Showing posts with label touch. Show all posts
Showing posts with label touch. Show all posts

Thursday, December 29, 2011

Top 15 Things I'm Excited About in the Music Industry

15. Aoi & Ryouhei incl. Ayabie Megamasso's First Album
They reunited at the end of last year and they released their first single, Monochrome. In February, brace yourselves for their first album release. I'm really looking forward to this. Seeing them together live with the brightest smiles on their faces warms my heart. I know with their matured skills from their old Ayabie days will definitely show.

14. Big Bang's Comeback as Five
If it was obvious, I wasn't completely satisfied with their 2011 "comeback", but all drama aside. I'm really looking forward to these so-called compositions they've been working on during their "reflection" period. I don't really care about their Japanese compilation that just got released nor do I care about GD&TOP's debut in Japan either. I'm sick of recycled half assed songs. I'm ready for the new stuff, so bring it!

13. TOUCH's Comeback
Ever since these rookies' debut, I've been craving more. They gave me Too Hot 2 Handle which was fine and dandy, especially since they lost a member and everything. So, I saw that it was confirmed that they will be coming back on the scene in January and I'm looking forward to seeing how much these boys have grown. Please show Boyfriend, MYNAME, and Teen Top that you've got talent!

12. BORN's First PSC Album
If you were fortunate enough to see my rant about how I feel about BORN and PS Company, then you know I haven't been completely happy with their transition. Now, I haven't gotten around to reviewing ProudiA here, but it was the first time I heard the BORN I fell in love with before PSC came into their lives. I'll go into more detail when the time comes. With that, it gives me a little hope that the band hasn't lost their touch and maybe they'll be rebellious by breaking out of the GazettE mold that, I believe, PSC is trying to put them in.

11. New Music From SAN E
If you look back, I promoted this new addition to JYP Entertainment and since his debut EP, Everybody Ready?, there has been a bit of silence. Sure, he made a new music video, was featured in Wonder Girls' comeback album, and created the most awesome song on RH-, but no sign of a single, album, or anything. C'mon, San E, stop teasing us~ We're ready for more!

10. Miryo's Solo Album
I love Brown Eyed Girls and I love the direction they've been going lately, especially with their comeback album, Sixth Sense. One of my favorite members is Miryo. She's fierce in appearance and delivery, a killer combination. Now it's about damn time that they decided to give her the spotlight. After the flood of Narsha and Ga-in's overwhelming solo talent sweeping the world, the fierce rapper will be coming out with her own thing for 2012. I'm very curious how this is going to turn out.

9. Clazzi's Album
So, I'm a new fan, if that wasn't obvious when I posted Clazzi's music video for "How We Feel" with 2AM's Seulong. I really enjoyed the song and the video was very intriguing. When his collaboration with Sunny Hill and MYK was up on YouTube, my interest in him grew and grew even more when I watched EatYourKimchi's interview I was confident that I needed to keep an eye on this guy in 2012.

8. New Music From 2NISE
You guys are totally killing me with all this talent and waiting! This lovely R&B trio debuted at the beginning of 2010 with "She Said" featuring Jewelry's Baby J and it was very catchy. On top of that, the music video for it was very creative and caused a discussion among fans on what it was about. They finally popped back up in October with "Say That" and *swoons*. When are you guys going to release an album or something!?

7. SE7EN's Japanese Comeback
Yeah, yeah he had a comeback with the whole "Digital Bounce" blahblahblah, but there hasn't been anything else after that. I finally see some sort of activity this month with the announcement that he'll be making a comeback in the Land of the Rising Sun and "Angel" has been released to the public. Now I must say, when I got into SE7EN's music, I did enjoy his Japanese material and I'm really hoping he won't cop out like everyone else has been doing in the kpop world by re-releasing kpop songs in Japanese. Please break the cycle and blow us away with your talent like I know you can~

6. Zwei's "Inanna no Mita Yume" Single
Every month of silence makes me worry that these ladies will split, but when I see Twitter pictures of them having fun or working in the studio, my heart skips a beat. It's been forever since they've released an album as well as a decent PV, but I've been content with what I can get even though this single is for an anime. I hope they will have more releasing activities because I really miss hearing from them.


5. Black Gene For the Next Scene's Debut
So, Vidoll disband, sad times. Jui got a solo gig and might be "the next Gackt". Hm, that's interesting. Shun's retiring from music. What ashame, he was a good guitarist. Giru joined Angelo. That's great~ Rame has a new band. Fuck yeah! I'm sorry, but all the news I've heard about the other members have been well and good, but ever since I saw this little goodie for their debut single, I about abused the poor replay button. This...dear I say...may be better than Vidoll! Either way, I am totally looking forward to this.

4. SUNZOO's Debut
Korean rap royalty are slowly making their appearance with Tasha's "Get In", some previews of what to come with SUNZOO, and their performance in Las Vegas, I don't know if the world could handle what this group is going to release fully. Either way, I'm looking forward to it and I'm positive that the fans will not be disappointed with what these guys have to offer.

3. BLACK LINE's Debut
You know I was sad when Dio - distraught overlord disbanded, but it seemed like the members were keeping themselves busy somehow, excluding the retired Kei. Although, VII-Sense has been silent lately release-wise and Remming might disband, but I'm really hoping things turn around for both of them. Nonetheless, BLACK LINE have been posting every now and then on their YouTube account. They even updated their site with a new look, but there's one thing that's missing. They haven't released a single song! Stop teasing us, guys, and bring on the music.

2. -OZ- Coming to Texas
I know, I know, I've been waiting for years to see Ayabie live, but that was when they were a five member group with good music and a lolita as their fearless leader. I'm not completely displeased with AYABIE making an appearance at A-Kon 23, but it seems a bit of an odd match with -OZ-. Now if it was DEATHBIE, I'd be all for it! Who knows, they might surprise us, but this post is reserve for my excitement toward -OZ- making their first step on American soil and it's going to be in Texas, baby!

1. 12012's Comeback
I must admit I was afraid these guys were going to disband after Yuusuke left, but when the countdown ended, the site changed to a new and evolved 12012. They have become perhaps darker and maybe influenced from their Under Code past. To top it all off was this graphic preview brought in the introduction of this rebirth. Yeah, I'm totally looking forward to getting my socks rocked off.

Monday, August 29, 2011

Quick Music Review


Touch - Too Hot 2 Handle (2011, South Korea) Rating: 3/5
Favorite Tracks: Luv, Rockin' the Club


Touch is one of those new male kpop groups that have tons of potential, but still have some fine tuning. I was really excited they were coming up with something new. "Too Hot 2 Handle" has a great dance vibe that displays an impressive rap flow. It really gets you in the mood for this brand new single. "Luv" lightens things up a little bit, but still maintains that club vibe. It's simple, catchy tune that's easy to move to and fits in with this dance/club sound trend, but still keeps their cute/innocent charm. "Rockin' the Club" was their promo song of choice. The music video is a little weak, but the song gradually grew on me. The stuttering parts are a little annoying and unnecessary, but the chorus is easily ingrained in my head. "Today" is a nice, lighthearted generic kpop tune that you can easily picture cutesy gestures and facials like Teen Top, SHINee, or something that instantly annoys me. The remaining two tracks are instrumentals of "Luv" and "Rockin' the Club". The boys still have some growing to do, but I still enjoy listening to them.



SuG - Crazy Bunny Coaster (2010, Japan) Rating: 2.5/5
Favorite Tracks: ID fudge factor


As much as I love SuG, I've been having some issues with their current stuff for some reason. It's all the same happy/random formula that's getting tiring like the GazettE's stuff. "Crazy Bunny Coaster" is an upbeat tune with Takeru's usual unique inflections in his vocals, fun keyboarding effects, and random sprinkles of sound effects. "NO OUT NO LIFE" follows along those fun little rock tunes and has a simple lyrical flow that's good for the kiddos. "ID fudge factor" taps more into that rocker sound while still keeping that fun lovin' SuG element. I want more of that!



König - Deep Throat (2010, Japan) Rating: 3.5/5
Favorite Tracks: deep, 蜜溶ける部屋


For those who didn't know, Loki, ex-vocalist of Sugar, started a solo project König. If you didn't know, I'm not much of a fan of Sugar's, but their music was alright and they're rather entertaining live. This is his first single and it opens with the beautiful "Camellia" which is mostly an instrumental track featuring gorgeously arranged piano and electric guitar. "deep" brings in that deep vocals that Loki owns and a dramatic yet lasting musical arrangement that reflects elements from Sugar. "蜜溶ける部屋" gradually builds up starting with an a Capella intro then a strong bass guitar which leads to a hypnotizing melody and a powerful chorus. "insomnia" closes out this masterpiece of a single by picking up the pace a little, but still keeping some sort of emphasize on a guitar and Loki's vocal style.



lam. - Hikari to Yami ga Kosasuru Yoru ni (2010, Japan) Rating: 2.5/5
Favorite Tracks: andante, WALTZ


"Hikari to Yami ga Kosasauru Yoru ni" opens with an immediate guitar melody that easily pulls you in, then changes up suddenly before softening to bring in the vocals. It's a slightly odd sound to the ears and changes every now and then. It has potential, but becomes a bit generic around the chorus. "andante" has a familiar sound to it and once again captures you with the great musical presentation. It softens again to bring in the vocals, but this time it comes at a whisper and the small change up doesn't lose you as much. "WALTZ" starts off with guitar distortions and an aggressive vocal that makes you want to move to it with ease. The chorus flows well and is forgivable generic sounding since the melody is pretty cool.



deathgaze - SILENCE/THE END (2011, Japan) Rating: 4/5
Favorite Tracks: SILENCE, THE END


One of those anticipating singles of the year by the flawless deathgaze. "SILENCE" brings their signature aggressiveness, double pedal drums, and ear grating guitars with an intense fast pace like "BLOOD". "THE END" maintains the intensity, aggression, and speed with Ai's haunting voice and screams to keep things going and consistent. The single is simply too short, but amazing enough to keep fans interested in an upcoming release.

Friday, May 6, 2011

Quick Music Review


MUCC - Yakusoku (2010, Japan) | Rating: 3/5
Favorite Tracks: Yakusoku, Isora


Hi! I'm not a big MUCC fan, but I love them live [and I wanna learn one of their songs on guitar]. I believe things were a little quiet before the release of this single. "Yakusoku" is a fairly slowish song, but upbeat...like anime opening upbeat. It's an alright track on a good day. Let me gush about how much I love and abused "Isora". For a person who isn't super into MUCC, I occasionally find songs by them that just blow my mind and this is one of them. Tatsurou's voice is flawless, the composition with the piano is beautiful, and together it is a harmonious paradise. The next track steps into their rock side, but it's nothing super special to my ears. I think it depends on what type you buy, but the single ends up with "Freesia Electro Mix" which was kinda annoying and unimpressive.



SE7EN - Digital Bounce (2010, South Korea) | Rating: 3/5
Favorite Tracks: Better Together, Digital Bounce, Drip


After the hype of Rain's comeback, SE7EN had to get in on the action with his own little mini-album. "Intro-Reset" goes with the electro-pop trend that kinda reminds me of something Will.i.am touched, but it's not that bad. Kinda wish it was a full length song. Nonetheless, we transition to more of this electro-pop that matches the title of the mini with "Digital Bounce". It's very catchy, unique, and danceable tune to an extent. T.O.P's contribution wasn't that bad either. "Better Together" was the debut song for the comeback and it was a nice pick. It's a lot smoother, sticks with the trend, and still somewhat keeps SE7EN's original R&B style. "I'm Going Crazy" goes back to those simplistic pop/R&B tie most listeners are used to from SE7EN. It's sweet and has a nice arrangement, but not my type of song. "Money Can't Buy Me Love" also sticks to those roots, but a little more uptempo. It's a decent song, but nothing I would listen to repeatedly in a row. "Drips" goes back on the electro-train with a little more "umph"! It sticks pretty easily for me and shows off his voice the best compared to the previous electro-pop songs. "Roller Coaster" is very electronic...like full on autotune and dance trackness. It's alright for what it is, but I would've preferred something else to end this comeback CD.



Jay Park - Take A Deeper Look (2011, South Korea) | Rating: 3/5
Favorite Tracks: Level 1000, Touch The Sky, Abandoned


So, I'm not a huge fan of Jay Park's (and I loathe 2pm), but I do enjoy his music...what little there was before this mini. Luckily, I'm delving into more Korean rap lately, so I recognize a couple artists he collaborated with. "Touch The Sky" starts this mini off with a smooth R&B and hip-hop flavor. Jay and The Quiett's voices blend and balance each other very well and gives off a mellow tone that transitions very smoothly to the next track. I suppose "Abandoned" is the promo song for this mini and I was in awe upon seeing the video. Sorry, I'm gonna agree with the comments that it does give off a Tae Yang vibe. Nice, smooth, and "swoon" worthy song that isn't too cheesy and is very much him. Jay Park and Dok2 are like NassuN and G.O....winning combo! Next track is very mainstream kpop...like on the lines of those fail new Big Bang songs that's suppose to make you dance. Then we have a very slow tempo R&B track that's very bass heavy and whiny/nasally. Next is another repetitive, blasé R&B ballad I'm not too fond of either. But guess who's back? Dok2! "Level 1000" picks my interest back up for this mini and surprises me how hard it goes on a hip-hop level. Didn't know Jay Park had this in him. Got my swag on at the desk 83 The mini album ends with a previously released track, "Bestie". It's pretty basic, easy to enjoy, and shows off both sides of Jay Park: rap and singing.



VAMPS - BEAST (2010, Japan) | Rating: 3/5
Favorite Tracks: DEVIL SIDE, EUPHORIA, THE PAST


I have a bit of a personal grudge toward Hyde and how he works, but I can't deny that I do enjoy VAMPS and I was looking forward to their first album. "PLUG IN" is a basic sound effect opening track to lead us along to "DEVIL SIDE". It's very bass driven song and very rock'n'roll. A good song to try out if you're not used to all that jrock stuff. "ANGEL TRIP" brings up to a lighter side rock to balance out all that grime from the previous track. "MEMORIES" is even more light hearted and a bit reminiscent of L'Arc~en~Ciel's music. "EUPHORIA" is a little heavier and shows that side of VAMPS that I enjoy the most: the wild, chaotic side. I enjoyed the transitions throughout the whole song. "VAMP ADDICTION" has a fun melody to bounce around to, but still holds onto that sly "vampuric" side of the band. "REVOLUTION" is very much a joke to me and the PV for it is even more of a joke. Hyde's yelling is just laughable, but if you need that silly, bouncy song for the bedroom with your girlfriends (or boyfriends) this is a good one. "THE PAST" has a lovely deep bass sound and a great follow up with guitar that my ears have been craving from these two. "PIANO DUET" is a beautiful, but a powerful rock tune that should easily reach the listener's heart by providing comfort, softness, and the right amount of rock lovin'. "RUMBLE" has a hint of jazz and rock, but the vocals are not as impressive to me. "GET UP" picks it back up to that semi-generic Hyde rock sound everyone is used to, but it's still fun for everyone. "SAMSARA" seems like a dark interlude piece that brings ambiance and a haunting feeling to the ears. It transitions easily to "MY FIRST LAST" which shares about the same retro ambient rock feeling...with Engrish!! A very interesting way to end a first album for sure.



Touch - Touch (2010, South Korea) | Rating: 4/5
Favorite Tracks: I/Me, Killin' Me


What is this? An actual talented rookie kpop group that Miko likes!? "I/Me" was the debut song for the boys and what lured me to prod further into their music. It's very typical dancy kpop stuff, but they have their own flair and great harmonies. Perhaps they'll join the underdogs Infinite. "Touch" slows the tempo down a little, but still has a melody that sticks easily to the mind. The song points out a few small things the boys can improve upon, but still shows off their potential to be something. Most overplayed track on the single is "Killin' Me". I can't get enough of this song! The bass is powerful, the chorus is memorable, and the boys' voices are arranged very uniquely. Because of this song, I counted down the days until their comeback and it came! As for the remaining 3 tracks of the single, they're purely instrumentals.



D - Vampire Saga (2010, Japan) | Rating: 3.5/5
Favorite Tracks: Muku naru bara no inori, Underground road, Taiko no kiba, Desert Warrior


I was a little nervous when I started listening to D's latest album, but I braced myself for whatever was coming out my speakers. It starts off very grand, beautiful, and a little heavy...the right amount of heavy for D in "Muku naru bara no inori". Then we enter some dark territory with "In the name of justice", one of the promo songs for this album. I'm still trying to get used to this harder side of D with Asagi's vocals, but it's growing on me steadily. "Underground road" sounded a little more familiar to me music wise and it was easily enjoyable with the mixture of their new sound and old. "DAY WALKER" has an interesting musical arrangement and I enjoyed the guitar sections, but I could've lived without all the grunting or whatever. Doesn't suit D very well and I wish they would leave things like that out in their music. "Midori no tsubasa" sticks with that semi-light hearted D sound that's easy on the ears and flows without effort, but still seems fresh! "Tsuki to umi no seiyaku" also follows this pattern of mixing old and new elements of the band's growth into the track. Unlike the previous tracks, "Ai wa hitsugi no naka ni" is a little softer, but still maintains that strong rock feeling with emphasized basslines and great dual guitar harmonies. "Akaki hitsuji ni yoru bansankai" was another promo song. I must admit it took me awhile to accept this song and the members' costume choices. It's a fun song (and PV) and keeps that great D sound fans recognize easily. "Taiko no kiba" is purely instrumental. A song that focuses on Hiroki's amazing drum skills that I was surprised and pleased with hearing on an album. "Desert Warrior" combines Indian sounds and D rock together in a zesty, hard tune that intrigues the mind into a wonderful delusion. "Quartet ~mayonaka no shijuusou~" opens up with a great instrumental intro showing off the other members' musical talents before Asagi joins in. "Black Swan" delves into that dark side that I'm a little iffy about with D. It still weaves in elements of their style with heavier jrock elements like growling and harder notes. "Der König der Dunkelheit" is the longest track on the album and actually sticks to that old D the most. It mixes theatrics, opera, and rock. The elements that made "Yami Yori Kurai Doukoku No A Cappella To Bara Yori Akai Jounetsu No Aria" amazing. If you purchase type C, you get to enter the crazy circus sounds of "Silver acorn bullet". An interesting song title with an interesting sound that makes me grin like a nut (no pun intended).