Showing posts with label gorillaz. Show all posts
Showing posts with label gorillaz. Show all posts

Saturday, April 23, 2011

Quick Music Review


Gorillaz - Plastic Beach (2010, USA) | Rating: 3.5/5
Favorite Tracks: Welcome To The World Of The Plastic Beach, Stylo, Empire Ants


After seeing them live, my view has changed a little about this album. It's hard to categorize Gorillaz into one genre and this album proves how diverse their sound is. "Orchestral Intro" is just what it says. It's not too classical or anything. It's just the right sound to set a light mood and smoothly transitions to "Welcome To The World Of The Plastic Beach". It features a smooth R&B sound with great band elements and smooth rapper Snoop Dogg make it an even cooler first full length song. "White Flag" mixes traditional Indian sounds and hip-hop together in one enjoyable package. "Rhinestone Eyes" is a seemingly simple electro-pop song with megaphone vocals and an interestingly, dramatic chorus that sticks to the mind. "Stylo" skillfully combines old school elements from the great Bobby Womack, a sprinkle of hip-hop, and Gorillaz's unique electronic twist. This song is easily catchy and enjoyable by fans of either artists. "Superfast Jellyfish" leans more on the hip-hop sound of the band, but in a very comical and catchy way. It kinda reminds me of PaRappa the Rapper game. The music steps down to something softer. Originally, I wasn't too fond of "Empire Ants", but hearing it live made a huge difference. It's a beautiful ballad mixing that old electro-funk sound and Asian ambiance. "Glitter Freeze" is purely an electronic instrumental song. "Some Kind of Nature" and "On Melancholy Hill" is a light hearted electro-rock songs. "Broken" is very down tempo song that keeps their signature electronic sound. "Sweepstakes" is a bit of a random song mixing brass instruments and raggae elements to a fun melody. "Plastic Beach" is a very mellow rock song that touches base with their roots and combining it with this new format. "To Binge" is very islandy. Mellow and familiar like a Beach Boys song. "Cloud of Unknowing" is a very deep, emotional song that proves that Bobby still has it. The album ends with a retro electro-pop sound in "Pirate Jet". In the end, Gorillaz stick to their original plan of being abstract and opening our ears to different sounds worldwide.



Rain - Back To Basics (2010, South Korea) | Rating: 4.5/5
Favorite Tracks: Love Song, Same, One, Hip Song


It had been 2 years since the last release from Rain (unless you wanna count the repackaged material), so I was really excited to see him finally releasing something new. I must say, this comeback did not disappoint. "Love Song" was the title track for this sexy mini. Usually I would whine and complain over love ballads, but...I sadly have a slight Rain bias. Yes! There are a few Rain ballads I can't stand, but this one wasn't so bad. It's passionate, soft, and the music has a nice build up. I believe "Hip Song" was the next target for promotion. Completely opposite of the first track and displaying a heavier R&B/hip-hop fusion of bass and a catchy chorus to keep you rockin'. "One" resembles a lot of Rain's older material, but suitable for his age. A mature R&B song with a lovely chorus that's easy to remember like the rest. "Same" also has the same type of sound as "One", which proves that he could blend easily with American R&B artists. The mini ends with "Love Song" once more, but in English. His pronunciation is improving little by little. It's a bit awkward to listen to, because my ears and memory are tainted by the original Korean lyrics.



f(x) - NU ABO (2010, South Korea) | Rating: 4/5
Favorite Tracks: NU ABO, Mr. Boogie, Ice Cream, ME+U


So, I wasn't part of the original fan club of f(x), but hearing their collaboration with Son Dam Bi and this mini album sold me for good. "NU ABO" is a strong electro-hip-hop/pop song with intense beats, catchy chorus, and signature Korean girl cuteness that isn't obnoxious like some female kpop groups. "Mr. Boogie" goes into that whole electro-pop trend that's just catching on every where, but it's a good arrangement. It's very dancy and has attitude written all over it. Missing a good old sugary sweet girl kpop song? Well, "Ice Cream" is definitely cutesy and pop. If you listen to this track too much, you might get sick of it. "ME+U" has become a recent favorite from hearing it in the car. It's fun, simple, and very dance worthy. The mini ends with something more mellow and slow. The arrangements are nice for both songs, but not my style.



Big Bang - Big Bang Special Edition (2011, South Korea) | Rating: 3/5
Favorite Tracks: Baby Don't Cry, TONIGHT, CAFE, I Need a Girl


If you weren't satisfied with the mini-album, prepare yourself to be disappointed with this not so Special Edition the boys have released for us. I wasn't even expecting another release so quickly, but I found it extremely unnecessary. Don't get me started on the Japanese version of "TONIGHT". So, pretty much we have 3 tracks from the mini: "TONIGHT", "Somebody to Love", and "CAFE". I like 2 out of 3 of those songs. Then we have a couple released solo material by Tae Yang and Seungri. And if you haven't picked up your GD&T.O.P CD, this includes "HIGH HIGH" and "Oh Yeah" with Park Bom. As you can see, majority of the tracks have already been released, but wait! There's 3 brand spankin' new tracks to rattle in your brain. "Love Song" has been the promotion song to convince fans to pick up this not so Special Edition. Sure it's mature and follows a totally different direction than most kpop male groups [and Daesung gets more voice time], but it proves that songs about complaining how you dislike love songs are annoying to me. *coughs*Ne-yo*coughs* I did think the video was beautiful, but could've lived without the half assed choreography and just mute the music. What's more annoying about whining about how much you hate love songs? Admitting how dumb you are...over and over and over again. "Stupid Liar" is an extremely repetitive and annoying song that seems like there was no thought put into it, but honestly...it's just all over the place. After cleaning my ears from this blasphemy of a CD, I braced myself for the usual trot/ballad-y song that Daesung usually produces. And OMFG! It was the best addition to this train wreck and I couldn't get enough of it. Little Daesung is growing up ;~; Sure, it's a bit of a slow song, but it's not an obnoxious love ballad. It has a R&B/rock flare to it that makes it even more enjoyable with Daesung's sweet voice. At least they did one thing right.



Sadie - COLD BLOOD (2011, Japan) | Rating: 3/5
Favorite Tracks: sabaku no SYNDROME, Graceful Angel, deathtopia, mabuta no yuuutsu


I wasn't sure what to expect from this album, since the singles leading up to it were a bit hit and miss. The album starts off pretty calm and you can hear every instrument clearly in "doukoku". It has a dramatic build and helps you get settled for the rest of the ride through the other tracks. "Juggernaut" was one of the singles that didn't quite agree with me. It sounded very anime, but still Sadie in some ways. Very generic. Nothing special except the chorus on a good day. "LOOSING MY WAY OF THE PROUD" shows a lot of Dir en grey influence. It's aggressive, sneaky, and energetic. "sabaku no SYNDROME" shares a similar Diru influence, but still true to Sadie's aggressive, dark sound. The musical transitions are interesting and Mao skillfully follows his own transitions from a low growl to raw vocal. "棘 -toge-" was another single they released for promotion and I'm sure you can find my thoughts on it in an older post. "deathtopia" made me a little skeptical with the name, but it had an interesting beginning that no one would expect from them and explode instantly into something aggressive. Very clever~ "Dress" was a miss single and I simple just skipped it as usual. "Graceful Angel" brought something a little new to the band and I really enjoyed this one. It had a great dual guitar and bass relationship and Mao's voice were flawless. "kasumi ni kieru hana" features a slightly softer side of the band that is equally enjoyable to their heavier sound without selling out to a mainstream "anime" rock sound. "GIMMICK" sounds like their roots back in the "Meisei" era when they first started out with mixed with that mainstream sound I mentioned before. "Kuraimoa" was actually a single I kinda liked compared to the others. It's fast pace and a little aggressive. "mabuta no yuuutsu" is another soft song with a dark undertone. The album ends with an unplugged version of "Dress" which I'm sure fans will enjoy if they liked the original, but for me it was a pass...obviously.

Monday, November 1, 2010

Live: Escape to the Plastic Beach World Tour

Escape to the Plastic Beach World Tour
[2010.10.19] Toyota Center in Houston, TX
featuring: N.E.R.D & Gorillaz


N.E.R.D

I haven't listened to N.E.R.D in ages. I think the latest song I heard was "She Wants to Move". I knew a couple or so of their older songs and some collaboration pieces that Pharrell had done with other artists, but nothing I could sing/rap word for word. Nonetheless, I still enjoy their music and apparently one of my friends that went with me is a bit of a fan of theirs as well. They mostly did songs from their latest album, Nothing, and plugged it a few times, but they did perform "She Wants to Move", "Maybe", "Rockstar", and "Lapdance". They had a ton of energy and more people were willing to get up and move. When they didn't, Pharrell commanded them to get up on their feet and let the music flow through their body. He made us have a little jumping contest from section to section too.


"She Wants to Move (live)" by N.E.R.D



Gorillaz

One of my friends and I returned just in time, from the merch table, for the opening with 2-D, Noodle, and Murdoc preparing for the show, then the orchestra played in the background and big glowing letters spelling out "Gorillaz" above them. Slowly people stood up and stared at the big screen above the band's name, the members entered the darkened stage along with a marching band from Chicago, and watched the island appear before us and soon Snoop Dogg in a fancy, gangsta pirate outfit on the screen. He did the first track vocal track of the album to start the show, "Welcome to the World of the Plastic Beach". It was very smooth and perfect. Before I go any further, I have to throw in my imperfect setlist:
Stylo
Welcome to the World of the Plastic Beach
Dare
Feel Good Inc.
Last Living Souls
White Flag
Dirty Harry
El Manana
Demon Days(?)
Re-Hash
Tomorrow Comes Today
Clint Eastwood
Punk
Rock the House
19-2000
Orchestral Intro
Rhinestone Eyes
Superfast Jellyfish
Empire Ants
Glitter Freeze
On Melancholy Hill
Broken
To Binge
Cloud of Unknowing


Now I guess I'll go down the list of songs and comment on them from what I remember. There were a lot of songs I was happy and a bit surprised they played. They mixed it up from every album they released and we just kept moving and yelling to everything they threw at us. I didn't think the legendary Bobby Womack was gonna show up for "Stylo", but he did and he got down with it! He also did "Cloud of Unknowing". He gave credits to Damon for writing the song and that it was one of his favorites. Someone brought out a stool for him to sit on and he preached it to us. There were a couple people in the back yelling his name. It was great! There were a lot of special little guests that got to be part of their own songs. An Arab-American orchestra did the intro to "White Flag" and immediately the rappers ran out and got us pumped. Damon brought out a giant white flag for the fans up front to hold and wave it around. They kinda failed and it got wrapped up around the pole. Once they got it open, they had a good swaying motion down for the rest of the song. The adorable Miss Yumiki Nagano of Little Dragon came out and performed a couple songs with Damon, "To Binge" and "Empire Ants". I think she's super cute and I love her voice! "Superfast Jellyfish" had an interesting little video in the background with various fast foods and snacks and of course a goofy little jellyfish. The "Last Living Souls" video ended with the two last men that have been wandering in the desert being zombies, which was an interesting concept. Fell in love with "Dirty Harry", especially with the video they played with the demented Gorillaz-esque kids swaying to the music. Classics like "Dare" was exciting and I couldn't help not dancing like Noodle in the screen and I adored the vocalist who sung for her. "Feel Good Inc." and "19-2000" had high energy as well and people were excited. The rappers had a lot of fun with the first song and everyone went wild when the guy did his signature laugh for all of us. "Clint Eastwood" was very "wow"! The rappers got us extra pumped for the song and it was great way to close out the show.


"Stylo" by Gorillaz feat. Bobby Womack (and one of the rappers I don't quite know the name ^^;;)


The show can only be described as EPIC! I never expected it to be that spectacular, but I'm so happy I went and I hope to see them live again.