend! "You know me" was this twin duo's debut effort which confused me at first, but I kept watching. The video is very simplistic and solely focuses on both men. The choreography isn't anything extravagant, but it's clear that the intention of the video was to display their dance skills. If you take that away and just listen to the song, it's kinda obnoxious and doesn't have much to it other than mindless dance music. I'm not completely sold on these twins, but they have piqued my interest in their future efforts.



24K
Last, but not least...one more male group. I think I have more guy groups than girls. Heh. Anyway, "Hurry UP" started off as a possible car commercial and I didn't know what to expect. The music and first few visuals made me a little wary, but then the first verse after the rap made me feel a bit better. The song isn't extreme, but it has some strong rap parts and some good vocals to build on for the future. It has a lot of attitude and some subtle charm. The video isn't anything new, but they tried and I'll give them that. The other video isn't a real music video just one of those fan things with candid moments, but it does display more of their vocal talents...and aegyo skills.