Showing posts with label sug. Show all posts
Showing posts with label sug. Show all posts
Thursday, May 21, 2020
Friday, March 13, 2015
Top 5 Recommended Music Videos
"MONSTER DANCE" by KEYTALK
This isn't just a live performance, this is art...this is an experience! This is everything I look forward to being in whenever I see a jrock live. The coordination, I'm impressed. I'm sure this took some time to master the choreography with the audience, but it's better than anything I would expect from an American live. The song is just as fun as the video, proving that you don't have to be visual kei to have fun.
"D.D.D ~Dead.Devil.Dancing~" by Black Gene For the Next Scene
I'm glad this band hasn't let up in the quality department. They definitely have been consistent with their releases and I'm very proud of them. I hope they continue this streak after Sala's departure. As for this PV, it reminds me of D meets Dio - distraught overlord, which is a very good thing. The boys look fabulous and the visuals are very simple, giving the members dual roles in the story. I love the mixture of electronic elements and a very strong bassline that I miss hearing from Rame since the old Vidoll days. It's both fun and dark and that's hard to pull off.
"CRY OUT" by SuG
I'm very happy with this rebirth of SuG since they left PS Company. The visuals and sound are a very smooth bridge from their previous release, "MISSING". The PV is mostly band centric with the guys performing with lots of colored dust and strobe lights, but there is some artistic elements to the video. The repeated drawing of a face and guns on the wall, the members posing in boxes, and the vague connection with a woman and Takeru throughout the PV. I'm looking forward to more releases like this from SuG. Keep it up!
"I'm him" by Mino (WINNER)
If you ask me what I think about WINNER's debut, I'll answer honestly that I don't remember. I could pull something out the air like "I must've not disliked it, but I really don't remember anything about it" and that's the truth, but Mino's solo I remember. Despite looking like G-Dragon's long lost little brother or Mini Me, I remember really enjoying his solo way more than WINNER's two music videos. I enjoyed the simple and playful visuals with majority of the video looking borderline black and white with vibrant colored animations decorating Mino and parts of the screen. I like how the music and delivery have a nice balance of confidence and fun. I hope YG gives this kid another solo because I really enjoyed listening and watching him rap.
"A.D.T.O.Y" by 2PM
Apparently, it took me a year to actually give this music video a chance and I surprisingly enjoyed it. There's very few 2PM songs I genuinely enjoy as they end up coming off try hard, cheesy, or boring, but there's something intriguing about this song. I like the dual melody mixing a smooth, mature R&B sound with bits and pieces of dubstep in all the right places. Although I think the notes are a little too high, I enjoyed the vocals of this song and I enjoy the harmonization between the guys. I like that they decided to use black and white for this video to counter their more upbeat and colorful previous promotional song. The choreography and small bits of story is very sensual, smooth, and subtle. I'm glad they didn't overdo it with such a slow song.
Sunday, February 2, 2014
Top 5 Recommended Music Videos
"30SEXY" by (Bi) Rain
I don't care what anyone says, but I love this song and this video. Bias aside, it's quite simple and gives the kpop genre a refreshing slick and mature approach. The choreography might not be the most complicated thing, but it fits the tempo and confident attitude of the music. Rain definitely hasn't lost his touch in his moves and his vocal range. I can't wait to listen to his album completely.
"ZOTTO MOLA" by Gary (LeeSSang)
I love LeeSSang, so naturally I was excited about this solo project. Similar to Rain, Gary did a double single promotion and I'm sure one is gonna get some huge racial debates over...that I'm not gonna discuss here. This might be boring to some, but this was Gary's vision and it feels just right for this slow building, dramatic, and old school sounding song. It feels poetic and forces you to engage in the words occupying the visuals. I'm really looking forward to hearing this whole project.
"MISSING" by SuG
Now that the band has taken a break and Takeru got whatever he needed to get out of his system with Uwakimono, we can get to real Heavy Positive Rock this band is known for. This is a comeback, kpop fans! I think this what the band wanted to do while in PS Company and now they are free to take their music to the next level. I'm definitely excited to hear their new release under the new label.
"SUSTAIN THE UNTRUTH" by Dir en grey
Despite this video being almost completely band centric, with bits of random scenery shots and live footage, there's something about it that seems a bit poetic in the new footage. The dramatic hand movements, thoughtful slow motion placement, and then there's the song. It's quite amazing. I really like the melody and transitions throughout the song. It doesn't have too much screaming and squealing either. Great atmosphere and tone. I'm looking forward to listening to the new single and slowly getting pumped for whenever that next album is released.
"Manyo Maash" by Puer Kim
I didn't expect to like this song or video, but obviously I did, otherwise it wouldn't be in this list. This video has some great simplistic visuals and substance that support the lyrics and tone of this song. It's very straightforward and makes you think about the industry and whatnot. The song is very easy on the ears and has a nice, catchy melody to it without sounding generic. I'm curious what the rest of her material will sound like.
Monday, December 31, 2012
Most Shocking/Disappointing/WTF Asian Music Moments of 2012
I've already given my praise to these awesome set of ladies, but it was sad hearing that Rami had to depart from the band. Of course, fans understandably accepted this news and wished the departed member well on her health. Fortunately, the band wasn't knocked down and picked up KERA model Re:No to fill in the position. I'm sure her vocal talents will take some getting used to, but the essence of ALDIOUS are not lost.
I know they formed two years ago, but they didn't debut their awesomeness until this year and it was definitely a "wtf" moment. Who would've thought that fusing cutesy girly jpop with metal was going to be so amazing. I know for a fact that this group confused some people and it's definitely a group that you'll either love or hate, but either way. Apparently, they have something in the works for 2013 and I am looking forward to it. Perhaps, there will be a battle between them and BiS. That might be pretty epic.
It was sad to hear that PTP's vocalist K had to put his musical activities on hold due to his mental health. I tried to look up some information on the situation and you'd be surprised how difficult that can be to find a truly credible source. From what I gathered from Tumblr
Probably less surprising for those familiar with Shaura's (Juka) track record, but still saddening to fans of the band. For me, the band seemed to be gaining momentum with each release and made me excited as time passed by. They had an interesting line up of having triple guitars and utilizing every aspect of that. Unlike Kisaki, Kamijo, and Hizaki, this is the end of Shaura/Juka's musical adventures. I wish him a lot of luck and I hope that Erina shows back up in a new band as well, because his skills are amazing.
Another less surprising bit of news that's still saddening to me and their fans. I knew they had been having direction issues, but somehow they carried on to make a couple more singles before officially announcing their disbandment. They have one more release and then it's all over in April of this coming new year. If you've never checked these guys out, they are definitely not what you would think they would be judging by appearance. I remember thinking it was going to be the typical oshare kei, but then Suiya began to growl and I was instantly in love. Nonetheless, I wish them all the best and I hope they continue their musical endeavors, especially Suiya, in new projects.
The last of the disbandment news for me was hearing this bit of saddening news. In a way, it seemed expected as the band had been silent for a while and TenTen's bands don't last long from what I noticed. I'm hoping that TenTen shows up on the scene as he normally does and even the other members as well. They had a lot of potential and it's sad that they couldn't fully develop a little longer.
So, D'erlanger is probably my favorite legendary jrock band and I'm sure most of you know that I adore/love Die probably more than any person should. Hearing that the two shared a stage together and doing a BUCK-TICK cover made my heart explode. I know how much Die admires Cipher and, if you didn't know, they share the same tattoo. In short, it was the most amazing thing to see as a fan of both parties and reading Die fanboy over the experience warms my heart so much. I hope one day they do a collaboration in the near future. If you haven't seen it, watch it and brace yourself for epicness!
South Korea continues to amuse me with their conservative ways and lack of sex education knowledge. Seungri decided to be the break out star of Big Bang in Japan, which I believe he fits in quite well. He has the personality, charisma, and a good grasp of the culture and humor. Apparently, he also has a way with the ladies of Japan as well to the point that he ended up in a Japanese tabloid. He was rumored to be in a hotel room with someone and had some kinky sex, then didn't offer to clean up the mess afterwards. Japan was unfazed, but South Korea caused an uproar over the "scandal". If you want to believe the highly unreliable AllKpop, G-Dragon voiced his disappointment toward Big Bang's charming maknae and fans inappropriately used the flimsy information for poster inspiration during their world tour. *sighs* I have lost what little respect I had for V.I.Ps this year. Thanks, guys~
Hiatuses aren't too much to cry over, but when you slap the word "indefinite", it's acceptable to have some fears of no return. Having Soshi as their newest vocalist was a step up and their new musical direction was a positive move, so hearing that the band was taking an indefinite hiatus caused some panic. It's hard to accept improving bands taking such ambiguous breaks or even disbanding. I hope they will return in the near future to blow our socks off, but for now I shall be anticipating Ryosuke's solo project this coming year.
Who would've thought that we would be plagued by a silly, yet catchy kpop song for the end half of the year? I already voiced my thoughts on the viral phenomenon and I had my first radio listen of the song driving back to university after Thanksgiving break. Yeah, I don't listen to the radio, obviously. Of course the success and kpop fan victory blew up in their faces when newbies who claimed to know about kpop through one song tried to jump in on the action with false claims and accusations that every kpop artists were ripping off PSY's global hit. Eventually, everyone got almost as annoyed as I was over the song and Americans started making PSY the butt of jokes before promptly turning their backs on him with his anti-American lyrics from his past. Have my thoughts changed on PSY opening doors for kpop to be accepted in America? Eh...not really. I don't think he's made that big of a deal for hallyu to swoop in like they have in Japan and even Japan is trying to kick them out.
I mentioned this the last time I had Versailles news that I am not a fan, still not, but this flooded my Tumblr feed. The ridiculousness, guys! With mistranslated blogs comes riots and people claiming the world is ending, but indeed this is purely a hiatus. At least, that's how I see it when glancing over the articles. Although this wasn't big news for me, I had to deal with the aftermath spamming on my feed of dramatic fans overblowing minor news. Bands need breaks to explore other musical outlets and improve future visions for their band. Even if they decided to break up, Kamijo and Hizaki are not the types to go silently in the visual kei industry.
I think I've seen more fans jumping for joy upon hearing this news. SuG has become larger than life and want to take charge of their own fate without PSC's slimy hands controlling them. I am totally looking forward to their debut under a new label and I'm crossing my fingers that a couple or so other bands will follow suit. If I could, I would trade Under Code's closing for PSC to close. I wouldn't want the bands to suffer, I just want them to be free from the torturous conditions they've been put under. I suppose I can save my ranting for my new video project as well. In short, I'm cheering for SuG and their band growth. I'm expecting very good things from this move.
Kim Kwang-Soo has been extra busy this year causing trouble for fans, especially T-ara's. Apparently, he caused so much trouble that I had to dedicate a whole post to his plot to destroy something further that wasn't broken. It seems like his reign of "good" decision making hasn't ceased, unfortunately. Expect the same old b.s. nonsense from him in the coming year. I'm not feeling confident about his choices with his money making group, T-ara, and his attempts to redeem success without Davichi and a potential poor reincarnation of SeeYa.
Probably one of my favorite j-indies labels have decided to close its doors in March 2013 and the fans are deeply saddened by it all. Although the news isn't completely surprising to us all, we still feel the deep sinking feeling of our hearts when the news was announced. Perhaps Kisaki didn't manage his money very well after his tax evasion scandal. Along with this news was hearing Dali announce disbandment beforehand and lastly NEGA following suit. Dali may not be as surprising as they had gaps of silence between releases, but they were one of the last of not so well known UCP bands I enjoyed. As for NEGA, I'm hoping
I didn't touch too much on this in my v-log, but only because I merely skimmed over the posts on Aramatheydidn't on LiveJournal and Shattered Tranquility. It wasn't that I didn't care, I just didn't feel like reading it all, but now I have so I can properly comment on this list. If you want a scandal, Seungri, this is how you do it. The tax bureau of Japan decided to look into Gackt's taxes and found some interesting things with his finances as well as his secret love life. Not that it's anyone's business, but since Gackt is a prominent figure in the visual kei and jpop scenes, some people flip their sh*t over a potential secret mistress in Canada that he has been supporting as well as an illegitimate child she bared before moving out of the country. Whether this will taint Gackt's reputation or not, it's quite uncertain, but not many people are saying much about it lately.
Jin is no stranger to the tabloid scene and Meisa is a little less of a stranger, but Aramatheydidnt as well as other Japanese pop culture sites and tabloids had a field day with the fanfiction life of these pop talents. It started with a rumor of the two having a relationship and it was soon revealed that they had a secret marriage that slipped Jin's mind and angered
Tags:
aldious,
babymetal,
chemical pictures,
d'erlanger,
decola hopping,
dir en grey,
gackt,
jin akanishi,
jpop,
jrock,
kpop,
lolita23q,
meisa kuroki,
music,
pay money to my pain,
psy,
seungri,
sug,
t-ara,
vii-sense
Friday, October 12, 2012
V-log: Sex, Fights, & Breaking Up
This was a much needed v-log for me. I've been wanting to do one for a while, so the topics might be a little outdated, I'm not sure
Friday, September 28, 2012
Miko vs. SuG
I was introduced to SuG by a former friend. They were new to the scene and introduced the world to "heavy positive rock". It took me a little time to adjust to the newbies of PS Company with their debut PV "Scheat". It was almost too cutesy for me, but, with the release of "Alterna." and "Love Scream Party", I adored their energy and charisma as well as their music.
Over time, I grew to love this energetic quintet that livened up PSC since Miyavi was evolving and moving on and Alice Nine. was losing their way. SuG was quick to go major with Pony Canyon and endured a member change. The music was so-so and growth didn't show as much. During the time Takeru gained interest with fashion, the band's music became clashes of noise and their PVs were overly visual. Some fans read this era as Takeru being selfish and only gaining attention with his fashion. The band tried to do new things by incorporating rapping and choreography which appeared out of place. For me, it came too close to LM.C's standards and made me slowly lose interest in the band.
I continued to hold onto the few things I enjoyed about SuG like their energy, personalities, and openness to try new things. "Umbilical" showed a different side to them and "Pastel Horror Yum Yum Show" almost hit the mark for me. It wasn't until their single release for the month that they finally found a balance between the old and new sounds while trying something different. "SweeToxic" gave me hope and somewhat rekindled my love for the group. I'm hoping one day that other PSC bands I enjoy will have the same rebirth soon.
Over time, I grew to love this energetic quintet that livened up PSC since Miyavi was evolving and moving on and Alice Nine. was losing their way. SuG was quick to go major with Pony Canyon and endured a member change. The music was so-so and growth didn't show as much. During the time Takeru gained interest with fashion, the band's music became clashes of noise and their PVs were overly visual. Some fans read this era as Takeru being selfish and only gaining attention with his fashion. The band tried to do new things by incorporating rapping and choreography which appeared out of place. For me, it came too close to LM.C's standards and made me slowly lose interest in the band.
I continued to hold onto the few things I enjoyed about SuG like their energy, personalities, and openness to try new things. "Umbilical" showed a different side to them and "Pastel Horror Yum Yum Show" almost hit the mark for me. It wasn't until their single release for the month that they finally found a balance between the old and new sounds while trying something different. "SweeToxic" gave me hope and somewhat rekindled my love for the group. I'm hoping one day that other PSC bands I enjoy will have the same rebirth soon.
Tuesday, September 18, 2012
Top 5 Recommended Music Videos
"sweeToxic" by SuG
I was waiting for the official release before posting this one and I'm so happy to finally show my love for the group. We've had some rough times like most of the PSC bands, but it's nice to see that the band has figured out how to catch my attention again. This PV combines their more recent style with a taste of what made them appealing in the beginning and something fresh to keep me interested. The visuals are saturated in some places and vibrant in others which shows that balance they have finally claimed with this musical style. It's not overwhelming either, it's just enough to make me happy again and I hope they keep this direction up for future releases.
"Eclipse" by Moran
I was really curious how the new additions of Vivi and Ivy would work out with the band and I'm happy to say that it only made an awesome a more awesome band. They haven't lost their initial sound, but simply enhanced it even more with this addictive track and natural energy. The PV is simple and highlights each member while delivering so much energy. I am even more anxious to hear their first album as a quintet.
"Controversy" by Natalia Kills
Sometimes less is more, but this one could be a hit or miss for fans visually. The concept points out social commentary of what we digest through media from day to day. It's lyrically simple, but possesses a truthful message with its words. I read that Natalia's concept for the upcoming album this song will be featured on will be chaotic and noisy and this song definitely fits in that category without being obnoxious about it. Everything is very simplistic, but it holds so many topics that people can discuss for hours on end. I'm looking forward to the album and delving into this new direction.
"WOW" by BTOB
This was an interesting new sound for the group...and kinda kpop as well. It's a mixture of 90's pop and current electro-pop elements which surprisingly works well for the boys. They're slowly breaking out of B2ST's shadow, but they still have quite a ways to go to truly not be compared by their labelmates. The story is pretty standard and the styling matches the musical mash-up ranging from 90's throwback scraps and recycled and revamped B2ST wardrobe.
"Don't Let Go (Love)" by En Vogue
So, I've decided instead of just waiting for something more interesting to pop up or just settle for okay, I would pick something from the past that I'm sure the younger generation haven't been exposed to. This will only occur if I can't find anything to fill the space. Anyway, this is a memorable and empowering song. I remember when it came out for the Set It Off movie. I don't think I've seen the whole movie actually. I believe I was too young to watch it at the time. ^^; Like typical soundtrack based songs, they insert snippets of the movie in between the groups' performance. Normally, this would be quite boring, but for this song it doesn't need anything flashy and over the top. The ladies' emotion filled power vocals make up for everything. I miss R&B songs like this that provide strength to women and really touch your soul.
Monday, May 28, 2012
Top 5 Recommended Music Videos
"SUPER HERO" by VIXX
Rookie groups are just popping up everywhere I guess. I haven't heard of these guys or any promotional efforts. I'm subscribed to a subbing channel and the thumbnail intrigued me. The visuals are stunning and the song is pretty awesome too. It's not just catchy and danceable, but the boys have some vocals to them. I'm looking forward to listening to their debut single for sure.
"E.R" by Dalmatian
B2ST's "Fiction" + Bang Yong Guk's "I Remember" makes this song and video. It's not a terrible thing. I enjoy the visuals and I'm surprised that these boys have vocal talent at all. I'm not a Dalmatian fan which is probably a little obvious. They're too cutesy and silly for me, but this is a good step in the right direction. Now if they can lose that dumb Big Bang tattoo inspiration to their looks, then I might follow them a little more.
"Never Let Go" by A-JAX
I kinda like this keeping the members a mystery thing like SPICA's "Potently" debut. A-JAX definitely have some vocals on them and I think kpop fans should really focus more on vocal talent than the attractive factor. Aside from the emotional filled vocals, the video is quite stunning and dramatic. I think the colorization and the theatrics match the mood of the music. I'm looking forward to more from A-JAX.
"TWILIGHT" by GANGLION
Where have you been? I always get excited when I find talented all female jrock bands. The vocals aren't overly feminine, but she doesn't sound like Jyou of exist trace either, which I hear fairly often. The music is pretty easy to get into. I really should look into this band more. The visuals don't stand out too much either, but visuals are overrated and only attract superficial fans that don't pay attention to the sound.
"Pastel Horror Yum Yum Show" by SuG
If Tim Burton and Kyary Pamyu Pamyu clashed together, they would have something like this. Yes, I think Kyary and Takeru have a similar style about them. I don't really like the saturated colors that much, but the song has some interesting layers and breaks out a little from their bland little funk. I don't want to lose hope in SuG. I really don't want to, but they really need to get it together soon.
Monday, August 29, 2011
Quick Music Review
Touch - Too Hot 2 Handle (2011, South Korea) Rating: 3/5
Favorite Tracks: Luv, Rockin' the Club
Touch is one of those new male kpop groups that have tons of potential, but still have some fine tuning. I was really excited they were coming up with something new. "Too Hot 2 Handle" has a great dance vibe that displays an impressive rap flow. It really gets you in the mood for this brand new single. "Luv" lightens things up a little bit, but still maintains that club vibe. It's simple, catchy tune that's easy to move to and fits in with this dance/club sound trend, but still keeps their cute/innocent charm. "Rockin' the Club" was their promo song of choice. The music video is a little weak, but the song gradually grew on me. The stuttering parts are a little annoying and unnecessary, but the chorus is easily ingrained in my head. "Today" is a nice, lighthearted generic kpop tune that you can easily picture cutesy gestures and facials like Teen Top, SHINee, or something that instantly annoys me. The remaining two tracks are instrumentals of "Luv" and "Rockin' the Club". The boys still have some growing to do, but I still enjoy listening to them.
SuG - Crazy Bunny Coaster (2010, Japan) Rating: 2.5/5
Favorite Tracks: ID fudge factor
As much as I love SuG, I've been having some issues with their current stuff for some reason. It's all the same happy/random formula that's getting tiring like the GazettE's stuff. "Crazy Bunny Coaster" is an upbeat tune with Takeru's usual unique inflections in his vocals, fun keyboarding effects, and random sprinkles of sound effects. "NO OUT NO LIFE" follows along those fun little rock tunes and has a simple lyrical flow that's good for the kiddos. "ID fudge factor" taps more into that rocker sound while still keeping that fun lovin' SuG element. I want more of that!
König - Deep Throat (2010, Japan) Rating: 3.5/5
Favorite Tracks: deep, 蜜溶ける部屋
For those who didn't know, Loki, ex-vocalist of Sugar, started a solo project König. If you didn't know, I'm not much of a fan of Sugar's, but their music was alright and they're rather entertaining live. This is his first single and it opens with the beautiful "Camellia" which is mostly an instrumental track featuring gorgeously arranged piano and electric guitar. "deep" brings in that deep vocals that Loki owns and a dramatic yet lasting musical arrangement that reflects elements from Sugar. "蜜溶ける部屋" gradually builds up starting with an a Capella intro then a strong bass guitar which leads to a hypnotizing melody and a powerful chorus. "insomnia" closes out this masterpiece of a single by picking up the pace a little, but still keeping some sort of emphasize on a guitar and Loki's vocal style.
lam. - Hikari to Yami ga Kosasuru Yoru ni (2010, Japan) Rating: 2.5/5
Favorite Tracks: andante, WALTZ
"Hikari to Yami ga Kosasauru Yoru ni" opens with an immediate guitar melody that easily pulls you in, then changes up suddenly before softening to bring in the vocals. It's a slightly odd sound to the ears and changes every now and then. It has potential, but becomes a bit generic around the chorus. "andante" has a familiar sound to it and once again captures you with the great musical presentation. It softens again to bring in the vocals, but this time it comes at a whisper and the small change up doesn't lose you as much. "WALTZ" starts off with guitar distortions and an aggressive vocal that makes you want to move to it with ease. The chorus flows well and is forgivable generic sounding since the melody is pretty cool.
deathgaze - SILENCE/THE END (2011, Japan) Rating: 4/5
Favorite Tracks: SILENCE, THE END
One of those anticipating singles of the year by the flawless deathgaze. "SILENCE" brings their signature aggressiveness, double pedal drums, and ear grating guitars with an intense fast pace like "BLOOD". "THE END" maintains the intensity, aggression, and speed with Ai's haunting voice and screams to keep things going and consistent. The single is simply too short, but amazing enough to keep fans interested in an upcoming release.
Subscribe to:
Posts (Atom)