Showing posts with label meisa kuroki. Show all posts
Showing posts with label meisa kuroki. Show all posts

Monday, December 31, 2012

Most Shocking/Disappointing/WTF Asian Music Moments of 2012

ALDIOUS' Vocalist Leaves
I've already given my praise to these awesome set of ladies, but it was sad hearing that Rami had to depart from the band. Of course, fans understandably accepted this news and wished the departed member well on her health. Fortunately, the band wasn't knocked down and picked up KERA model Re:No to fill in the position. I'm sure her vocal talents will take some getting used to, but the essence of ALDIOUS are not lost.


BABYMETAL's Debut
I know they formed two years ago, but they didn't debut their awesomeness until this year and it was definitely a "wtf" moment. Who would've thought that fusing cutesy girly jpop with metal was going to be so amazing. I know for a fact that this group confused some people and it's definitely a group that you'll either love or hate, but either way. Apparently, they have something in the works for 2013 and I am looking forward to it. Perhaps, there will be a battle between them and BiS. That might be pretty epic.


Pay money To my Pain's K's Mental Health
It was sad to hear that PTP's vocalist K had to put his musical activities on hold due to his mental health. I tried to look up some information on the situation and you'd be surprised how difficult that can be to find a truly credible source. From what I gathered from Tumblrdore, K has been battling his mental problems for quite some time and as of late it was time to check into a professional to prevent further problems from occurring. I hope he takes care of himself and doesn't rush the process to please fans.


VII-Sense Disbands
Probably less surprising for those familiar with Shaura's (Juka) track record, but still saddening to fans of the band. For me, the band seemed to be gaining momentum with each release and made me excited as time passed by. They had an interesting line up of having triple guitars and utilizing every aspect of that. Unlike Kisaki, Kamijo, and Hizaki, this is the end of Shaura/Juka's musical adventures. I wish him a lot of luck and I hope that Erina shows back up in a new band as well, because his skills are amazing.


DecoLa Hopping Disbands
Another less surprising bit of news that's still saddening to me and their fans. I knew they had been having direction issues, but somehow they carried on to make a couple more singles before officially announcing their disbandment. They have one more release and then it's all over in April of this coming new year. If you've never checked these guys out, they are definitely not what you would think they would be judging by appearance. I remember thinking it was going to be the typical oshare kei, but then Suiya began to growl and I was instantly in love. Nonetheless, I wish them all the best and I hope they continue their musical endeavors, especially Suiya, in new projects.


Chemical Pictures Disbands
The last of the disbandment news for me was hearing this bit of saddening news. In a way, it seemed expected as the band had been silent for a while and TenTen's bands don't last long from what I noticed. I'm hoping that TenTen shows up on the scene as he normally does and even the other members as well. They had a lot of potential and it's sad that they couldn't fully develop a little longer.


D'erlanger & Die's Performance
So, D'erlanger is probably my favorite legendary jrock band and I'm sure most of you know that I adore/love Die probably more than any person should. Hearing that the two shared a stage together and doing a BUCK-TICK cover made my heart explode. I know how much Die admires Cipher and, if you didn't know, they share the same tattoo. In short, it was the most amazing thing to see as a fan of both parties and reading Die fanboy over the experience warms my heart so much. I hope one day they do a collaboration in the near future. If you haven't seen it, watch it and brace yourself for epicness!


Seungri "Scandal"
South Korea continues to amuse me with their conservative ways and lack of sex education knowledge. Seungri decided to be the break out star of Big Bang in Japan, which I believe he fits in quite well. He has the personality, charisma, and a good grasp of the culture and humor. Apparently, he also has a way with the ladies of Japan as well to the point that he ended up in a Japanese tabloid. He was rumored to be in a hotel room with someone and had some kinky sex, then didn't offer to clean up the mess afterwards. Japan was unfazed, but South Korea caused an uproar over the "scandal". If you want to believe the highly unreliable AllKpop, G-Dragon voiced his disappointment toward Big Bang's charming maknae and fans inappropriately used the flimsy information for poster inspiration during their world tour. *sighs* I have lost what little respect I had for V.I.Ps this year. Thanks, guys~


Lolita23q Indefinite Hiatus
Hiatuses aren't too much to cry over, but when you slap the word "indefinite", it's acceptable to have some fears of no return. Having Soshi as their newest vocalist was a step up and their new musical direction was a positive move, so hearing that the band was taking an indefinite hiatus caused some panic. It's hard to accept improving bands taking such ambiguous breaks or even disbanding. I hope they will return in the near future to blow our socks off, but for now I shall be anticipating Ryosuke's solo project this coming year.


"Gangnam Style" Blowing Up Worldwide
Who would've thought that we would be plagued by a silly, yet catchy kpop song for the end half of the year? I already voiced my thoughts on the viral phenomenon and I had my first radio listen of the song driving back to university after Thanksgiving break. Yeah, I don't listen to the radio, obviously. Of course the success and kpop fan victory blew up in their faces when newbies who claimed to know about kpop through one song tried to jump in on the action with false claims and accusations that every kpop artists were ripping off PSY's global hit. Eventually, everyone got almost as annoyed as I was over the song and Americans started making PSY the butt of jokes before promptly turning their backs on him with his anti-American lyrics from his past. Have my thoughts changed on PSY opening doors for kpop to be accepted in America? Eh...not really. I don't think he's made that big of a deal for hallyu to swoop in like they have in Japan and even Japan is trying to kick them out.


Versailles Hiatus
I mentioned this the last time I had Versailles news that I am not a fan, still not, but this flooded my Tumblr feed. The ridiculousness, guys! With mistranslated blogs comes riots and people claiming the world is ending, but indeed this is purely a hiatus. At least, that's how I see it when glancing over the articles. Although this wasn't big news for me, I had to deal with the aftermath spamming on my feed of dramatic fans overblowing minor news. Bands need breaks to explore other musical outlets and improve future visions for their band. Even if they decided to break up, Kamijo and Hizaki are not the types to go silently in the visual kei industry.


SuG Abandon PS Company
I think I've seen more fans jumping for joy upon hearing this news. SuG has become larger than life and want to take charge of their own fate without PSC's slimy hands controlling them. I am totally looking forward to their debut under a new label and I'm crossing my fingers that a couple or so other bands will follow suit. If I could, I would trade Under Code's closing for PSC to close. I wouldn't want the bands to suffer, I just want them to be free from the torturous conditions they've been put under. I suppose I can save my ranting for my new video project as well. In short, I'm cheering for SuG and their band growth. I'm expecting very good things from this move.


T-ara Drama
Kim Kwang-Soo has been extra busy this year causing trouble for fans, especially T-ara's. Apparently, he caused so much trouble that I had to dedicate a whole post to his plot to destroy something further that wasn't broken. It seems like his reign of "good" decision making hasn't ceased, unfortunately. Expect the same old b.s. nonsense from him in the coming year. I'm not feeling confident about his choices with his money making group, T-ara, and his attempts to redeem success without Davichi and a potential poor reincarnation of SeeYa.


Under Code Productions Closing
Probably one of my favorite j-indies labels have decided to close its doors in March 2013 and the fans are deeply saddened by it all. Although the news isn't completely surprising to us all, we still feel the deep sinking feeling of our hearts when the news was announced. Perhaps Kisaki didn't manage his money very well after his tax evasion scandal. Along with this news was hearing Dali announce disbandment beforehand and lastly NEGA following suit. Dali may not be as surprising as they had gaps of silence between releases, but they were one of the last of not so well known UCP bands I enjoyed. As for NEGA, I'm hoping Asagi will recruit them to God Child and they continue to make incredible music under a new name or at least something similar. They had so much growth and uniqueness and I still want to see them live! I don't want to comment too much about the closing as my new video series will cover everything I want to say and how much I enjoyed the bands on UCP. I'm sure Kisaki won't stay out of the music scene for too long.


Gackt Scandal
I didn't touch too much on this in my v-log, but only because I merely skimmed over the posts on Aramatheydidn't on LiveJournal and Shattered Tranquility. It wasn't that I didn't care, I just didn't feel like reading it all, but now I have so I can properly comment on this list. If you want a scandal, Seungri, this is how you do it. The tax bureau of Japan decided to look into Gackt's taxes and found some interesting things with his finances as well as his secret love life. Not that it's anyone's business, but since Gackt is a prominent figure in the visual kei and jpop scenes, some people flip their sh*t over a potential secret mistress in Canada that he has been supporting as well as an illegitimate child she bared before moving out of the country. Whether this will taint Gackt's reputation or not, it's quite uncertain, but not many people are saying much about it lately.


Jin Akanishi and Meisa Kuroki's Real Life FanFiction
Jin is no stranger to the tabloid scene and Meisa is a little less of a stranger, but Aramatheydidnt as well as other Japanese pop culture sites and tabloids had a field day with the fanfiction life of these pop talents. It started with a rumor of the two having a relationship and it was soon revealed that they had a secret marriage that slipped Jin's mind and angered Papa Johnny. Audiences criticized and joked and even speculated that Meisa was possibly pregnant. Thus another rumor was proven true and Jin's career suffered all throughout the year. He spent most of his time hamming it up in America with our talentless artists, then lost countless acting opportunities and Japanese fans failed to sell his worthless albums. Meanwhile, Meisa was labelled as Jin's sugarmama as she held onto her endorsement deals, gained modelling opportunities, and planned out acting and music deals post-pregnancy. On a more amusing note was the fan reactions before people got annoyed with spam, some calling Meisa a slut and clinging onto their bad boy Mr. Akanishi and spreading rumors of her chasing after his friends beforehand and others saying Meisa could've done so much better. Nonetheless, Meisa continues to be flawless while Jin tries to recover what's left of his career while still being a bad ass.

Wednesday, February 29, 2012

V-log: Jin x Meisa, Black History Month, Fan Wars, & Updates



I added annotations yet again for you guys and I will probably be using the system until someone complains about it. I totally forgot to elaborate on the 12012/Dir en grey fan war in the video, but I mentioned a little bit about in the description. Remember to subscribe and share!


+ Part 2: Black History with KPop & Muddy Cult Updates

Friday, January 20, 2012

Quick Music Review


Meisa Kuroki - Wired Life (2011, Japan) Rating: 3/5
Favorite Tracks: Wired Life, Wired Life (No Escape Remix)


Lately, I've been stuck on how to feel about the latest releases from Meisa. Like the title track will be great, but the b-sides are so-so. Anyway, "Wired Life" is has a nice balance of dance and chill vibes from the verses to the chorus. Another great electro-pop track with wonderful vocals and a catchy chorus to go with it. "UPGRADE U!", like the previous single's b-side, is not as impressive. It sounds like a generic electro-pop song that any American pop singer or less popular, new jpop artist could come up with and she's better than this. "One More Drama -PING PONG REMIX remixed by dee.c-" almost reminds me of those 90s pop songs with a modern twist. It's not better than the original, but it's a pretty decent remix. Then there's an instrumental version of "Wired Life". If you purchased the Ao no Exorcist version of the single, the tracks are a little different. The second track is "Wired Life (No Escape Remix)" featuring Okumura Rin. It's a very dramatic musical piece with some dialogue by, I'm assuming, Okumura Rin, and Meisa's voice lurking beneath the darkness and thunderous booms. "Wired Life (Ao no Exorcist ver.)" opens with a piano intro. The song is basically the same as the original, except for that and it's shorter. The instrumental version is part of this version of the single as well.



MUCC - ARCADIA (2011, Japan) Rating: 4/5
Favorite Tracks: ARCADIA, FUZZ -Thunderbeat Ver.-


Look at MUCC experimenting again. Aww~ I'm sure there are some fans who didn't like this experimental piece, but I did. "ARCADIA" has easily become a drug since its release. With its piano intro, electronic elements, and fun rock sound, it was an easy winner. Honestly, it reminded me of "FUZZ". It gives the same great, addicting vibes that make me like MUCC a little more. Way to go guys! "NAME" is a slower song to show off more of Tatsurou's emotional vocals and the rest of the member's musical skills. I guess it's nice and necessary for MUCC fans to hear that they haven't lost their music foundation. I don't hate this track, but it's nothing I'd listen to repeatedly like "ARCADIA". "FUZZ -Thunderbeat Ver.-" sounds like the introduction to some grand wrestler or something. More rock, more synths, and more energy. How could you go wrong there? It's pretty badass actually, even though Tatsurou's English isn't the best, but I can understand it for the more part.



BORN - Psycho Diva (2011, Japan) Rating: 4.5/5
Favorite Tracks: Psycho Diva, DAMNED, DIRTY STACKER


BORN has been on a bit of rocky road for me since they joined PSC, but what they've made isn't terrible just...different. "Psycho Diva" has pieces of their old musical arrangement, but it's sadly buried by this new PSC vocal structure that has been embedded in nearly every BORN song with a fast pace rock sound. You know, that whole yelling thing that's getting boring lately. The song's still good, the bass is killer, and the PV is pretty entertaining. "DAMNED" takes a slightly different direction by opening with some acoustic guitar work and incorporating it with the verses. I really like the experimentation in this song and Ryouga's voice is quite lovely. I just wish they didn't have that stupid group yelling nonsense in it. Enough is enough! Before I started reviewing this, I totally forgot the track on the regular edition, "DIRTY STACKER". OMG! This track is amazing and probably the best thing on this single. It is filled with so much energy and it just brings up great memories from lives. Sure, it still has that stupid group yelling thing in it, but it's less annoying in a way. I just hope that the vocal arrangement took a turn for the better. Totally looking forward to the album, guys (and maybe a U.S. comeback?)!



Verbal Jint - Go Easy (2011, South Korea) Rating: 4.5/5
Favorite Tracks: 원숭이띠 미혼남, 좋아보여, 우아한년 2012, 깨알같아


I wasn't sure whether to review this album or not, but you see it's here. Guess I caved into reviewing this underrated genius. Forgive me for the lack of translations for the tracks, by the way. "원숭이띠 미혼남" opens up the album with beautiful acoustic set, a smooth flow, and Block B's ZICO. Perfect combination. It's very calming and easy to listen to without being tempted to fall into dreamland. "좋아보여" is the reason I was looking forward to this album. It features the Black Skirt and fuses some catchy piano melody and borderline R&B/hip-hop elements. Honestly, I can't get enough of this song. The vocals just work together so well, it's ridiculous! "넌 내게 모욕감을 줬어" opens with a dramatic rock sound and vocals from Koonta. It has a hint of a reggae sound to it with a lot of great tropical musical sounds to make it playfully dramatic and funky. "우아한년 2012" slows the pace down with a deep R&B outline and an equally deep rap flow and attitude. It has some recognizable profanity in it if you really pay attention and don't know any Korean whatsoever. Anyway, it features San-E and Okasian which bring some really great vocal talent to this chilled out track. "긍정의 힘" has an ol' skool sound that your parents could appreciate. It's an easy going, positive track with a vintage musical backing which simply makes you feel good in the end. "Want You Back" starts off with some radio static and an ol' skool "Love Jones" R&B sound. It's quite interesting hearing such a sound from South Korea, but it's great that the genius Verbal Jint and his guest NODO could dig up these gems for your listening pleasure. "Luv Songz" keeps that throwback R&B sound (did you catch that Wonder Girls line? XD). C-LUV's Tae-Wan makes a good vocal contribution to this slow love song and makes even more enjoyable, even though he uses those throwback cheesy R&B notes in there. "약속해 약속해 2012" brings back that acoustic set sound and Urban Character Kappa's Cho Hyun-Ah into the mix. There's a couple song references in there too. (Can you find them? 8D) "어베일러블" keeps the easy feeling the last few tracks have been giving us. It mixes modern and throwback beats together with some great vocal work by the Jint himself and Lady Jane. When you think you know what's going on in this mellow hip-hop song, it switches up on you toward the end. "깨알같아" continues this chilled out mood for the listener, but the music steps into the 90s R&B sound which is very lovely for me. "My Audi" ups the beat, attitude, and takes a step back into the 80s with another one of my favorite rappers the Quiett. It has a great bass track and kinda makes me want to bust out the Adidas track suit and a Kangol. "우리존재 화이팅" closes out with a more playful sound that keeps that retro light guitar and a nice rap flow from the Jint. Very vintage~ This album is quite amazing and the title fits the feeling of the songs very well. Love you, Jint!



Trouble Maker - Trouble Maker (2011, South Korea) Rating: 3.5/5
Favorite Tracks: Trouble Maker, 듣기 싫은 말, 아무렇지 않니


I'm sure some of you are groaning and rolling your eyes as you see this on the list. Are you expecting me to rip this debut mini-album apart like I did HyunA's? Guess we'll see~ Their debut CD starts off with an uncreative titled song by the name of "Trouble Maker". Honestly, this is the main reason I wanted to listen to this mini or whatever. I thought the song sounded pretty cool, even though it sounded like something Infinite should be using. Now, you know my feelings toward HyunA and I've said this before when I posted the music video, but I'm glad that Hyun Seung's voice masks hers for the most part. "듣기 싫은 말" starts with a promising 90ish sound to it and some powerful vocals from, surprisingly, both of them. Next is "Time", which I'm really confused if it's the same duo or a different one, because the vocals sound different from the previous track. Nonetheless, this slow track isn't that bad. Nothing I'd listen to constantly, but it's alright. "아무렇지 않니" slows it down even more to a bass driven R&B track that has questionable vocals too. Oddly enough, I really like this song. It's like a pre-Rihanna era Chris Brown, very smooth and mesmerizing. There's vocal potential, but still a good track. Surprise, surprise, I didn't rip this duo apart. I'm curious if there's going to be a continuation somewhere. Guess we'll see.

If there's something you want me to review, check out this post on how you can submit requests.

Monday, December 12, 2011

Top 5 Recommended Music Videos



"Chou" by Acid Black Cherry
Reviving that seductive lounge club sound, the band brings back everything fans love about them and more. The storyline is intriguing, especially with the forbidden romantic twist, but it doesn't take away from the smooth yet upbeat melody. Yasu's voice remains flawless and the bass is simply lovely as it leads the guitars along throughout the song.




"DELUGE" by NEGA
Before I comment on the flawlessness, I must warn you that this PV contains loads of graphic content. If you're in anyway squeakmish, please refrain from watching. So...I've been abusing the replay button for the preview of this PV and I about spazzed all over the place when the full version was posted. This. Is. AMAZING! This is up there with "Muddy Cult" and Jin growling like a sexy beast...makes it even more epic along with their always entrancing guitar solos. I'm hoping to be promoting them hard in 2013 to make a guest appearance at Oni-Con.




"Lunatic" by Daesung
I was happy to learn that Daesung finally got a MV for himself, but it seems as though fans are complaining about the quality. Honestly, I was too engrossed with how great the song was and the fact that Daesung was making a strong comeback. This MV proves that the man is diverse and he has the strongest voice in Big Bang. Don't even try to disprove that either XP For me, it reminded me of Moon Hee Jun, which made me uber excited. As for the visuals, I enjoyed the contrast from the usual Big Bang solo products. It's raw, dark, artistic, and unique which makes it seem more genuine and deep. Honestly, I don't think I would mind if he went in this musical direction with a hint of "Baby Don't Cry", because that song is just as emotionally powerful and beautiful.





"Breeze Out" by Meisa Kuroki
If it was possible for a woman to be fiercely sexy, badass, and have a great vocal range, they would call her Meisa Kuroki. Now there have been a few recent things I haven't been extremely excited about pertaining her, but this PV gives me hope that her attitude and musical style will revive everything I love about this exotic lady. She shows off different sides of herself throughout the PV, from innovative to tough, but sexy to refine model, but reminds us that she's a great dancer and can still hit those high notes.




"Tsukema tsukeru" by Kyary Pamyu Pamyu
I recently promoted this Yasutaka creation and I'm excited to see the release of her newest PV. It's not as catchy as "PONPONPON", but it's still ridiculously cute and shows off more of Kyary's love for eyes (or eyelashes as it seems). The costume and set design are very intriguing and imaginative just like her debut PV. Best part of the whole PV...the lion dancers!

Thursday, April 7, 2011

Quick Music Review


2NE1 - To Anyone (2010, Korea) | Rating: 3/5
Favorite Tracks: Can't Nobody, Baksuchyeo, Try To Follow Me, Nan Bappa


It's been quiet for awhile, but the girls have been plotting world domination. This album is the first step and I believe it's a very good one. "Can't Nobody" is probably one of the best openers for an album, especially a first one and after the silence. It's strong, catchy, and empowering in a fierce, sexy way. It's easily addicting. So, they keep their new found electro-pop sound in "Go Away". It took me awhile for me to accept this song and actually enjoy it. It's kinda slow, but still upbeat, even though the subject matter is serious, but inspiring. "Baksuchyeo" (or "Clap Your Hands") was what got me pumped for this album and it was my favorite for a while, until I got hooked to the first track. It's fun and more hip-hop than electro-pop like the previous tracks. More electro-pop! But I think this next track has a little hip-hop sprinkled in there too. So, we jump from upbeat, electro-pop to a smooth R&B ballad that you might have to bust out the tissue box for. The next track is also slow, but has a totally different, beautiful arrangement. "Try To Follow Me" is a fun hip-hop, electro-pop fusion that's easy to get stuck in your head and I love the video for it. The girls take one of their older songs, "I Don't Care", and give it a slight unplugged, reggae twist to it that makes the song more mellow and exotic. The last group track is "Can't Nobody" once again, but in English! My mind is so used to the Korean, that I hardly bother with the English version. I'm just picky like that. In addition to great tracks, the girls added some solo/duet material. "You and I" is Park Bom's electro-pop love song that's pretty sweet (but it's not my cup of tea). Don't know if it's my bias, but I wore out "Please Don't Go" by CL and Minzy. It has a nice hip-hop flavor, but it's catchy and kinda dancy with attitude. Lately, "Kiss" by Dara featuring CL has been getting the repeat button abuse. It's fun, upbeat, and just right to balance everything out as far as solo/duet stuff go.



Pay money To my Pain - Remember the name (2011, Japan) Rating: 4.5/5
Favorite Tracks: Drive, Deprogrammer, Relieve, Picture


I must admit that the jrock scene musically was getting pretty dull, so this album was very refreshing. "This life" brings us into a calm, emotional, and smooth side of PTP that some people seem to forget they can do. They keep the tempo consistent and add a little more fire and anguish to it as they progress through the album. "Deprogrammer" was the highlight of the album for me. Before Remember the name was released, I saw this PV for this song and I was in awe. It reminded me why I loved these guys. They experiment a little with sound distortions and levels and the arrangement was genius! "13 Monsters" takes a small step down melody-wise, but the aggression returns a little harder in the following few tracks. I believe "Greed" was the first to make it's appearance on YouTube. It's definitely a headbanging, moshing song. We touch some sorrowful vocals and acoustics in "Hourglass" and "In the blink of an eye". A little breather from the previous track. "Gift" picks up the pace once again and flows into a song from the previous mini, "Picture". If you purchase the regular edition of this album, you get to hear another soft, acoustic song called "Dilemma". The perfect way to end this masterpiece that has easily stolen my heart.



Meisa Kuroki - Magazine (2011, Japan) Rating: 3/5
Favorite Tracks: LOL!, CELEBRATE, 5-FIVE-, LOVEHOLIC


When I heard that Meisa Kuroki was releasing a new album, I was really excited. I'm still fairly new to her music, but I really enjoyed her previous work. The intro was pretty simple with little bits of her voice, then it leads to her first promo single for the album, "LOL!". It's a decent song and still maintains that element of being catchy to the ears, but unfortunately, doesn't quite stick to the mind as permanently like other songs I have enjoyed by her. Nonetheless, it is a fun song. "SWITCH <=>" has that nice dance beat to it and definitely has elements that made me like Meisa's music. The vocals aren't quite dancey like the music, but it works in some odd way. The follow track featured the same elements, but became a little more bland to my ears. "CELEBRATE" came at a slightly different angle and got my foot tapping to the deep bass surrounded by the cheeriness of the melody. I was really surprised that "SHOCK -Unmei-" was on this album, since it had been out for a while. I'm not complaining. It fuses orchestral sounds with deep bass and Meisa's signature pop flavor. "Say Good Night" and "Why" are nice Meisa style R&B/pop songs. "As I Am" is more electronic than usual and felt awkward for me. "LOVEHOLIC" is an acquired taste. It mixes a lot of different musical elements together that can sound either odd or creative. "WASTED" is a pop/rock/dancey song...that I didn't particularly liked. It seemed very unnatural for her. Unlike "LOL!", "5-FIVE-" actually stuck in my head and stayed. It's very upbeat and you can't help but bounce around to it. MAGAZINE leaves us with a soothing R&B track, "Somewhere...", that really showcases the beauty in her voice. Overall, I didn't believe this album was as strong as her first album, hellcat, but it was decent.



Koda Kumi - Pop Diva (2011, Japan) Rating: 3/5
Favorite Tracks: Pop Diva


So, I haven't fallen under Koda Kumi's spell, but occasionally I find something good from her. "Pop Diva" is a strong dance track that has a definite empowering sound emanating from your speakers. It has become a bit of an addicting track for me (along with "Hot Stuff", "TABOO", and "show girl"). I think she has accomplished that she's the top diva. "Black Candy" kinda threw me off with all the guitars and the slow tempo. It's, I suppose you can say, darker pop. It flows through your ears like molasses. It's a bit of a hit or miss track depending on the mood, but it's okay. The remaining tracks are instrumentals of both songs.



BORN - DOGMA (2011, Japan) Rating: 3.5/5
Favorite Tracks: SIX DAMIAN, RED DESIRE, Dammit!!!!!!


One after another, BORN has been doing good releasing amazing things since they've joined PSC. So, my worries have definitely disappeared. "dogmanism" is definitely one of those intro songs that you think you would hear when the boys are stepping on the stage for the first time, before the show kicks off. Brings back some great memories~ "SIX DAMIAN" opens up with a strong bassline and distant/megaphone/distorted vocals throughout the verses. The chorus definitely gets you pumped up, especially if you're actually there and in person to yell along. I really liked that they kept their signature bridge style. "Dammit!!!!!!" reaches deep down to BORN's roots and keeps the energy pretty high up there. With spit fire delivery and a great guitar melody, this song screams BORN in every way. From the music and lyric delivery, you can't deny that the boys haven't lost touch of what got them to this point. "RED DESIRE" is a little more upbeat, quick, and catchy. It has high energy and pure Ryouga chaos. "Toge Zakuro" also has bits and pieces from their roots and mixes it up with their new sound. If you pick up the regular edition, you gain two additional bonus tracks. "Gurou" is a chaotic, but very melodic song. "Dazzling Mob" is also a bit chaotic, but more intense than "Gurou". As much as I'm diggin' the new BORN, I agree with some fans that I miss the Ryouga only choruses. I hope they use that element for future releases and keep the momentum going.