Wednesday, August 7, 2013

Review: The Mentalist (TV Series)


Title: The Mentalist
Starring: Simon Baker, Robin Tunney, Tim Kang, Owain Yeoman, Amanda Righetti
Created by: Bruno Heller
Genre: Crime, Mystery, Drama
Country: United States
Language: English
Episodes: 116
Seasons: 5
Years running: 2008 -
Status: Currently Airing
Synopsis: An infamous 'psychic' abandons his public persona, outing himself as a fake, to focus on his work as a consultant for the California Bureau of Investigation in order to find "Red John," the madman who killed his wife and daughter.


What do you get when you add a fake psychic and a group of stoic agents together in an attempt to chase down a serial killer? The answer would be entertaining television. Patrick Jane is an infamous former psychic who made his living reading people on a television reality show. It was never hard for him to quickly learn things about him that they believed no one could ever know. These little pieces of information would lead him to conclusions about deceased relatives and loved ones. Most would never believe that he'd faked any of his psychic abilities. Yet, Jane was doing just that. When his wife and daughter are murdered after he taunted a serial killer the police were searching for, Jane makes finding the killer his life's mission. This leads him to work with the California Bureau of Investigation in order to catch the killer known only as Red John.

This brings him under the reluctant supervision of senior agent, Teresa Lisbon. She's a no-nonsense cop with a track record of solving cases such as that of a serial child rapist. Lisbon often disapproves of Jane's tricks and mindgames. Once Jane begins proving valuable to solving cases, she continues to scold him while being a little more relaxed around the former psychic. The chemistry between Jane and Lisbon is undeniable. They work well together, often much to the misfortune of the criminal they're pursuing.

The rest of Lisbon's team has a similar outlook on Jane. Kimball Cho, a former narcotics agent, is much like Lisbon, preferring to do things by the book. He's an excellent interrogator with great listening skills. However, Cho often meets Jane's antics with an expressionless look. His partner on most cases is Wayne Rigsby. Rigsby previously worked in the arson investigation unit before he transferred to Lisbon's team. He's usually the quickest to follow Jane's plans. The youngest agent, Grace Van Pelt, believes earnestly that psychics are real despite Jane's assurance that they are not. She's sensitive and easily manipulated despite her intelligence.

Along with the search for Red John, the team closes murder investigations. They often come under questioning because of Jane's unusual antics. It's these antics that help find the resolution, whether it's
questioning the victim's family with a sassy tone or tricking a suspect into revealing their guilt. All doesn't work out well for Jane and the team. They often find themselves being reprimanded by Lisbon's superior officers due to the methods they use to find murderers.

There aren't many crime television series that can hold my attention for five seasons. The Mentalist has
accomplished that feat with wit and charm. This is not only due to the impeccable casting of Simon Baker as Patrick Jane, but that of Robin Tunney (Lisbon), Tim Kang (Cho), Owain Yeoman (Rigsby) and Amanda Righetti (Van Pelt) as the CBI agents tasked with working alongside Jane. It's in their interactions as well as the cases that keep me watching time after time. I'm sure that I'll still be watching when season 6 begins on September 29th of this year. Whether they catch Red John this season or not, I'll continue to watch as the team solve cases in their stylish way.

Rating: 4.5/5

Monday, August 5, 2013

Top 5 Recommended Music Videos


"Mischievous of Alice" by Yousei Teikoku
This is definitely an artist I hardly listen to, but enjoy. I know there are plenty of "Alice in Wonderland" inspired jrock/jpop songs out there in Japan, but this still keeps the concept fresh and a little different from the others. The music and visuals are both elegant and dark, but maintains its beauty and edge. Perhaps this PV will persuade me to go through my library and listen to more of her music.



"Did not say anything" by BNR feat. Ann
I love finding new Korean R&B artists that just blow me away in not only their music, but their visuals. The video is shot very interestingly. I love the freeze framed characters and actions and how smoothly it progresses the scene with these two people. The music is very soulful and smooth. It brings some good feelings inside and I always love Ann's vocal contributions. Every time she's in something, I instantly love it, especially if the male vocals compliment them like Drunken Tiger.



"Polarize" by Tam Tam
I think I ran into this band on either a jrock blog or Tumblr, but it was definitely something different than what I've been listening to lately. It's great to find a new band that's enjoyable and somewhat unique to the genre. The visuals are mixture of eccentric artistic and band centric with a good balance of focus in either of those categories. The music is very easy to listen to, but the vocals can be hit or miss for new listeners like Shiina Ringo. The vocals are soft, but powerful with imperfect perfections. I would definitely like to hear more from this band in the near future.



"SIRIUS" by DIAURA
I'm so proud to have been a fan of these guys from the beginning and even before this band formed. There is so much growth shining in this PV and song that it makes me proud to be a fan of theirs. The visuals are definitely a step up. It's dramatic, sleek, and dark just like the band. The music is simply amazing! It has a strong passionate punch to the chest and the vocals just reek emotion and improvement. I can still pick yo-ka's vocals out of anyone else's. I love the balance of sorrowful, dramatic piano and the hard hitting rock sounds to transition everything. Keep up the good work, guys!



"GET ON THE FLOOR" by 365
A friend of mine has been sharing some Vietnamese pop with me occasionally and this is one group that he posted on my Facebook. I'm sure there are plenty of kpop fans that accuse other Asian pop acts, excluding Japan, of copying kpop, but I think this is the first time I can find no trace of comparison. I don't agree with these fans, btw. Anyway, this reminds me of Europop from the visuals to the music, but the vocal structure and appearance of the members are definitely Asia based. It's a fun little dance track with some stunning visuals I thought only existed in China's pop scene. I'm looking forward to checking out more music from this group.

Saturday, August 3, 2013

Review: The Conjuring (2013)


Title: The Conjuring (2013)
Director: James Wan
Cast: Vera Farmiga, Patrick Wilson, Lili Taylor, Ron Livingston
Rating: R
Running Time: 112 minutes
Synopsis: In 1971, Carolyn and Roger Perren move their family into a dilapidated Rhode Island farm house and soon strange things start happening around it with escalating nightmarish terror. In desperation, Carolyn contacts the noted paranormal investigators, Ed and Lorraine Warren, to examine the house. What the Warrens discover is a whole area steeped in a satanic haunting that is now targeting the Perren family wherever they go. To stop this evil, the Warrens will have to call upon all their skills and spiritual strength to defeat this spectral menace at its source that threatens to destroy everyone involved.


'Based on a true story' is something that usually makes me fairly nervous for how a film will turn out. That's mostly true with horror movies or those cheesy Lifetime biopics. Most of the time, it tends to mean that you need to take the result with a grain of salt. Human beings are the worst at exaggerating a story as time passes simply due to the fallibility of memories. Once you add screenwriters to the mix, those slightly exaggerated memories become full blown moments of creative license.  In a situation like this, creative license takes on a whole new depth. The realm of the supernatural is already a subjective front. You either believe in it or you don't. Sensationalizing a true story will terrify believers and make skeptics deride it even more.

The Conjuring is a film based off the case files of a very real couple known for investigating the paranormal. Ed and Lorraine Warren have been involved in several hauntings that have been turned into movies such as A Haunting in Connecticut and The Haunted. They also investigated the story more commonly known as the Amityville horror. While skeptics have questioned the validity of their investigations, there are few true believers that doubt the couple. Out of all their cases, the Perron family's story hadn't been turned into a book or movie. However, the Conjuring doesn't only touch on the Perron story. Two of their other cases are shown or mentioned as well. The most prominent of those two cases being that of the Annabelle doll. For the purposes of the movie, the doll itself was changed into something much creepier than the Raggedy Ann doll it is in reality. Also, getting the rights to use the Raggedy Ann image from Hasbro might have been difficult.

This is a particularly hard review to write without giving away anything that will spoil the film too much. If you're going into this movie hoping to see gore, foul language and sex, you won't get any of those things. This movie fits in quite well with classic, old school haunted house/possession films such as Exorcist or Amityville Horror as well as horror thrillers like The Birds. You're going to see some familiar sights. It's hard to avoid comparisons when your subject matter is basically the same as nearly every other haunted house story. A family moves into a seemingly innocent home with the house's origins unbeknownst to them. Everything seems fine until strange things begin to happen. There's no difference in this story. The family is your everyday family. The house seems to be a normal home.

The strength in The Conjuring lies in the shift of focus. Where normal haunted house tale focus almost entirely on the family, there is a very balanced shift between the Perrons and the Warrens. The movie has a strong cast to back this up. Lily Taylor and  Ron Livingston are great as the Perron parents. Vera Farmiga and Patrick Wilson had great chemistry as the Warrens. Even the child actresses who played the five Perron daughters were quite good at what they were doing. The one who stood out the most to me was Joey King as Christine. Her terror was written all over her face in several scenes.


In addition to the strength of the actors, it's the choice in the music that really sets things apart. Wan brings back Joseph Bishara who provided the score for Insidious. Much like their previous collaboration, there were times when the music gave me chills. In most modern horror films, this would lead to a jump scare with one of two outcomes. It would either be a genuine scare or more often a simple misdirect. That's one thing I like about James Wan. When he intends to scare you, the suspense isn't built in order to throw a random cat at you. Wan didn't skimp on the authentic 1970s details either. From the clothing to the equipment, the filmmakers did a great job at a convincing period piece.

I enjoyed The Conjuring. My prediction is that it'll end up with a cult following much like other horrors of it's nature. This isn't your typical jump fest. It's not going to terrify you. It will leave you unsettled and looking twice in dark corners. It's hard to scare me, but even I found myself tucking my feet tightly under my blankets when I went to bed! I hope that this movie symbolizes a shift into cleaner, more intelligent horror films.

Rating: 3.5/5

Thursday, August 1, 2013

Review: Temptation: Confessions of a Marriage Counselor


Starring: Jurnee Smollett-Bell, Lance Gross, Vanessa Williams
Directed by: Tyler Perry
Language: English
Rating: PG-13
Running Time: 111 minutes

Oh, Mr. Perry, this movie has caused me a lot of grief these past few days. I've been going back and forth on whether to do a long review or a short, quick one. Well, I actually did a short review, but then went back to square one to a longer one thanks to an inspiring Tumblr post.


Judith works as a therapist at a matchmaking agency and is married to her childhood sweetheart and pharmacist Brice. They have a loving relationship and share strong Christian values, but over the years Judith feels under appreciated and sometimes neglected by her husband. Harley, a wealthy internet entrepreneur, is interested in investing in the matchmaking agency and Judith is put in charge to handle the details. As the two work together, Harley expresses his interest in Judith and tries to convince her that he could provide everything that Brice is not giving her lately.

Before I digging into this movie, there's two things I want to state. First, I actually wanted to see this when it came to theaters, but it never worked out. Second, my relationship with Tyler Perry's creations, whether it be his TV shows or his movies (I don't have many problems with his stage plays), I've been a little frustrated. Based on the trailer, it actually seemed like a step up from his previous movies and a break out of the usual mold for him. It actually appeared promising for Mr. Perry and I felt optimistic going into it. After watching it at home, my mother told me she enjoyed it, but a lot of reviewers of imdb seemed to tear it apart as a garbage movie. I must admit that this movie isn't terrible, but...on the other hand, it wasn't as great as my mother claimed it to be either.


I haven't watched the stage play this movie is inspired or based on yet. I have a lot of stage plays to catch up on still. Infidelity stories have a formula to them, so a lot of elements seem cliche. With Tyler Perry, there's also a formula to his creations. There's eye candy, abusive relationships, going against racial stereotypes while simultaneously playing to them, drugs, and some sort of moral, usually Christian, message at the end. I will give him points for trying to do something more serious and I was happy that there was an actual consequence for Judith's actions, although the resolution is very questionable in more ways than one. It was nice to see a more serious side of Tyler Perry through his film.

Unfortunately, his efforts lacked in places and were sloppy in other spots. These flaws dull down all the positives of this movie. In fact, it mostly outweighs it. The story is quite simple, but the subplot was unnecessary, which is whatever Melinda was going through or the small emphasis on Judith needing a makeover. I was happy there was no makeover montage with Judith and Ava. Also, I completely forgot that the movie's story was being told by someone else until the end which seemed silly and it could've been completely omitted. The biggest problem was the script, for me. The characters either fell in the category of idiotic or pointless and the pointless characters helped bridge the gap of the idiocy. Let me delve a little deeper in the character issues I have and I'll try to leave the spoilers out, if that's even possible to do as most of the actions are predictable.


I'll begin with the supporting cast. I know Kim Kardashian doesn't have much support, especially as an "actress", but she really didn't contribute or retract anything from the movie. So, Ava falls into the pointless batch and she doesn't bridge much together either. Janice has little purpose as well and only exists to add extra consequence to Judith. Melinda's backstory was very vague and doesn't offer much for the audience to sympathize or care about. She's also the smartest person in the whole movie, even though she seems quite pointless as well when you think about it. Sarah, Judith's mother, also doesn't add much to the story other than shoving in a Christian message and slightly bridging a gap a bit awkwardly of the idiocy with the main cast. Now for the male leads, Brice and Harley. Brice is a character that at first we're suppose to not like much, but like more than Harley. Unfortunately, he's part of the idiot box and has to be guided along to figure out that Judith is interested in Harley in a more intimate way. His neglectful actions are realistic, but as the movie progresses, it becomes less realistic and you understand why Judith chose Harley over him. Harley is obviously the antagonist of this movie, but his abusive ways seem over the top or unnatural in places. Apparently, he does drugs as well, but it is vaguely mentioned verbally and through his actions. Either Perry just wanted to stick with his usual formula or he doesn't understand drug physics. Lastly, there's Judith. Judith is a very fickle character...a very frustrating, fickle character. She'll chase after Harley, then gets pissed off at him. Her acting isn't that bad, but her emotional range just seems very sudden in certain situations.

Other little things I would like to add about this movie is that I wish Tyler Perry took more of a risk with the subject matter. Appearance wise, it is a lot darker and I expected something R rated, but it wasn't. If he pushed himself for an R, I think things could've been expanded more. There's also a small continuity error at the end of the movie as well. Lastly, that Tumblr post. I was so happy that someone else noticed that scene. Just everything about that scene and Judith's reaction afterward seemed very off. The whole situation from that scene could've been executed better.

In the end, Tyler Perry tried his best, but fell short in too many areas to make this a good movie. I am a bit disappointed, but I think Perry needs to take a break from the big screen and gather his writing and directing skills together. The acting was decent and the story had promise of something a little different from Perry, but the various flaws brought the movie down some points. This isn't the best movie out of Perry's collection that doesn't involve Madea, but I will defend it to an extent that it isn't the worse movie I've seen either.


Rating: 2/5


If there's something you want me to review, check out this post on how you can submit requests.

temptation

Tuesday, July 30, 2013

Review: Last Kind Words (2012)


Title: Last Kind Words (2012)
Director: Kevin Barker
Cast: Brad Dourif, Spencer Daniels, Alexia Fast, Sarah Steele
Rating: Unrated
Running Time: 1 hour, 27 minutes
Synopsis: 17-year-old Eli has just moved with his family deep into the backwoods of Kentucky to work on the isolated farm of a local recluse. Inexplicably drawn into the strange forest that lies beyond the farm, Eli encounters the beautiful, sweet and mysterious Amanda, seemingly the perfect girl. But with the discovery of decaying bodies hanging from the trees, he realizes that the forest - and Amanda - are harboring some very dark secrets. Suddenly, Eli is living in a waking nightmare where the lines between life and death are scrawled in blood, and there is no escaping the terror from beyond the grave.


I ended up seeing this on a whim over Netflix. The synopsis leads you to believe that it will be some sort of horror movie. Even the posters lead you toward that conclusion. What you really get is a sprawling movie that can't decide what it really is. Is it a coming of age love story? Is it a backwoods yawn about a twisted family? Or is it the horror that the filmmakers promoted it as? The answer to all of these ends up being no. This isn't quite a love story nor is it a story about a twisted family. Overall, there is nothing in this film that I would use to define as part of the horror genre.

Last Kind Words suffers from too many plots and no commitment to any of them. Eli's family moves to a farm after his alcoholic, religious father loses his job at a factory. It's made clear that they have no where else to go. The father is abusive and his mother is a skittish woman who runs from conflict. Yet, there really isn't much time devoted to exploring the family at all. Aside from a few fleeting encounters with them, most of Eli's time is spent in the woods.

He's drawn to the mysterious Amanda who he meets on the farm. We're not really given much backstory on her until much later in the film. While we wait to find out what her story is, we have his parents and, Waylon,
the reclusive friend who owns the farm. It's clear that the two elder men have a history. They seem uneasy around each other, but are obviously still friendly enough that Waylon would give the father a job on the farm. In the midst of this, there's Katie, Eli's friend, who shows up wanting to run away from her own family. We aren't really given a chance to connect with any of these characters. The majority of them could easily be discarded.

A slow pace doesn't help this lack of commitment to any of the possibilities for the plot. Despite warnings to stay out of the woods and away from Amanda, Eli continues to venture into the very places he was told to stay away from. Who is this girl? Why is she lurking alone in the woods? By the time the reasons were revealed, I found myself more confused than I'd been from the start. There were simply too many things
going on and little resolution. Alexia Faust did well as Amanda. The role wasn't very difficult for most of the film. The tasks of walking around in the woods while looking pretty and sad aren't too difficult for most girls her age. Some of you might remember her from Supernatural (season 7, episode 13) where she played Dean's daughter, Emma.

The resolution of the film left me feeling even more confused. Certain decisions were made that seemed a bit iffy. All in all, there were too many questions that didn't get answered fully. The slave's story was never really given in any depth. It was merely used to tie up a possible loose end. The boy and his father in the opening sequence were pushed aside in a similar fashion. I can't set aside the issues in this one. I could see where the filmmakers wanted to go...and they simply didn't make it there. Watch it for the scenery. Don't expect too much from the plot.

Rating: 1.5/5

Sunday, July 28, 2013

Top 5 Recommended Music Videos


"Coffee Shop" by B.A.P
Every time B.A.P promotes a slow song, I never really like it. The combination of concept and just the song never works out for me and feels odd for something like that coming from these boys, but this song is just right. It's calming, mature, and properly fits the group. It's not cutesy nor overly romantic visually. It's just right and doesn't clash with group's overall concept.



"Baaam" by Dynamic Duo feat. Muzie (UV)
Sometimes I wonder why I've ignored this legendary duo all this time. This video definitely brought them back to my attention and I love it. I just really love this R&B sound mixed with rap. It's slick, mature, fun, and entertaining. It matches this whole classic slick sound that Justin Timberlake and Pharrell resurrected back into pop in the U.S. I love the sleek, dark, and sensual visuals that match both the sound of the music and the vocal delivery. Lastly, the autotune for once does not take away from the flow.



"Torture" by Picture Me Broken
I know this isn't that new, but I just recently got into this band and it's always great finding good female rock vocals. I like the concept of this video. It's simple, but interesting enough to follow along with the story. The song is really powerful. I love the bass and piano in this song and great emotion filled vocals to bring the music to life.



"Call Me" by Untouchable feat. Andrew Choi
They're back! They're back! They're baaack! I'm so happy~ Can't you tell? I love these two men and it's great to see something new from them. You would think I wouldn't enjoy such a slow song, but it works for them and reminds me of a couple other slower songs I enjoy by these two. I like the simplistic, sweet concept with the rotating camera, text visuals, and scene transitions to progress the story along. Really hoping this means a new mini-album or full length album to come. *crosses fingers*



"We Are Bulletproof Pt. 2" by BTS
I know this is just a simple choreography centric video, but they're on point and these rookies have some serious talent. Not only is their dancing in sync, but they're very impressive in the lyric delivery, both singing and rapping. The visuals are a little questionable like the blinged out props and gun imagery, but it goes with the appearance of the boys. Cliche as it is, it's not really shoved in your face too much that causes appropriation irritation. I'm looking forward to more by this group and I hope they don't lose their hard sound or go stale with repetitive maneuvers like their predecessors.

Friday, July 26, 2013

Review: Evil Dead (2013)

Title: Evil Dead (2013)
Director: Fede Alvarez
Cast: Jane Levy, Shiloh Fernandez, Lou Taylor Pucci, Jessica Lucas, Elizabeth Blackmore
Rating: R
Running Time: 91 minutes
Synopsis: Five friends head to a remote cabin, where the discovery of a Book of the Dead leads them to unwittingly summon up demons living in the nearby woods. The evil presence possesses them until only one is left to fight for survival.

Going into this movie, I knew that reviews were mixed. There were people who loved it and others who saw it as a complete bastardization of the source material. Whether you care to admit it or not, the original Evil Dead was the highlight of Sam Raimi's horror career. Even with Raimi and the original's star, Bruce Campbell, backing the new film, there was still a huge amount of fans asking why a remake or 'reboot' was even necessary. I have to admit that I was one of those people. I decided to ultimately set the original aside and watch this new version as if I'd never seen it's predecessor.

I'm going to try my best to keep this review spoiler free. I'd rather not ruin it for anyone who may wish to give it a chance. Almost instantly, I was questioning where the film was trying to go. The quick opening
scenes are meant to set the viewer up with a bit of backstory. All it really does is explain why the cabin has an odd smell. Even then, you're left with quite a few questions about the reasonings for why certain things were left where they were. It's not unusual for horror movies to leave massive plot holes that never really get resolved. I completely understand that part. After all, there are very few intelligent horror films with entirely well scripted plots.

I think that's one of the biggest downfalls of this film. The script was written by Fede Alvarez (the director) and Rodo Sayagues with Diablo Cody giving it a rewrite. In that process, the script glosses over a lot of things that should be important. Who are these characters? Why are we supposed to care about them? Why should we invest our time in rooting for these characters to fight and survive? Some readers might disagree with me on this. I, personally, want to connect with at least one of these people. I want to be able to really care about one of them and scream at the screen for them to run faster or fight harder. That's one of the biggest draws of the horror genre aside from being frightened by the things that I'm seeing on the screen.

The Evil Dead remake/reboot failed to deliver on any scares. There were scenes were I found myself looking away, but that was due to the sheer level of gore this movie contains. Gore does not equal scares. Where the Saw series opened up a new level of gore, at least with those movies you had the underlying drama of what Jigsaw believed in and how he converted people to his belief system. In Evil Dead, there's nothing to justify
the amount of gore. The director even commented on the sheer volume of fake blood that was used in making the film. If I remember correctly, it was something like 70,000 gallons of the stuff. There was also a claim that there was no CGI in the movie. I won't get into that debate, but some of the film did appear to have CGI laced moments.

I can't find any real redeeming qualities about the movie. The character development is so lacking that even the brief mentions of backstory aren't enough to add anything. This can't be blamed entirely on the actors. They simply work with what they're given. Even amazing acting can't make up for a lacking script. Jane Levy
(Mia) is a fairly decent actress for her age. Horror isn't her typical forte. Instead, she does comedy and teenage angst fairly well on Suburgatory. On the other hand, the male lead, Shiloh Fernandez (David) seemed very wooden to me. It shouldn't be surprising considering he was Peter in Red Riding Hood and auditioned to be Twilight's Edward Cullen.

Overall, I'd recommend waiting for this to hit your cable channels. Don't waste your money on rentals. If you're like me, you'll find yourself disappointed. It certainly wasn't 'The Most Terrifying Film You Will Ever Experience' like they wanted you to believe. Those with weak stomachs should avoid it for the amount of gore. If you enjoy dismemberment, foul language and plot holes, make some popcorn and have fun!

Rating: 1/5

Wednesday, July 24, 2013

Live: The Birthday Massacre

The Birthday Massacre
[2012.11.20] The Door in Dallas, TX
featuring: Creature Feature, Aesthetic Perfection, William Control, & The Birthday Massacre


Creature Feature

I didn’t know there was another band added to the line-up and it’s usually interesting to have these surprise openers. I’m not sure if they followed the tour throughout or just select cities. My friend and I, as well as a good group of people, were a little late to the event, so we missed about half of their set. The sound levels were definitely overwhelming from the entrance and eventually the levels improved throughout the evening. It did affect the performances to an extent, but I can push it aside for the most part in the review. Anyway, I immediately described this duo as kooky and even a low budget Candy Spooky Theater. The group consists of a singer who plays guitar and an energetic keyboardist using horror carnival elements with a tiny hint of electronic sounds. I wasn’t particularly fond of the vocals, but the music was somewhat catchy and what I could understand of the lyrics were amusing.


Aesthetic Perfection

I’m one of those people who check out bands beforehand and this practice started about 2006 when I first saw Dir en grey live. I remember looking up this electronic duo, but I couldn’t remember what they sounded like before their set. They had a few more fans than the previous band. They also used horror themes but more so lyrically than soundwise. The band consists of a vocalist and drummer. They displayed a little more experience than Creature Feature. I really liked them and I thought the vocalist was pretty cute. Apparently, this band is known for getting drunk on stage or at least drinking a lot while performing which was interesting, but they seemed fairly sober throughout their set. High energy, great crowd interaction, and loads of entertainment. They also sung a cover of “She Drives Me Crazy”, since it was some kind of bet they had with one of the members of The Birthday Massacre. By the end of their set, the band definitely gained a fan on my end. My friend enjoyed them as well. Here’s a rough setlist, in no particular order:
A Nice Place To Visit
The Devil's In The Details
She Drives Me Crazy
One and Only
Inhuman
Spit It Out
The Siren
Living the Wasted Life


William Control

Since I looked up this artist beforehand, I already had a bit of excitement and expectations from this artist. I was a little skeptical in the vocal department, but William Control delivered some impressive, alluring vocal talent and his musical companion was good too, although you hardly notice him in the darkness and fog. William made sure to interact and talk to the crowd every now and then, even if the song wasn’t high energy or uptempo. As I mentioned before, the stage was mostly dark and foggy to fit the tone of the artist, but there was a mixture of blue and red lighting switching in and out during the set. William is definitely a chain smoker too. I think he had at least 6-7 cigarettes. It made me worry about that lovely, dark voice of his. Later going to his band before this solo project, it is a completely different side of him sound wise. I don’t particularly like his band, so I will stick to William Control. Although, like Yomi’s vocals from Nightmare and Sendai Kamotsu, I was amazed by the vocal differences. Since I had some sort of expectations from him, mostly song-wise, I was pleasantly satisfied to hear a couple songs that I really enjoy. I wouldn’t mind seeing him again and indulging in his seductive, subtle charisma. Here’s another setlist attempt, in no order:
All Due Restraint
I'm Only Human Sometimes
My Lady Dominate
Dorian Gray?
Kiss Me Judas
I Am Your Jesus
The Velvet Warms and Binds
Romance & Devotion
New World Order (A New Kind of Faith)
Beautiful Loser
Strangers
Razors Edge


[2012.11.20] William Control - Lady Dominate



[2012.11.20] William Control - All Due Restraint



The Birthday Massacre

It’s obvious that this is the reason I came to this show, even though I’ve seen them twice before, but I really enjoy what the band gives to their audience. This was my first time seeing them in Dallas and the crowd was very pleasant and responsive. They had just the right amount of energy and respect that a live crowd should have. I remember this tall guy getting really emotional during their set, it was nice to see someone being able to see the band they love in person and even more being able to touch or interact with any of the members. Chiba was her usual adorable and chipper self. The rest of the band also displayed the energy that I’m used to experiencing and maybe even a little more to keep me coming for another show. They played a few songs from their new album, Hide and Seek. From their newer material, I enjoy The Birthday Massacre’s slower songs just as much as their more energetic songs. I enjoy the range that Chiba brings with her vocals, member interactions, and overall performance. She is just a fluid entertainer and can deliver a heartfelt sorrowful tune just as well as a vengeful love song. I hope this band continues on the great momentum they have created and keep bringing the passion to their fans through their music and live performances. Here’s a rough setlist, in no order:
Calling
In the Dark
Always
Control
Midnight
Pins and Needles
Lovers End
Happy Birthday
Blue
Video Kid
Red Stars
Forever
Burn Away?
Leaving Tonight
Down?
Alibis


[2012.11.20] The Birthday Massacre - Sleepwalking



[2012.11.20] The Birthday Massacre - Lovers End



[2012.11.20] The Birthday Massacre - Alibis

Monday, July 22, 2013

Quick Movie Reviews


Title: Day of the Dead (2008)
Starring: Mena Suvari, Nick Cannon, AnnaLynne McCord, Ving Rhames
Synopsis: When a small Colorado town is overrun by the flesh hungry dead a small group of survivors try to escape in a last ditch effort to stay alive.
Rating: 1/5

There are so many things wrong with this movie that I'm not sure where to start. It's probably one of the most poorly written and directed zombie movies out there. I don't mind the concepts of zombies being able to love or retaining memories/abilities. Those were all things that George A. Romero tried to add to his films. The biggest problem with this is lackluster performances from the actors. Aside from that, apparently getting bitten by a zombie turns you into full rotten corpse in seconds.


Title: The Odd Life of Timothy Green
Starring: Jennifer Garner, Joel Edgerton, CJ Adams
Synopsis: A childless couple bury a box in their backyard, containing all of their wishes for an infant. Soon, a child is born, though Timothy Green is not all that he appears.
Rating: 2/5

This movie is cute, sad and sweet. Beneath the fantasy, it's about parenting in whatever form it comes in. However, this tends to be too sweet and sappy to really make any clear statement. Everything is simply too perfect even when it shouldn't be. This one might be better shoved in the Disney vault and forgotten. 


Title: Here Comes the Boom
Starring: Kevin James, Salma Hayek, Henry Winkler
Synopsis: A high school biology teacher looks to become a successful mixed-martial arts fighter in an effort to raise money to prevent extra-curricular activities from being axed at his cash-strapped school.
Rating: 2/5

Kevin James plays lazy schoolteacher, Scott Voss, who makes a sudden change in his attitude once the school's music program is cut. The biggest problem is in his choices on what to do in order to earn the money to save the program. Once you suspend belief that he can fight big muscular men, the jokes tend to fall flat leaving little to fall back on.


Title: Man of Steel (2013)
Starring: Henry Cavill, Amy Adams, Russell Crowe, Diane Lane
Synopsis: A young itinerant worker is forced to confront his secret extraterrestrial heritage when Earth is invaded by members of his race.
Rating: 2.5/5

Please check out Miko's full review here. My biggest problem with Man of Steel was how flat the story fell. Superman has always been one of my favorite superheroes. Henry Cavill fits the look of Superman quite well. There were just some big issues with the plot overall. As cute as Amy Adams is, her Lois Lane was very dull and out of place. I enjoyed the flashbacks far more than most of the present day scenes. I would have liked to see more of the interaction of child Clark with his parents and how he'd grown up.


Title: Warm Bodies
Starring: Nicolas Hoult, Teresa Palmer, Analeigh Tipton
Synopsis: After R (a highly unusual zombie) saves Julie from an attack, the two form a relationship that sets in motion a sequence of events that might transform the entire lifeless world.
Rating: 3/5

I was surprised at how much I actually enjoyed this one. When the trailers first came out, I was guilty of expecting it to be Twilight for the zombie genre. Instead, it's more of a comedy with satiric moments. Getting into R's head was done in a decent way that gave insight into his world. It was certainly worth a watch. For a full review, check out the one Miko did over here.



Saturday, July 20, 2013

Review: Stoker


Starring: Mia Wasikowska, Nicole Kidman, Matthew Goode
Directed by: Chan-wook Park
Language: English
Rating: R
Running Time: 99 minutes

I didn't know much about this movie when it was in limited release in theaters. Even coming into it, I only knew the director and not much of a plot. Something about it lured me toward it.


India Stoker recently lost her father and her mother Evelyn decides to invite Charles, India's uncle, to live with them. Uncle Charlie is a very charming character and manages to catch Evelyn's attention. India notices this and she is soon teased by her classmates about her mother and uncle's relationship, while Charles tries to develop a friendship with India. Eventually, India gets pulled into Charles' charming ways and a small tension is created in the house as well as a few twists here and there that alter their relationship.

I must admit that I agree with Eric of Pretty Much It that it felt like looking in on the characters rather than being involved. You don't get a chance to connect with any of the characters or the situation at hand, but that doesn't take away from the enjoyment of the movie. You do get to understand India's hesitation and sudden emotion. Even Evelyn's feelings isn't too out of place, but it is a bit roughly conveyed for me to completely understand her intentions. Luckily, there's not much focus on her and her relationship with India and Charles. That factor takes very little away from understanding and possibly advancing the overall story. The main focus is centered around India and Charles.


I also agree that the visuals are plentiful and appealing. Chan-wook Park is quite good at delivering in that area. They might seem a bit disjointed at times or take you out of the moment, but I believe the purpose was to pull us in the mind of India with small bursts to connect the audience with the character for just a minute. Lastly, I must admit that the opening and ending is very artistically shot, but with added dialogue is a bit puzzling of what the concrete conclusion may be.

Stoker is wonderfully shot and the relationship between India and Charles is intriguing. The dialogue and characters are a little hard to get into, but it doesn't take too much away from the enjoyment of the overall story. It takes some risk and feels like something new in the overwhelming flood of sequels, prequels, remakes, and adaptations that's filling the cinema lately.


Rating: 3/5


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