Showing posts with label evol. Show all posts
Showing posts with label evol. Show all posts

Saturday, February 22, 2014

Quick Music Review


CROSS GENE – TIMELESS:BEGIN (2012, South Korea) Rating: 2.5/5
Favorite Tracks: La-Di-Da-Di, My Lady

"One Way Love" sounds like your typical dance track that I can hear Pitbull using and tainting it with nonsensical brag lyrics or Enrique Iglesias. I guess it's a good beginning track to get you alert and moving, but it brings nothing new to the table. "Sky High" is typical as well with its recycled David Guetta beat and similar lyrical structure as the previous track. It does keep the energy up from the first track, but yet again nothing really new. "For This Love" builds up to the dance sound that it has created from the start, but doesn't bring anything new either. The repeated words of the title seem slightly out place...as well as just the whole vocal track. It seems like an after thought or something. "La-Di-Da-Di" is the only reason I bothered with this mini-album. Sure, it follows the same generic sound as the other tracks, but it actually has some life and cohesion between the vocals and music. I can enjoy this track without any guilt or remorse. Plus the video is pretty cool too. "My Lady" closes off the mini with something soft and vocal driven. It does showcase that the boys do have some talent and shouldn't have to depend on generic upbeat music...although, this music is generic as a ballad. It's still pretty and worth listening to. The final track is an instrumental of "La-Di-Da-Di". I want to note to not let my negative tone toward of the genericness of this mini-album steer you away. Please check it out and have fun with it!



T-ARA – DAY BY DAY (2012, South Korea) Rating: 2/5
Favorite Tracks: DAY BY DAY, 떠나지마

"DAY BY DAY" is a nice, refreshing break from the usual electro-pop dance tracks that T-ara has been doing. There's nothing wrong with that, but I like the variety and reminder that these girls do have good vocals and don't have to rely on catchy hooks. Although, this song's chorus is pretty memorable. "HOLIDAY" sounds like a slightly weaker rehash of the title track. It's kinda boring and lacks the little bit of heart and feeling "DAY BY DAY" has. The vocal melodies sound a bit lazy to my ears too and the chorus is awkwardly constructed. "떠나지마" brings back the group's electro-pop sound with a slower, dramatic tempo than usual. At times, the beat sounds a little weird in areas due to the beautiful vocals and I think the rap could've been left out completely as it distracts from the somber tone. "HUE" gives us a break from the slow tracks to dance a little. The vocals are still at this soft level as the previous songs, even though it's upbeat. It doesn't carry the same joy and fun as "Lovey Dovey" or "Yayaya". "사랑놀이" has a washed out vintage electro-pop sound and a little more lively vocals than "HUE". If they were trying to cover the internal struggles within the group while recording, I don't think they did a very good job of it through the rest of the single. It's not terrible, but it lacks life and heart.



EvoL – Let Me Explode (2012, South Korea) Rating: 3/5
Favorite Tracks: I'm sorry, 우린 좀 달라

"폭파해줘" is a decent introduction to EvoL's debut release. It has a simple beat and gives each member a chance to weigh in vocally with their various skills. It's a fun, repetitive song that effectively gets the energy up. "I'm sorry" could've gone either direction of generic, rehash of 2NE1 or something impressive. Although the music isn't all that special, the vocals make up for it. This is a different, slightly softer side to the girls' vocals and I appreciate it. Even the rap section works out effortlessly. "Magnet" was a track that was kinda put out there for the fans through a dance video and it's really good. The beat doesn't stand out that much, but this feels like a track for the rapper(s) to stand out more than anything. "우린 좀 달라" was what led me to check out more of this group. The song is kinda generic electro-pop, but the vocals are very explosive and I really love the energy that this song brings. It's definitely a track I could listen to over and over again.



D-Unit – Welcome to Business (2012, South Korea) Rating: 3.5/5
Favorite Tracks: I'm Missin' You, 늦잠, Stereo, Luv Vision

"Crush" features Dok2 in an electro-pop song with a couple vocal distortions here and there. It's nothing new, but it is easily enjoyable. Each girl gets a chance to sing and it's a good introduction song to their debut album. "I'm Missin' You" was an interesting choice of a debut song, but it was what got me listening to these girls in the first place. It's nothing you can't get from 2NE1's "I Don't Care", but it's a little more upbeat and there's a little more interesting musical transitions in it. The vocals are nice, but I wish there was less auto-tune as the girls have pretty good voices. "늦잠" is a slower track with very impressive vocals and smooth, easy R&B beat. Honestly, I like this track more than "I'm Missin' You" and I hope people who accuse them of being 2NE1 copycats check out this track as well as the rest of the album. "Turn the Lights On" is a bit on the generic side with a simple dance beat that pounds the speakers. It's kinda downtempo in the vocal area, but it's not that bad of a song. They really need to lay off the auto-tune. Fortunately, "Stereo" does everything the previous track tried to do. The vocals are more lively and the music flows more easily. It's simply a fun track you can dance to. "Good Bye Tata" keeps the energy up with another fun track. There's more electronics and bloops and bleeps in this one than "Stereo". Like "늦잠", "Luv Vision" is another wonderful treat for the ears. It has a smooth R&B beat and beautiful vocals. Between the two, I think this is the best display of their vocal abilities. I really love this song! "기념일" is a slightly more upbeat acoustic fused electro-pop song. The vocals are a tiny bit strained in places, but it's a pretty basic song. "주말이 오기전에" closes off this debut album with electro-pop club vibe with an announcer and everything. It's definitely a party track. Unfortunately, the music kinda drowns out the verses here and there.


Block B - Blockbuster (2012, South Korea) Rating: 2.5/5
Favorite Tracks: 닐리리맘보, 장난없다 (No Joke), Halo

Before the big label scandal, Block B released an album. The album starts off with a booming R&B influenced track, "11:30". It has a unique sound mixing said R&B influenced elements and horns, but the pounding beat is a little distracting from the well tamed vocals. Then there's this unnecessary "Interlude" leading to "닐리리맘보". This song got me pretty pumped for this album. It has an interesting pace as the vocals and the backing melody are fast pace, but the forefront sound is a little slower. Either way, it's pretty interesting and has an addictive chorus. "Mental Breaker" continues that steady hip-hop influenced sounds from the previous tracks and makes it a little more minimalistic during the verses, focusing on bass guitar and a simple drum beat until the chorus. This definitely has a fun little chorus that has an interesting gentle electro-pop build up. "장난없다 (No Joke)" doesn't quite flow right after a fun track like "Mental Breaker", but meh, I really like this track. While "11:30" gave the singers a chance, "장난없다 (No Joke)" showcases the rappers in this bombastic, bass driven track. "Movie's Over" slows down the tempo a little and mixes both vocal styles together in his soft hip-hop track. "넌 어디에" feeds all those ballad lovers with piano, violin, and beautiful singing. "로맨틱하게" brings the tempo up a little with slight jazz lounge tone. It has a tiny hint of fun and a good light-hearted vocal delivery. "했어 안했어" is a mix of electronic elements and hip-hop. It has a nice transition of softness in the verses, then picks up during the chorus. "Halo" is one of my favorite tracks from New Kids on the Block and the perfect introduction to their mini-album. In this instance, it is the last lyric track on the album. It's still an enjoyable song, but I think the track arrangement overall could've been organized better. The final two tracks are instrumentals of "닐리리맘보" and "Mental Breaker".


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Tuesday, February 4, 2014

Return of the Notable Rookies of 2012

Back in 2012, I made a post about some notable rookies that debuted that year. I contemplated making another list for the end of 2013, but honestly there wasn't much to talk about. So, I figured I would revisit these rookies and post an update of them one year later.

NU'EST
When I think about or least see an update from this subbing channel I'm subscribed to, I check out these guys. It seems like they've tried to broaden their visual and vocal range with more mature concepts like "HELLO". They're latest release I've seen is "Sleep Talking", which isn't that bad, but it's shot in a way that has been used before by B1A4 and later A-JAX. KPop is really running out of ideas. I'm sure they're still the underdogs, but they still haven't gain my attention to follow them.



EXO
Not too much has changed with this group as far as my feelings are concerned. I'm in the process of reviewing their first full album release for you guys, so I can't say too much about it. I know lots of people have been complaining about the overexposure of this group, but you can't help that when you come from a company with lots of power and money. It's not their fault. Anyway, EXO-M seemingly appears to be the more successful one between the two. I've learned from Exo Showtime that the members, personality-wise, are more likeable, but let's focus on the music. It seems like the group is gradually growing into their talents. They try to do something to display their synchronization as a 12 piece group, like "Growl" and then something to show off their vocal range, like their latest, "Miracles in December". I haven't listened to their latest release as I write this, but just based off that one song, it's probably one of the most depressing Christmas songs ever. It's beautifully composed, sung, and performed, but thanks for the little push off the edge of the cliff, guys. Yesh! I'm looking forward to more new material, but I hope that SM paces things for them, because they are clearly overworked.



B.A.P
I guess the stupid rivalry or whatever fans are making up are still going between B.A.P and EXO, but whatever. I think they have new competition in rookies BTS and GOT7. Anyway, like EXO, B.A.P have probably released the most material out of everyone in this list, which is ridiculous. The interesting thing is that their material has improved since the notable list was made. "Coffee Shop" was simple, smooth, and gave the vocal chorus a chance to shine. Despite it's laughable Engrish, "Hurricane" was a fun, high energy song that was easy to dance to. "ONE SHOT" is probably my favorite and most strongest release they've ever made visually and musically. "Badman" wasn't as strong as "ONE SHOT", but it was still a vast improvement from their earlier work, such as "Power" and "No Mercy". I won't be calling myself a Baby anytime soon, but I'll definitely continue to follow these guys and hope that TS Entertainment doesn't burn them out with these constant releases.



Six Bomb
Despite having a catchy track in "Chiki Chiki Bomb", the low budget video and unpolished live skills didn't quite hook enough fans. There was potential in the group and, as mentioned before, buried within their mini-album in a song called "Baby Boy". Six Bomb had a short life span and disbanded in 2012.



ChAOS
As much vocal potential and energy this group had, ChAOS also had a short life span. While I didn't like their debut song, "She's Coming", I at least acknowledged that they had voices, but the song was very underwhelming and borderline insulting. "Racer" presented some interesting things to the table and had a cool build up. At least they tried with their artsy video for "Kiss Kiss".



SPICA
I've declared in a few places that this group is my favorite female kpop group. They have amazing vocals and a mature look to them similar to Brown Eyed Girls. They had a strong start with "Potently" and "Painkiller", but I didn't enjoy their follow ups, "Lonely" and "I'll Be There". So, I was a little nervous when I watched their latest, "Tonight". It took some time to warm up to it, but in the end, I enjoyed this fun song. It's not as mindblowing as "Painkiller", but I still enjoyed it. It looks like they have something coming soon called "You Don't Love Me", so I hope it brings back the fire in this group and people recognize their overwhelming vocal talent.



EXID
Not much has been happening musically with this group. Apparently, 3 of the members left the group and are now part of BESTie, which isn't anything special or new from what we have now. LE has been featuring a few artists' songs and there was an announcement that they would be coming back with two new members, which they've already named. That's about it. Not much to comment on here.



A-JAX
I'm not a huge fan of this group, but I was definitely on the support train. So far, every release had been pretty good and there was a nice little break for a moment. "INSANE" came out and it took some adjusting, especially since the visual concept had been recycled before. I learned to enjoy it, then "Snake" and "Stay With Me" came out and I was deeply disappointed and a little insulted. A-JAX went from mature and sleek to pedo-bait in boy scout uniforms and cuteness. I really hope they go back to their roots and ditch the aegyo routine.



JJ Project
I guess this duo was a temporary project? I really don't know. I wasn't closely following them anyway. I almost got mad when I found out about GOT7 and thought JJ Project was just a throw away, until I learned that they're part of the group. I guess this is equivalent to Bang Yong Guk and Zelo before B.A.P debuted. I haven't listened to their first release yet, so this is just based off their "Girls Girls Girls" video, which isn't that bad. I wanted to add it to my recommendations, but there's nothing special about the video aside from some choreography moments. The song's kinda unique in the kpop world and the guys are easily likeable off stage. My curiosity is definitely piqued though.



BtoB
Not much has been going on with this group either. I'm really hoping they don't fall into oblivion, because they have too much going for them in the talent department. Unfortunately, they're still in the shadows of B2ST. [Pun not intended] Their latest release, "Thriller", still looks and sounds like leftover B2ST material and it doesn't help that this video was released after VIXX's "Hyde", which has a similar dark concept. It's still pretty good, if you ignore all those factors.



CROSS GENE
This group has become a bit of an after thought and I wouldn't put it past South Korea to think the same of this group. It seems like their strength might lie in Japan, but it's still unsure if they'll fall in the same international trap U-KISS is in. Without looking at my iTunes library, I can't think of any stand out songs after "La-Di Da-Di", which isn't a good thing. I'll probably continue to check on them and their status every now and then though.



2BiC
What can I say about this flawless duo? Well, they remain flawless. That's always a good thing. I may not listen to them often as they make a lot of ballads and some of them fall in the drama OST sound of ballads, which I usually dislike. They might not keep my interest with those songs, but their voices are still amazing and breathtaking. Honestly, I think their strength lies with R&B and I think they should stick to that kind of sound, then they can have some range with more uptempo melodies and slow jams.



C-Clown
Similar to CROSS GENE, this group has become a bit of an afterthought and I don't think they've released much either. As mentioned in the notable list, I was really impressed with "Far away...Young Love" and I was hoping they would continue to grow in that direction. When "Shaking Heart" was released, it just felt like a lesser version of B2ST, so obviously not as impressed, but not completely let down. It was still alright. They did what they could with what they were given and I guess that's all you can ask for in a rookie group. Hopefully, the company and the fans give them a chance to a grow a little more, before making a decision to disband them or anything.


VIXX
Initially, this group gave me some really good feelings and I was looking forward to what they were going to do in 2013. I wasn't expecting to turn into a proud Starlight at the end of the year. Release after release, VIXX has consistently gotten better with every concept thrown at them. They have even be given the title of "Princes/Kings of Dark Concepts" by fans and I kinda agree with that, but just overall, they are a solid group. They're probably the most solid group on and off stage out of all the male rookies in this list. I do hope they take a little break though, before they start release more new material...and do another set of performances in the U.S.



D-Unit
Apparently, D-Unit has this rotating third member system, which I think is stupid. It's just as stupid as the T-ara leader rotation system. Anyway, I was surprised that JNEY from GP Basic was featured in their latest video and just assumed GP Basic was done. Upon investigation, they're gearing up for a comeback, so I'm looking forward to that. I still have their mini-album in the lineup for review, so I can't say much there. What I can say is that the group seemed to have detoured a little from the hip-hop concept. Whatever it is, I'm not particularly feeling it, but I do want to hear more of them.



100%
This group falls in the same category as C-CLOWN and CROSS GENE. If they happened to be in my feed with new music, I check it out, but not super attached to them. They haven't really done much in the release department, but I can say that I love "Want U Back" way more than "Bad Boy". As generic as the sound, concept, and visuals are, it's a song I can listen to more than once and sometimes dance to. They still have a lot of talent potential and I wouldn't mind seeing more of them. Make it happen!



EvoL
Maybe because the company was occupied with disputing with Block B and creating a replacement with ToppDogg, but not much has been happening with this group. It's a little saddening that there's so little activity, especially since I kinda like them more than D-Unit. They did make "Get Up" during the label mess, so I hope they release more amazing and unique material or go to a different label to pursue that greatness.



AOA
Since this was the only group on my list that I dislike, this will be different than the others. Have my feelings changed toward them? No, not really. They still remind me of SNSD and don't suit my tastes. Their latest release, "Miniskit", I guess is their attempt to be sexy. Too bad Girl's Day did a better job with the skirt teasing. Hopefully, this is the last time I'll be talking about AOA to this extent.



Tasty
I wasn't super impressed with this duo, but I did like them a little bit more than JJ Project. Despite the assistance of Infinite H in the songwriting, their follow up single for "MAMAMA" just felt the same as their debut track, a long choreographed commercial. I just convinced myself that Tasty was nothing more than a dance duo and that they should completely ditch trying to sing or whatever. Fortunately, they redeemed themselves with their latest release, "Day'n Night". Their music still sounds like 90s boy band pop, but the content had a little more substance than the previous two video releases. I hope Tasty gets to polish up on the sing abilities.



24K
Another group to add to the list with 100%, C-CLOWN, and CROSS GENE of groups that I check on every now and then. It doesn't look like they've been doing much. Their latest video is "U R SO CUTE", which isn't overly cute. It's more sweet than anything. Unfortunately, it's not as impressive as car commercial "Hurry UP", but I hope they gain momentum and play around with their potential some time soon.

Friday, January 4, 2013

Notable KPop Rookies of 2012

The industry has been obviously saturated with rookies since 2010 (more so in 2011). It seems like companies are even more desperate for cash this year and there's been more than 50 rookie groups that have been introduced to the kpop scene. Quite ridiculous, right? Well, I've checked out some of these groups over the course of time and here's a list of notable rookies that left an impression on me, whether negative or positive.


NU'EST
Debuting with a reminiscent 90's electro-pop mixed with that obnoxious dubstep dance break song called "FACE", I couldn't get into this group at all. Although they are very much polished in the looks department, group and video wise, I couldn't get over this simplistic sound. Ren turned me off a lot. He seemed...out of a place. Somehow with the hard hitting "Action" made me give them a more serious chance. The image was edgier and Ren looked less like a visual kei reject or wannabe. They have potential and have garnered some respect as underdogs with the whole battle between Exotics and Babies. Am I a fan? Not really. They've fallen back to their aegyo image and none of their latest releases have caught me like "Action" has.



EXO
The most overly promoted rookie group of 2012, Planet EXO, brought to you by the makers of Super Junior and SNSD -- SM Entertainment. I've rambled about the marketing strategy when they presented their "prologue" song called, "What is Love". It bothered me that they were skirting around calling this song and their follow-up "History" a prologue to an official debut. Do I still think that SM Ent. wasted loads of money on pointless and annoying promotional efforts? Yes. Do I still believe that EXO-M will be short changed for EXO-K? Of course. But I still cling to my bias EXO-M as the more talented and harmonized group between the two. They have also shown the more successful and play less to SM biases, in my opinion as well. On a positive note, EXO-M has the best chemistry with personality, choreography synchronization, and vocal harmonies. I also pointed out in my v-log that they are more expressive in their music videos as well. The obvious negative is that EXO-K, the most likely the main focus and main money maker of the two, lacks all of that in my eyes. If it's any constellation they have the most insane fans now. I'll definitely will be keeping my eye out on comparing the two and supporting EXO-M.



B.A.P
TS Entertainment accepted SM Entertainment's promotional challenge with a reality show and tough talk from the members of B.A.P. They took a slower, perhaps more clever approach with their efforts. Instead of pounded images of the group's leader with no real substance, the label placed Bang Yong-Gook in the pseudo-"Flashing Lights" music video with Secret's Song Ji-Eun, then smoothly transitioned to B2ST's tiny powerhouse YoSeob in a solo effort that reflected an Eminem and Rihanna duet effort and, for me, an annoying duo effort with future group mate Zelo in a more upbeat effort. I was saddened to hear the talented Bang Yong Guk would be stuck in some rookie group with this cutesy young blonde Zelo. The promotions were interesting and shared that similar alien storyline. Kpop fans constantly compared them with EXO, but they seem to fall under the lines of former hip-hop inspired rookies Block B. The group started off strong with a bombastic debut, "Warrior" and used a technique to emphasis talent over appearance by dying the group's hair blonde. Unfortunately through the year, their music went downhill from there with repetitive lyricism and weak choruses in "No Mercy" and "Power". I assume the label tried to broaden their appeal by putting aside the harden, masculine image for a more soft, aegyo one that didn't sit right for me. Although the group is very much overrated in the rookie department with EXO, I'm hoping they'll return to their original concept and work on being less try-hard in the aggressive area.



Six Bomb
With one kinda known song under their belt, it doesn't look like a positive start for these six ladies and they may be forgotten this year. I must admit watching the low budget debut "Chiki Chiki Bomb" took at least a couple viewings, but the song was undeniably catchy. If kpop fans actually give their first CD release a chance, they would learn that these ladies do bare some talent beyond their low production and simplistic wardrobe. It's not all about the money, guys. [Check out "Baby Boy"]



ChAOS
I mentioned earlier this year that these rookies left a bad first impression on me. "She Is Coming" showcased basic choreography and visuals with horrific styling for the boys. On the plus side, I could definitely admit that these young men did carry some strong pipes, but the debut song was quite unfortunate. Luckily, "Racer" roughened up their imagery and brought something with a little more personality, while "Kiss Kiss" contrast with a softer, more artsy indies touch that reeled me in more than their debut. I'm hoping they don't fall victim to boy band trends and utilize their strong vocal powers to intimidate their competitors.



SPICA
It feels blasphemous calling these ladies rookies when they possess such strong vocals. Stronger than most popular girl groups that are very well established. I've already went into the back story with my relationship and a little bit about them in my promo post. After the release of "Painkiller" and their first full mini-album, SPICA easily booted 2NE1 out of their spot as my favorite female kpop group. Sure, their choreography isn't the most elaborate, but I'll take passionate vocals any day. Similar to B.A.P, they took an anonymous sort of debut in "Potently" by not appearing which I mention in the promo post as well. As the year went on, I'm not sure if it was the label or the members decided to take a new approach with their song "I'll Be There". The song felt like a step back for me, but I guess they were trying to go with a more playful image while use some 90's Janet Jackson instrumental. While "Lonely" was a half step forward, but sounded like every other female kpop group to me with miss A/Sistar pale visuals. Despite that, they still are my favorite and I'm looking forward to more amazing music from them.



EXID
Initially, I didn't like this group at all. I was upset that one of my favorite female rappers LE joined such a cheesy group and their debut song, "WHOZ THAT GIRL" annoyed me. Something about the vocals, silly chorus, and concept for the video put me off. "I Feel Good" was a little more tolerable and I didn't like it until after their release of "Every Night". It's nothing super complex and the styling is still bad, but something sticks more naturally to me. The chorus is nice, the beat is fluidly danceable, and the video is entertaining and relatable. With "Every Night", the girls followed the path of 4Minute, miss A, and Sistar with a sensual, simplistic style. It was less colorful and presented a more mature side of the girls, not only visually but vocally as well. The styling isn't the best as the biggest pet peeve was the visible bras. Otherwise, the video is creative and kinda dark with a little humor. They definitely have potential.



A-JAX
If you've paid attention to my music video recommendations, you would know that I immediately fell in love with this group upon their debut with "Never Let Go". Using the same tactic as SPICA's "Potently", they utilized familiar figures in the kpop industry and let their emotion filled vocals sell to the audience as opposed to their faces. They're not my favorite rookie vocals in 2012, but they definitely have a leg up on a lot of them as I followed each of their major releases. "ONE 4 U" introduced the handsome faces behind the lovely vocals as well as some amazing Grecian visuals. Of course, some audiences were quick to say that the boys ripped off SME's concept they used for DBSK and EXO, but I think they did it better...all bias aside. The vocals, music, and styling of the boys and video scream strength and perhaps the live choreography echoed that as well. "HOT GAME" broke out of the serious tone, but did a better job than SPICA did with their third release. The song is upbeat, a little more playful, but it doesn't take away from their vocals too much. Sure, this reminds me of Flo rida's "Low", there's some autotune here and there, and it kinda sounds like every other rookie, but something about it still stands out from the rest. Their dance skills are showcased more and you can truly see the boys' personalities shine. It's just a charming video~ Their last entry for the year was a response video to SNSD's "Run Devil Run" called "2MYX" (read "to my ex", clever, right?), which I can actually see more clearly than NassuN & G.O's effort in "O-IWI-O". This video combines that charisma and dance talent from their previous video with their maturity from the beginning. It's nothing spectacular like their first two videos, but it's still pretty good and worth checking out. I will definitely will be keeping up with them.



JJ Project
Well, JYP tried to put himself in the ring of rookies with a male duo. I found them different from his other projects and fell on the lines of 2PM's "Hands Up". From the hip-hop-esque electro instrumental track and the annoying bouncing camera movements. I know, it's supposed to go with the title of the song, "Bounce", but I never was a fan of this movement when I saw it 2PM's video. It's nothing special musically, but it has some smooth transitions with hip-hop, electro-pop, and rock. The choreography is quite impressive and the vocals aren't that bad. Mostly, I think they did what Bang Yong Guk and Zelo couldn't do successfully in their video, in my opinion. I wish there was more effort put forth on the duo during 2012, but there's always 2013 and I hope JYP doesn't forget about them either.



BtoB
I think it took me a couple listens of their debut song "Insane" to truly give them a chance. The song is very lovey dovey semi-grating to me on certain days. It's not a terrible song, but it was like ChAOS' starter song. Although, I am so happy I checked out the b-side because I absolute love "Imagine". It showed off the members' vocal range, harmonization, and strength more steadily than "Insane". It's truly a beautiful song and even live you can feel the power of the lyrics. "Irresistable Lips" brought that same power from "Imagine" and made it more danceable. I didn't go crazy over this track and the video was pretty cliche, I also got distracted by the girl's lips. >> "Father" is less memorable for me, not that it was a terrible song, but I tend to avoid most tributes to parents ballad type songs. I know they had a song or two, maybe more of little digital releases or drama songs, but I don't bother with those, so...onto "WOW". It sounds like those 90's boy bands! One of the lesser known ones. I think I mentioned this before. Anyway, this reeled back to the "everyone sounds like this" sound. The visuals are very polished and it's kinda a shame that this song is so...dated? Not terrible, but not their best. The biggest challenge will be directing BtoB away from being another B2ST, but I'm still looking forward to what they have next.



CROSS GENE
Like JJ Project, the group only has one real music video promotional effort which is their debut for "La-Di Da-Di". I was a little skeptical with the intro talking part, but the song was very catchy and I couldn't help but abuse that repeat button. The visuals are extremely appealing and the choreography is simple, but creative in some parts. The instrumental sounds familiar, but the vocals lure you in. I'm hoping they don't get lost in the shuffle because they have a strong power behind them vocally and charisma wise. The choreography is quite strong for rookies too.



2BiC
This male duo doesn't feel like a rookie group either as they share strong vocals and mature presence similar to SPICA. Unfortunately, their first effort "Made yet another woman cry" wasn't the first thing I saw from them and looking at it now isn't anything I would watch nor listen to. It's not bad, but it's one of those usual slow love song ballad things. My first experience was "LOVE AGAIN" with rising female soloist Ailee. This song made me give Ailee a second chance as I didn't know she could rap like that. Their voices compliment each other so well. The song is catchy, mature, soothing, and alluring. The video has some classic R&B elements to go with the men's styles and some dancing girls that are a little distracting. "24Hours Later" is more a lounge type R&B. It's nice to listen to every now and then, but nothing I could repeat like "Love Again" easily. It has that drama OST sound to it with a twist of their signature soulful sound. Since they're a little slower type of R&B that I'm not really used to or fond of, I didn't really listen to much of their other stuff after that. If you're new to them, I'm not discouraging you from listening to it, it's just not my thing.



C-Clown
I will admit that this group didn't have the best production value with their debut video for "SOLO". The song was your typical electro-pop sound and shared a slightly atmosphere to old Big Bang and "Blue" Big Bang. It's not a terrible song either. The chorus is cheesy catchy and the choreography follows that, but the insertion of individual member pictures between scenes cheapened the video. Their follow-up, "Far away...Young Love", was more successful musically. It showed off their skills to emote through their acting and vocals. The story has been used before, but it was still successful in entertaining me. There's even a dance version of the video, but I won't go over that. The second promotional effort definitely gave me a little more confidence in the group's potential skills for the coming year.



VIXX
I think this group had the most colorful video debut for the guys in this list. "SUPER HERO" was an immediate click for me. The opening was less off putting than Cross Gene and the song was extremely catchy. I couldn't help but dance and smile to this as I repeated the track over and over again. The video is extremely visually stimulating with it's vivid pop colors from cotton candy and comic book palettes, while still having a slick approach used by groups like B2ST and MBLAQ. There's a lot of personality in this debut package and perhaps that's the reason they had the opportunity to guest at an east coast convention last year. Their second video for "Rock Ur Body" shared the same amount of energy and charisma. It's full of color and a cool video game theme. I hope I see more great, energetic music in 2013.



D-Unit
I'm sure this female trio was accused of copying 2NE1's "I Love You" with their muted colored debut "I'm Missin' You". Well, they were produced by similar sources. Sad to say, I might slightly prefer this more than "I Love You". Visually 2NE1 did it better, but musically D-Unit has more passion in this simple song. I think they have the right foundation, especially listening to their first CD release. The rap and singing are equally on par. "Luv Me", their second video contribution, reinforces this point. They display some natural attitude and passion with their actions and vocals. The song is a little more catchy and the video has the same washed out color palette as their debut. I would like to see more bold colors from these girls, perhaps on the lines of SPICA's "Painkiller" video. Otherwise, I believe they are headed in the right direction and they have some decent dance skills as well as the right backing.



100%
I swear it seems like these groups use the same 3-4 color palettes. Anyway, "BAD BOY" is very similar to C-CLOWN's debut effort. It's not terrible, but nothing new. The song's decent and there's moments, like the black and white scenes, that remind me of U-KISS, which is mostly a good thing. Unfortunately, I didn't actively seek out any more of their videos, but there are two more, I believe. I have listened to their mini-album which isn't that bad either.



EvoL
One more 2NE1 comparison from the public, but you know what, I'll give 2NE1 credit for bringing back the girls with attitude and sex appeal for girls like D-Unit and EvoL. Anyway, "We are a bit different" was an easy sell for me. The colors popped like some high production YG video and the chorus exudes attitude with a hint of sexuality. The vocals are on point and full of sass and energy. The choreography even matches the attitude of badass and sex. It's a shame they didn't have a follow up video, but I'm hoping these ladies don't trade their hard, rebellious image for the soft and aegyo or anything that doesn't fit this initial concept. Also, I must add that the rappers are very strong and cause a huge threat. [Check out "Magnet" dance practice]



AOA
This group is going to be difficult to talk about, but they did leave a strong impression on me. Upon seeing their debut video for "ELVIS", I knew this wasn't for me. It was too much like SNSD trying to be cutesy bad girls and you all know I do not like SNSD. The production value, the aegyo gestures, styling, and even the song was too similar to SNSD, but they had to throw in this seemingly pseudo-band thing into the mix. Whether they really play instruments or not, I could care less, but idol rock is not my thing. "GET OUT" was practically the same thing, but a little better with movie nods. So, it's obvious I won't be following these more talented SNSD wannabes.



Tasty
Well, everyone knows that twins sell, look at Boyfriend! "You know me" was this twin duo's debut effort which confused me at first, but I kept watching. The video is very simplistic and solely focuses on both men. The choreography isn't anything extravagant, but it's clear that the intention of the video was to display their dance skills. If you take that away and just listen to the song, it's kinda obnoxious and doesn't have much to it other than mindless dance music. I'm not completely sold on these twins, but they have piqued my interest in their future efforts.



24K
Last, but not least...one more male group. I think I have more guy groups than girls. Heh. Anyway, "Hurry UP" started off as a possible car commercial and I didn't know what to expect. The music and first few visuals made me a little wary, but then the first verse after the rap made me feel a bit better. The song isn't extreme, but it has some strong rap parts and some good vocals to build on for the future. It has a lot of attitude and some subtle charm. The video isn't anything new, but they tried and I'll give them that. The other video isn't a real music video just one of those fan things with candid moments, but it does display more of their vocal talents...and aegyo skills.

Monday, August 20, 2012

Top 5 Recommended Music Videos


"STRoooONG" by DOG in the PWO
It's good to have some positive energy rock that isn't overly cute. These guys always deliver the fun aspect of jrock and I always appreciate it when they release something. The PV is a little darker than usual, but it still has their typical bizarre edits and effects incorporated throughout the video. It might seem like a little too much at times, but it fits the band's sporadic style.



"RIP" by Angelo
For some reason I get these D'espairsRay "Death Point" vibes from this song with a nice Angelo twist. I'm seriously enjoying the chemistry between these guys and it makes me love them even more. Kirito's voice sounds amazing, the guitar section is quite powerful, and Kohta and Takeo's subtle attacks really highlight the tone of this song. The video has a nice balance of story and band focus. Not too dramatic, but still emotional enough to lose yourself in the dark atmosphere. I have a feeling RETINA is going to blow BABEL out the water.



"Burning" by PHANTOM
It's been almost a year since "Hole in Your Face" and the trio has finally released their debut mini-album. You have no idea how pumped I am about this. Like many Phantom fans, I've been waiting for this moment and this video truly highlights everything I love about this group. The music is deep and emotional, matching the tone of the lyrics. The visuals match as well in a simple, but artistic way. They don't over do it with the effects and I find it interesting that there's a lack of color compared to the usual. I'm looking forward to hearing PHANTOM CITY.



"We're a Bit Different" by EvoL
Alright, once again I can understand the 2NE1 comparison, but for some reason it feels like they have something that 2NE1 lacks. I'm not sure what it is, but everything seems more. I know that totally doesn't make sense, but once you watch it perhaps it will make sense. I really love these girls and I've been listening to their first release on repeat this past week. I love their voices, style, and energy. It seems fresh despite the familiar electronic beat and the visuals of the video is quite appealing. I am looking forward to future releases by these fine ladies and I hope they don't lose their initial spark either.



"[s]hit parade" by Dali
So, I found out that this band is breaking up and I remember listening to them when all they had out PV-wise was "Placebo". I was really into Under Code and started leaning toward the label more and more when PS Company was becoming a little boring, then some bands graduated and whatnot. Anyway, this is my favorite PV from the men of Dali. The costumes are very intricate like most Under Code bands, the spotlight was a different idea, and the song has the right energy. It's a shame this band is breaking up, because there aren't many UC bands that I like anymore.