Return of the Notable Rookies of 2012

Back in 2012, I made a post about some notable rookies that debuted that year. I contemplated making another list for the end of 2013, but honestly there wasn't much to talk about. So, I figured I would revisit these rookies and post an update of them one year later.

NU'EST
When I think about or least see an update from this subbing channel I'm subscribed to, I check out these guys. It seems like they've tried to broaden their visual and vocal range with more mature concepts like "HELLO". They're latest release I've seen is "Sleep Talking", which isn't that bad, but it's shot in a way that has been used before by B1A4 and later A-JAX. KPop is really running out of ideas. I'm sure they're still the underdogs, but they still haven't gain my attention to follow them.



EXO
Not too much has changed with this group as far as my feelings are concerned. I'm in the process of reviewing their first full album release for you guys, so I can't say too much about it. I know lots of people have been complaining about the overexposure of this group, but you can't help that when you come from a company with lots of power and money. It's not their fault. Anyway, EXO-M seemingly appears to be the more successful one between the two. I've learned from Exo Showtime that the members, personality-wise, are more likeable, but let's focus on the music. It seems like the group is gradually growing into their talents. They try to do something to display their synchronization as a 12 piece group, like "Growl" and then something to show off their vocal range, like their latest, "Miracles in December". I haven't listened to their latest release as I write this, but just based off that one song, it's probably one of the most depressing Christmas songs ever. It's beautifully composed, sung, and performed, but thanks for the little push off the edge of the cliff, guys. Yesh! I'm looking forward to more new material, but I hope that SM paces things for them, because they are clearly overworked.



B.A.P
I guess the stupid rivalry or whatever fans are making up are still going between B.A.P and EXO, but whatever. I think they have new competition in rookies BTS and GOT7. Anyway, like EXO, B.A.P have probably released the most material out of everyone in this list, which is ridiculous. The interesting thing is that their material has improved since the notable list was made. "Coffee Shop" was simple, smooth, and gave the vocal chorus a chance to shine. Despite it's laughable Engrish, "Hurricane" was a fun, high energy song that was easy to dance to. "ONE SHOT" is probably my favorite and most strongest release they've ever made visually and musically. "Badman" wasn't as strong as "ONE SHOT", but it was still a vast improvement from their earlier work, such as "Power" and "No Mercy". I won't be calling myself a Baby anytime soon, but I'll definitely continue to follow these guys and hope that TS Entertainment doesn't burn them out with these constant releases.



Six Bomb
Despite having a catchy track in "Chiki Chiki Bomb", the low budget video and unpolished live skills didn't quite hook enough fans. There was potential in the group and, as mentioned before, buried within their mini-album in a song called "Baby Boy". Six Bomb had a short life span and disbanded in 2012.



ChAOS
As much vocal potential and energy this group had, ChAOS also had a short life span. While I didn't like their debut song, "She's Coming", I at least acknowledged that they had voices, but the song was very underwhelming and borderline insulting. "Racer" presented some interesting things to the table and had a cool build up. At least they tried with their artsy video for "Kiss Kiss".



SPICA
I've declared in a few places that this group is my favorite female kpop group. They have amazing vocals and a mature look to them similar to Brown Eyed Girls. They had a strong start with "Potently" and "Painkiller", but I didn't enjoy their follow ups, "Lonely" and "I'll Be There". So, I was a little nervous when I watched their latest, "Tonight". It took some time to warm up to it, but in the end, I enjoyed this fun song. It's not as mindblowing as "Painkiller", but I still enjoyed it. It looks like they have something coming soon called "You Don't Love Me", so I hope it brings back the fire in this group and people recognize their overwhelming vocal talent.



EXID
Not much has been happening musically with this group. Apparently, 3 of the members left the group and are now part of BESTie, which isn't anything special or new from what we have now. LE has been featuring a few artists' songs and there was an announcement that they would be coming back with two new members, which they've already named. That's about it. Not much to comment on here.



A-JAX
I'm not a huge fan of this group, but I was definitely on the support train. So far, every release had been pretty good and there was a nice little break for a moment. "INSANE" came out and it took some adjusting, especially since the visual concept had been recycled before. I learned to enjoy it, then "Snake" and "Stay With Me" came out and I was deeply disappointed and a little insulted. A-JAX went from mature and sleek to pedo-bait in boy scout uniforms and cuteness. I really hope they go back to their roots and ditch the aegyo routine.



JJ Project
I guess this duo was a temporary project? I really don't know. I wasn't closely following them anyway. I almost got mad when I found out about GOT7 and thought JJ Project was just a throw away, until I learned that they're part of the group. I guess this is equivalent to Bang Yong Guk and Zelo before B.A.P debuted. I haven't listened to their first release yet, so this is just based off their "Girls Girls Girls" video, which isn't that bad. I wanted to add it to my recommendations, but there's nothing special about the video aside from some choreography moments. The song's kinda unique in the kpop world and the guys are easily likeable off stage. My curiosity is definitely piqued though.



BtoB
Not much has been going on with this group either. I'm really hoping they don't fall into oblivion, because they have too much going for them in the talent department. Unfortunately, they're still in the shadows of B2ST. [Pun not intended] Their latest release, "Thriller", still looks and sounds like leftover B2ST material and it doesn't help that this video was released after VIXX's "Hyde", which has a similar dark concept. It's still pretty good, if you ignore all those factors.



CROSS GENE
This group has become a bit of an after thought and I wouldn't put it past South Korea to think the same of this group. It seems like their strength might lie in Japan, but it's still unsure if they'll fall in the same international trap U-KISS is in. Without looking at my iTunes library, I can't think of any stand out songs after "La-Di Da-Di", which isn't a good thing. I'll probably continue to check on them and their status every now and then though.



2BiC
What can I say about this flawless duo? Well, they remain flawless. That's always a good thing. I may not listen to them often as they make a lot of ballads and some of them fall in the drama OST sound of ballads, which I usually dislike. They might not keep my interest with those songs, but their voices are still amazing and breathtaking. Honestly, I think their strength lies with R&B and I think they should stick to that kind of sound, then they can have some range with more uptempo melodies and slow jams.



C-Clown
Similar to CROSS GENE, this group has become a bit of an afterthought and I don't think they've released much either. As mentioned in the notable list, I was really impressed with "Far away...Young Love" and I was hoping they would continue to grow in that direction. When "Shaking Heart" was released, it just felt like a lesser version of B2ST, so obviously not as impressed, but not completely let down. It was still alright. They did what they could with what they were given and I guess that's all you can ask for in a rookie group. Hopefully, the company and the fans give them a chance to a grow a little more, before making a decision to disband them or anything.


VIXX
Initially, this group gave me some really good feelings and I was looking forward to what they were going to do in 2013. I wasn't expecting to turn into a proud Starlight at the end of the year. Release after release, VIXX has consistently gotten better with every concept thrown at them. They have even be given the title of "Princes/Kings of Dark Concepts" by fans and I kinda agree with that, but just overall, they are a solid group. They're probably the most solid group on and off stage out of all the male rookies in this list. I do hope they take a little break though, before they start release more new material...and do another set of performances in the U.S.



D-Unit
Apparently, D-Unit has this rotating third member system, which I think is stupid. It's just as stupid as the T-ara leader rotation system. Anyway, I was surprised that JNEY from GP Basic was featured in their latest video and just assumed GP Basic was done. Upon investigation, they're gearing up for a comeback, so I'm looking forward to that. I still have their mini-album in the lineup for review, so I can't say much there. What I can say is that the group seemed to have detoured a little from the hip-hop concept. Whatever it is, I'm not particularly feeling it, but I do want to hear more of them.



100%
This group falls in the same category as C-CLOWN and CROSS GENE. If they happened to be in my feed with new music, I check it out, but not super attached to them. They haven't really done much in the release department, but I can say that I love "Want U Back" way more than "Bad Boy". As generic as the sound, concept, and visuals are, it's a song I can listen to more than once and sometimes dance to. They still have a lot of talent potential and I wouldn't mind seeing more of them. Make it happen!



EvoL
Maybe because the company was occupied with disputing with Block B and creating a replacement with ToppDogg, but not much has been happening with this group. It's a little saddening that there's so little activity, especially since I kinda like them more than D-Unit. They did make "Get Up" during the label mess, so I hope they release more amazing and unique material or go to a different label to pursue that greatness.



AOA
Since this was the only group on my list that I dislike, this will be different than the others. Have my feelings changed toward them? No, not really. They still remind me of SNSD and don't suit my tastes. Their latest release, "Miniskit", I guess is their attempt to be sexy. Too bad Girl's Day did a better job with the skirt teasing. Hopefully, this is the last time I'll be talking about AOA to this extent.



Tasty
I wasn't super impressed with this duo, but I did like them a little bit more than JJ Project. Despite the assistance of Infinite H in the songwriting, their follow up single for "MAMAMA" just felt the same as their debut track, a long choreographed commercial. I just convinced myself that Tasty was nothing more than a dance duo and that they should completely ditch trying to sing or whatever. Fortunately, they redeemed themselves with their latest release, "Day'n Night". Their music still sounds like 90s boy band pop, but the content had a little more substance than the previous two video releases. I hope Tasty gets to polish up on the sing abilities.



24K
Another group to add to the list with 100%, C-CLOWN, and CROSS GENE of groups that I check on every now and then. It doesn't look like they've been doing much. Their latest video is "U R SO CUTE", which isn't overly cute. It's more sweet than anything. Unfortunately, it's not as impressive as car commercial "Hurry UP", but I hope they gain momentum and play around with their potential some time soon.

Notable KPop Rookies of 2012

The industry has been obviously saturated with rookies since 2010 (more so in 2011). It seems like companies are even more desperate for cash this year and there's been more than 50 rookie groups that have been introduced to the kpop scene. Quite ridiculous, right? Well, I've checked out some of these groups over the course of time and here's a list of notable rookies that left an impression on me, whether negative or positive.


NU'EST
Debuting with a reminiscent 90's electro-pop mixed with that obnoxious dubstep dance break song called "FACE", I couldn't get into this group at all. Although they are very much polished in the looks department, group and video wise, I couldn't get over this simplistic sound. Ren turned me off a lot. He seemed...out of a place. Somehow with the hard hitting "Action" made me give them a more serious chance. The image was edgier and Ren looked less like a visual kei reject or wannabe. They have potential and have garnered some respect as underdogs with the whole battle between Exotics and Babies. Am I a fan? Not really. They've fallen back to their aegyo image and none of their latest releases have caught me like "Action" has.



EXO
The most overly promoted rookie group of 2012, Planet EXO, brought to you by the makers of Super Junior and SNSD -- SM Entertainment. I've rambled about the marketing strategy when they presented their "prologue" song called, "What is Love". It bothered me that they were skirting around calling this song and their follow-up "History" a prologue to an official debut. Do I still think that SM Ent. wasted loads of money on pointless and annoying promotional efforts? Yes. Do I still believe that EXO-M will be short changed for EXO-K? Of course. But I still cling to my bias EXO-M as the more talented and harmonized group between the two. They have also shown the more successful and play less to SM biases, in my opinion as well. On a positive note, EXO-M has the best chemistry with personality, choreography synchronization, and vocal harmonies. I also pointed out in my v-log that they are more expressive in their music videos as well. The obvious negative is that EXO-K, the most likely the main focus and main money maker of the two, lacks all of that in my eyes. If it's any constellation they have the most insane fans now. I'll definitely will be keeping my eye out on comparing the two and supporting EXO-M.



B.A.P
TS Entertainment accepted SM Entertainment's promotional challenge with a reality show and tough talk from the members of B.A.P. They took a slower, perhaps more clever approach with their efforts. Instead of pounded images of the group's leader with no real substance, the label placed Bang Yong-Gook in the pseudo-"Flashing Lights" music video with Secret's Song Ji-Eun, then smoothly transitioned to B2ST's tiny powerhouse YoSeob in a solo effort that reflected an Eminem and Rihanna duet effort and, for me, an annoying duo effort with future group mate Zelo in a more upbeat effort. I was saddened to hear the talented Bang Yong Guk would be stuck in some rookie group with this cutesy young blonde Zelo. The promotions were interesting and shared that similar alien storyline. Kpop fans constantly compared them with EXO, but they seem to fall under the lines of former hip-hop inspired rookies Block B. The group started off strong with a bombastic debut, "Warrior" and used a technique to emphasis talent over appearance by dying the group's hair blonde. Unfortunately through the year, their music went downhill from there with repetitive lyricism and weak choruses in "No Mercy" and "Power". I assume the label tried to broaden their appeal by putting aside the harden, masculine image for a more soft, aegyo one that didn't sit right for me. Although the group is very much overrated in the rookie department with EXO, I'm hoping they'll return to their original concept and work on being less try-hard in the aggressive area.



Six Bomb
With one kinda known song under their belt, it doesn't look like a positive start for these six ladies and they may be forgotten this year. I must admit watching the low budget debut "Chiki Chiki Bomb" took at least a couple viewings, but the song was undeniably catchy. If kpop fans actually give their first CD release a chance, they would learn that these ladies do bare some talent beyond their low production and simplistic wardrobe. It's not all about the money, guys. [Check out "Baby Boy"]



ChAOS
I mentioned earlier this year that these rookies left a bad first impression on me. "She Is Coming" showcased basic choreography and visuals with horrific styling for the boys. On the plus side, I could definitely admit that these young men did carry some strong pipes, but the debut song was quite unfortunate. Luckily, "Racer" roughened up their imagery and brought something with a little more personality, while "Kiss Kiss" contrast with a softer, more artsy indies touch that reeled me in more than their debut. I'm hoping they don't fall victim to boy band trends and utilize their strong vocal powers to intimidate their competitors.



SPICA
It feels blasphemous calling these ladies rookies when they possess such strong vocals. Stronger than most popular girl groups that are very well established. I've already went into the back story with my relationship and a little bit about them in my promo post. After the release of "Painkiller" and their first full mini-album, SPICA easily booted 2NE1 out of their spot as my favorite female kpop group. Sure, their choreography isn't the most elaborate, but I'll take passionate vocals any day. Similar to B.A.P, they took an anonymous sort of debut in "Potently" by not appearing which I mention in the promo post as well. As the year went on, I'm not sure if it was the label or the members decided to take a new approach with their song "I'll Be There". The song felt like a step back for me, but I guess they were trying to go with a more playful image while use some 90's Janet Jackson instrumental. While "Lonely" was a half step forward, but sounded like every other female kpop group to me with miss A/Sistar pale visuals. Despite that, they still are my favorite and I'm looking forward to more amazing music from them.



EXID
Initially, I didn't like this group at all. I was upset that one of my favorite female rappers LE joined such a cheesy group and their debut song, "WHOZ THAT GIRL" annoyed me. Something about the vocals, silly chorus, and concept for the video put me off. "I Feel Good" was a little more tolerable and I didn't like it until after their release of "Every Night". It's nothing super complex and the styling is still bad, but something sticks more naturally to me. The chorus is nice, the beat is fluidly danceable, and the video is entertaining and relatable. With "Every Night", the girls followed the path of 4Minute, miss A, and Sistar with a sensual, simplistic style. It was less colorful and presented a more mature side of the girls, not only visually but vocally as well. The styling isn't the best as the biggest pet peeve was the visible bras. Otherwise, the video is creative and kinda dark with a little humor. They definitely have potential.



A-JAX
If you've paid attention to my music video recommendations, you would know that I immediately fell in love with this group upon their debut with "Never Let Go". Using the same tactic as SPICA's "Potently", they utilized familiar figures in the kpop industry and let their emotion filled vocals sell to the audience as opposed to their faces. They're not my favorite rookie vocals in 2012, but they definitely have a leg up on a lot of them as I followed each of their major releases. "ONE 4 U" introduced the handsome faces behind the lovely vocals as well as some amazing Grecian visuals. Of course, some audiences were quick to say that the boys ripped off SME's concept they used for DBSK and EXO, but I think they did it better...all bias aside. The vocals, music, and styling of the boys and video scream strength and perhaps the live choreography echoed that as well. "HOT GAME" broke out of the serious tone, but did a better job than SPICA did with their third release. The song is upbeat, a little more playful, but it doesn't take away from their vocals too much. Sure, this reminds me of Flo rida's "Low", there's some autotune here and there, and it kinda sounds like every other rookie, but something about it still stands out from the rest. Their dance skills are showcased more and you can truly see the boys' personalities shine. It's just a charming video~ Their last entry for the year was a response video to SNSD's "Run Devil Run" called "2MYX" (read "to my ex", clever, right?), which I can actually see more clearly than NassuN & G.O's effort in "O-IWI-O". This video combines that charisma and dance talent from their previous video with their maturity from the beginning. It's nothing spectacular like their first two videos, but it's still pretty good and worth checking out. I will definitely will be keeping up with them.



JJ Project
Well, JYP tried to put himself in the ring of rookies with a male duo. I found them different from his other projects and fell on the lines of 2PM's "Hands Up". From the hip-hop-esque electro instrumental track and the annoying bouncing camera movements. I know, it's supposed to go with the title of the song, "Bounce", but I never was a fan of this movement when I saw it 2PM's video. It's nothing special musically, but it has some smooth transitions with hip-hop, electro-pop, and rock. The choreography is quite impressive and the vocals aren't that bad. Mostly, I think they did what Bang Yong Guk and Zelo couldn't do successfully in their video, in my opinion. I wish there was more effort put forth on the duo during 2012, but there's always 2013 and I hope JYP doesn't forget about them either.



BtoB
I think it took me a couple listens of their debut song "Insane" to truly give them a chance. The song is very lovey dovey semi-grating to me on certain days. It's not a terrible song, but it was like ChAOS' starter song. Although, I am so happy I checked out the b-side because I absolute love "Imagine". It showed off the members' vocal range, harmonization, and strength more steadily than "Insane". It's truly a beautiful song and even live you can feel the power of the lyrics. "Irresistable Lips" brought that same power from "Imagine" and made it more danceable. I didn't go crazy over this track and the video was pretty cliche, I also got distracted by the girl's lips. >> "Father" is less memorable for me, not that it was a terrible song, but I tend to avoid most tributes to parents ballad type songs. I know they had a song or two, maybe more of little digital releases or drama songs, but I don't bother with those, so...onto "WOW". It sounds like those 90's boy bands! One of the lesser known ones. I think I mentioned this before. Anyway, this reeled back to the "everyone sounds like this" sound. The visuals are very polished and it's kinda a shame that this song is so...dated? Not terrible, but not their best. The biggest challenge will be directing BtoB away from being another B2ST, but I'm still looking forward to what they have next.



CROSS GENE
Like JJ Project, the group only has one real music video promotional effort which is their debut for "La-Di Da-Di". I was a little skeptical with the intro talking part, but the song was very catchy and I couldn't help but abuse that repeat button. The visuals are extremely appealing and the choreography is simple, but creative in some parts. The instrumental sounds familiar, but the vocals lure you in. I'm hoping they don't get lost in the shuffle because they have a strong power behind them vocally and charisma wise. The choreography is quite strong for rookies too.



2BiC
This male duo doesn't feel like a rookie group either as they share strong vocals and mature presence similar to SPICA. Unfortunately, their first effort "Made yet another woman cry" wasn't the first thing I saw from them and looking at it now isn't anything I would watch nor listen to. It's not bad, but it's one of those usual slow love song ballad things. My first experience was "LOVE AGAIN" with rising female soloist Ailee. This song made me give Ailee a second chance as I didn't know she could rap like that. Their voices compliment each other so well. The song is catchy, mature, soothing, and alluring. The video has some classic R&B elements to go with the men's styles and some dancing girls that are a little distracting. "24Hours Later" is more a lounge type R&B. It's nice to listen to every now and then, but nothing I could repeat like "Love Again" easily. It has that drama OST sound to it with a twist of their signature soulful sound. Since they're a little slower type of R&B that I'm not really used to or fond of, I didn't really listen to much of their other stuff after that. If you're new to them, I'm not discouraging you from listening to it, it's just not my thing.



C-Clown
I will admit that this group didn't have the best production value with their debut video for "SOLO". The song was your typical electro-pop sound and shared a slightly atmosphere to old Big Bang and "Blue" Big Bang. It's not a terrible song either. The chorus is cheesy catchy and the choreography follows that, but the insertion of individual member pictures between scenes cheapened the video. Their follow-up, "Far away...Young Love", was more successful musically. It showed off their skills to emote through their acting and vocals. The story has been used before, but it was still successful in entertaining me. There's even a dance version of the video, but I won't go over that. The second promotional effort definitely gave me a little more confidence in the group's potential skills for the coming year.



VIXX
I think this group had the most colorful video debut for the guys in this list. "SUPER HERO" was an immediate click for me. The opening was less off putting than Cross Gene and the song was extremely catchy. I couldn't help but dance and smile to this as I repeated the track over and over again. The video is extremely visually stimulating with it's vivid pop colors from cotton candy and comic book palettes, while still having a slick approach used by groups like B2ST and MBLAQ. There's a lot of personality in this debut package and perhaps that's the reason they had the opportunity to guest at an east coast convention last year. Their second video for "Rock Ur Body" shared the same amount of energy and charisma. It's full of color and a cool video game theme. I hope I see more great, energetic music in 2013.



D-Unit
I'm sure this female trio was accused of copying 2NE1's "I Love You" with their muted colored debut "I'm Missin' You". Well, they were produced by similar sources. Sad to say, I might slightly prefer this more than "I Love You". Visually 2NE1 did it better, but musically D-Unit has more passion in this simple song. I think they have the right foundation, especially listening to their first CD release. The rap and singing are equally on par. "Luv Me", their second video contribution, reinforces this point. They display some natural attitude and passion with their actions and vocals. The song is a little more catchy and the video has the same washed out color palette as their debut. I would like to see more bold colors from these girls, perhaps on the lines of SPICA's "Painkiller" video. Otherwise, I believe they are headed in the right direction and they have some decent dance skills as well as the right backing.



100%
I swear it seems like these groups use the same 3-4 color palettes. Anyway, "BAD BOY" is very similar to C-CLOWN's debut effort. It's not terrible, but nothing new. The song's decent and there's moments, like the black and white scenes, that remind me of U-KISS, which is mostly a good thing. Unfortunately, I didn't actively seek out any more of their videos, but there are two more, I believe. I have listened to their mini-album which isn't that bad either.



EvoL
One more 2NE1 comparison from the public, but you know what, I'll give 2NE1 credit for bringing back the girls with attitude and sex appeal for girls like D-Unit and EvoL. Anyway, "We are a bit different" was an easy sell for me. The colors popped like some high production YG video and the chorus exudes attitude with a hint of sexuality. The vocals are on point and full of sass and energy. The choreography even matches the attitude of badass and sex. It's a shame they didn't have a follow up video, but I'm hoping these ladies don't trade their hard, rebellious image for the soft and aegyo or anything that doesn't fit this initial concept. Also, I must add that the rappers are very strong and cause a huge threat. [Check out "Magnet" dance practice]



AOA
This group is going to be difficult to talk about, but they did leave a strong impression on me. Upon seeing their debut video for "ELVIS", I knew this wasn't for me. It was too much like SNSD trying to be cutesy bad girls and you all know I do not like SNSD. The production value, the aegyo gestures, styling, and even the song was too similar to SNSD, but they had to throw in this seemingly pseudo-band thing into the mix. Whether they really play instruments or not, I could care less, but idol rock is not my thing. "GET OUT" was practically the same thing, but a little better with movie nods. So, it's obvious I won't be following these more talented SNSD wannabes.



Tasty
Well, everyone knows that twins sell, look at Boyfriend! "You know me" was this twin duo's debut effort which confused me at first, but I kept watching. The video is very simplistic and solely focuses on both men. The choreography isn't anything extravagant, but it's clear that the intention of the video was to display their dance skills. If you take that away and just listen to the song, it's kinda obnoxious and doesn't have much to it other than mindless dance music. I'm not completely sold on these twins, but they have piqued my interest in their future efforts.



24K
Last, but not least...one more male group. I think I have more guy groups than girls. Heh. Anyway, "Hurry UP" started off as a possible car commercial and I didn't know what to expect. The music and first few visuals made me a little wary, but then the first verse after the rap made me feel a bit better. The song isn't extreme, but it has some strong rap parts and some good vocals to build on for the future. It has a lot of attitude and some subtle charm. The video isn't anything new, but they tried and I'll give them that. The other video isn't a real music video just one of those fan things with candid moments, but it does display more of their vocal talents...and aegyo skills.

V-log: Sex, Fights, & Breaking Up

This was a much needed v-log for me. I've been wanting to do one for a while, so the topics might be a little outdated, I'm not sure nor care. Hopefully, I'll record another video about "Gangnam Style". I've been saving and gathering my thoughts on the whole phenomenon. Don't forget that I'm always open for suggestions, questions, and requests.

Quick Music Review

Nine Muses - Sweet Rendezvous (2012, South Korea) Rating: 4.5/5
Favorite Tracks: WHO R U, TICKET, News

I must admit I didn't like this group that much, until I came across "News", but let's not get into my personal relationship with these girls. "WHO R U" has a retro 70s pop sound with guitars and a feel good dance beat. It's catchy, sassy, and repeatable. I was surprised I didn't have any problems with it, except the rap just a little. Whoever is rapping's voice sounds like someone else from another girl group and I can't seem to place it at the moment. Nonetheless, good start so far. "TICKET" took me a while to get into upon viewing the music video. The costumes were very similar to SNSD, but the sound is way better. *dodges rabid Sones attacks* It's sassy, typical female kpop group sound with horns blaring and a repetitive chorus that'll easily get stuck in your head. This track could've easily been bad, but their vocal talent and arrangement save it from being like everyone else. "News" is, of course, responsible for all this mess. Sure, it goes with that electro-pop trend, but it blends in very well with their sound. The vocals, as I already said before, are really great and they harmonize very well. They have a skill for layering that a lot of girl groups lack. Only compliant with this song are the weird sound effects in the background. "Figoro" was one of the first videos I saw of these girls and I wasn't all that impressed, like "No Playboy". It sounds too much like everything I've heard before, but it's not bad because they have good voices and layering. The last couple tracks are instrumentals, so mostly I am pleased with these ladies and look forward to more in the future. Please don't sell out when you regain your new members, girls. ;~;



SPICA - Russian Roulette/Painkiller (Repackage) (2012, South Korea) Rating: 4.5/5
Favorite Tracks: 화 (火), Russian Roulette, Potently, Painkiller

You probably all know that I am completely in love with this group and listening to their first mini-album made me excited. "화 (火)" starts off this mini with a soft, enchanting feeling of instrumentals and melancholy lone vocals. Then the kicker comes in and the vocals become a little strong. This is definitely true R&B with fire, anger, and passion as the title suggests. The greatest part about this track is that the music doesn't overpower the vocals, but subtly support it to emphasize the emotion behind the tone. "Up N Down" picks up the down tempo to something more electronic and a little dancy. There's some vocal distortions and a more playful tone is shown, but keeping the strong attitude intact. "Russian Roulette" gave us our first glimpse of the faces behind the voices. It's a catchy song and definitely memorable. It has some more great harmonizations and dynamic instrumentals that make these girls stand out from the typical kpop girls. "No More" starts off a little iffy, but it soon picks up a little more smoothly with vocals and the music around the chorus. The vocals aren't weak at all, it's just a different structure and sound than I'm used to. "일기장" has a dramatic intro with a thunderstorm, soft vocal harmonies, acoustics, and piano to lead you along to this angelic wonderland. It sounds like a sorrowful song, but it shows that these girls have good control of their voices to fit all these different structures and tempos. "Potently" was their debut song that showcased their strong vocals with this piano and acoustic music set. It has a subtle strength to it in the verses, then blows you away in the chorus. If you picked up the repackage version of this mini, you received the new track "Painkiller". It has deep piano melodies, a strong dark musical sound, and powerful, pained vocals. I didn't think it was possible for me to fall for these girls even more, then this came out. Keep up the amazing work!



Angelo - Calvary (2012, Japan) Rating: 5/5
Favorite Tracks: Calvary, SEVEN DEADLY SINS, Forbidden Fruit

You should all know how I felt about the fan wars involving Angelo and Karyu fans. This isn't the place to talk about that either, but I was definitely crossing my fingers that the new member additions would work out a little better with the release of this single. "Calvary" introduces a great merge of Angelo's signature sound and guitar skills that didn't exist in previous works. You can definitely hear the great harmony between Kohta's deep bass and Karyu's speedy guitar that just have that little hint of Redeemer era D'espairsRay. Hopefully, the fangirls stopped complaining when this was released. "SEVEN DEADLY SINS" has more of a typical rock sound to it with a hint of their signature sound (maybe even Pierrot). There's a lot of prominent bass moments and the chorus is kinda upbeat. Kirito's vocals shift effortlessly throughout the song. "Forbidden Fruit" bring out a darker sound that might even be pegged as D'espairsRay-esque. It features some deep bass notes, dark guitar notes that sting in the verses, and a soften vocal tone that crawls under your skin like a leech. With all three tracks, I believe Angelo has found their sound again that compliments everyone's skill sets and stays true to their original concept.



Illinit - Triple I (2011, South Korea) Rating: 3/5
Favorite Tracks: 술서울, 아날로그걸, Lost, 향수

This is my first real taste of Illinit outside of YouTube videos. "Ill Bomb" is a bass booming song with smooth, yet slightly rapid vocal attacks. "술서울" keeps the energy high and lightly aggressive. It has an easy beat to it. "Esperanza" mixes Latin sounds, dance hall elements, and fun little party atmosphere to the song. "아날로그걸" has a mixture of R&B and hip-hop sounds that sounds familiar from older American rappers. There's even some references of these American artists as well. There's a nice smooth vocal arrangement throughout, switching from singing and rapping here and there. "Lost" is the song responsible for giving Illinit another chance. He chose the right female vocals to accompany him in this heart wrenching tale. "Love & Hate" continues the dramatic music with piano and painful guitar sounds in the background with deep male vocals layered behind Illinit's voice. It seems like most things featuring SAN-E is going to be fun. "나쁜놈 둘" opens with his verse and the music is very skip here, hop there, playful tone with occasional sound effects, but still maintains a strong attitude. "좀 더 바삐" brings a handful of rappers together for this looping track for them to rap over. "향수" brings the mood back down to sorrow and loneliness with distant vocals, acoustic guitar, and a mellow music set. "낯선" is a little more upbeat than the previous songs and features some female vocals this time and piano. It's an alright song, but it seems a little generic with the music for some reason. "Set Me Free" opens with this Minutes to Midnight era Linkin Park sound to it. There's subtle drumming and some silly electronic vocal distortions. "Dreamer" closes out this album with an uplifting tone to it and Kangnim bringing in the bright light of inspiration from the heavens. It's a bit generic and not extremely impressive. Although, Illinit's skills aren't very memorable to me so far compared to other Korean rappers, I still enjoyed what I heard especially since I disliked him before. I hope he continues making music and improve his musical skills.



Miryo - MIRYO a.k.a JOHONEY (2012, South Korea) Rating: 2.5/5
Favorite Tracks: 사랑해 사랑해, Revenger

If you didn't know, I do accept music review requests and this is one of them. I did mention that I was looking forward to this release and I'm a fan of Miryo as well, so let's jump into it. "Party Rock" made me a little nervous by the title as it reminds me of that God awful LMFAO song, but it's not what you expect. It does feature some electronic elements, but it's kinda quirky and fun as Miryo raps along and her musical guests add a little something to the track. It's not as dancy though, so that might be a little disappointing to some. It has a lot of musical elements to it with the electronic rock sound, but it has a snippet of dubstep as well. "DIRTY" was the promotional track for this mini-album. It's a little slower and playful than I thought it would be. It is a fun little song that you can relate to. The song's very simple and seems to be missing a little punch or something like the previous track, but it's not terrible. I was a little worried if SNSD's Sunny would mess up "사랑해 사랑해" with Miryo, but it's actually a pretty good track. This is the best vocal I've heard from Sunny. It's a slower song with keyboard, drums, and a little piano. Both girls' vocals sounded good together, although I wish they left the autotune out of Miryo's voice. "Revenger" has some dramatic piano and has minimalistic music backing Miryo's rap. Despite it mixing dubstep elements, this is the closest she's gotten to some sort of hip-hop. It has a lot of great emotion put into the tone, but I wish there was no autotune used. Brown Eyed Girls' Narsha joins her fellow group mate in "Leggo" to close out this mini-album. It's a lot more dancy than the tracks you would think you would be moving to. It's alright. Not much music playing throughout, Narsha's voice sounds nice, of course, and that damn autotune is ruining everything. Otherwise, the track isn't extremely impressive. Honestly, I was a little disappointed with this mini-album, but it did have some good points. I'll give her props for stepping out of the box people might've thought she would've been in with her first solo release, but nothing stood out too much for me.


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Top 5 Recommended Music Videos

"French Virgin Party + Battaille!" by Glen Check
Who needs fancy sets and vibrant clothes when you can do some clever furniture tricks, get a blank screen, and use some retro 90s lighting effects while the band members jam out. Yes, I found this through the k-indie playlist brought to you by EatYourKimchi. Occasionally, they pick some good ones. This mixes retro electronic sounds and good old lounge rock together. It starts off as one simple song with a drum machine, drums, and good old bass notes, then the party really kicks off when the title screen shows up. It's really catchy, simple, and easy to listen as well as move around to.




"Painkiller" by SPICA
Have I mentioned how much I love this group already? There's been some comparisons to 2NE1's "Ugly" (or maybe it's "Lonely"), either way I think this way better than both of those songs combined. Just a little reminder, I wasn't very fond of either of those anyway. This song has a powerful R&B beat that really emphasizes the emotion of this song and the vocals are astounding! The girls aren't the most flashiest of dancers, but I think it worked well for this song. Even if there wasn't any choreography, this video would still be amazing. I think I have a little crush on Boa Kim. Keep going strong, ladies!




"Hot Right Now" by DJ Fresh feat. Rita Ora
Throw in some retro 80s gear, street tagged scenery, and the most simplest form of dance music and you have this song. It has a little reggae thrown in there too, but the lyrics pretty much sum a lot of how music fans are when it comes mainstream music. This is a nice feel good, dance song which could be borderline generic but still enjoyable. Rita Ora is quite a pretty young woman and I'm curious what the rest of her material sounds like in the future.




"Platinum Shoes" by NOISEMAKER
I discovered this band on my Facebook feed from a friend. I clicked on it and I liked it, so I checked out their mini album. Pure love! I believe it's on my list of reviews. Hopefully, I'll be back in the groove of dishing those out to you guys. Anyway, this is one those generic warehouse settings, but they throw in a couple outdoor shots and keep the warehouse scene interesting with some clever camera angles. The music is very familiar and people who don't normally listen to jrock can easily appreciate the sounds these guys are putting out. I also really enjoy this guy's voice as well. It kinda reminds me of ROACH's Taama in ways, but softer.




"RUN" by Mizu Natsuki
[If embed does not work, click here to watch]
This video was introduced to me by a very good friend and I wish I could find the mp3. ;~; Anyway, this former Takarazuka actor kills her audience with her amazing voice, great, simple choreography, and powerful personality and charisma. I love seeing women in such androgynous roles, but still maintain their femininity in subtle ways. This song is very dramatic in music, setting, and vocal arrangement that it leaves you in awe by the seemingly effortless theatrics.




"Baby I'm Sorry" by B1A4
*sings* "I'm so curious, yeah~" *clears throat* Not a fan of this group in the least. A lot of their songs (at least ones that have videos) lack punch and just remind me of a lesser Block B, but this song and video is actually pretty good. The music is nice, even when it breaks down to the simplest form as generic as it sounds. The vocals are really good as well. Although, I wish there was less autotune. It would've made the song better...unless the guy really has some bad vocals, I don't know. The video is pretty interesting as well more than their past stuff, but I wish it was less recycled shots and scenery from other kpop groups. Maybe next time?

Promo: SPICA

[from left to right] Kim Boa, Park Narae, Park Joo Hyun, Yang Jiwon, & Kim Bo Hyung

Joining LOEN Entertainment and having some guidance by the iconic Lee Hyori, five talented females were brought together to form SPICA. Some of them were not a stranger to the kpop world. Park Joo Hyun was featured in a song, Kim Boa contributed to rookie group Infinite's vocal growth, Yang Jiwon was a former member of T-ara and Five Girls, and Kim Bo Hyung was a 2NE1 trainee. These experiences helped these girls build a fairly strong foundation for what's to come in the future. They debuted with "Potently" in January with their senior Lee Hyori featured in the music video. They also made a few appearances on radio programs showing off their strong vocal talent.

I first ran into this quintet while skimming EatYourKimchi's kpop chart and saw the music video for "Potently". Eventually after seeing the thumbnail so many times, I caved in and watched it. I do not regret my decision either. Sure, the girls weren't in the video at all, but I thought it was a somewhat good decision to hide their identities. It was a different approach of introducing these polished rookies to the world. You can easily engross yourself with the emotion and depth of the lyrics and delivery without being distracted by learning names or finding a bias, like most viewers would do. Perhaps Hyori benefited from this move as well. When I saw the teaser for "Russian Roulette", I was excited and I normally don't get attached so quickly to kpop groups upon debut. Once the full video was released, I was pleased, despite the predictable storyline. It was nice seeing these beautiful faces behind the equally beautiful voices. They're not your aegyo girl group with sexy dance moves, they simply deliver charming yet humble personalities and vocal talent that more than half of kpop females would kill for.