
Looks like the followers have spoken: X Japan's own leader/workaholic/Cinderella Yoshiki! *claps* Congratulations, Yoshiki! You have the biggest ego in Japan. Now...do you think that ego can contend with Kanye West's. haha






The Japanese duo were the first to open up for the evening. Raveman came out on the stage first to get us all hyped up and started off the music for Exo-Chika to make her entrance. She was gorgeous and seductive and mysterious beneath her mask for the little moment she had it on. They played a few of my favorites and I wished the energy was a little higher and their set was a little longer, but hopefully I'll be able to see them again in the near future. They did interact with the audience a lot, even though I'm pretty sure not a lot of people have heard of them before. Raveman let the crowd push a few buttons on his remote to distort the sound a little and Exo-Chika talked to us some in English. She's so cute~ Toward the middle of their set, more people got into the music and I think the electronic duo felt the energy. During "muriarizumu", they played with each other. Raveman had balloons and Exo-Chika had a little pistol to shoot them within the breaks in the music. It was very entertaining! My friend and I danced a lot and people around us didn't understand until the setlist was coming to a close. Here's my attempt at a setlist for you guys:
I checked out their stuff on YouTube and it was decent. I saw a comment referring them as a gothic Elvis style. I suppose I can agree with that. Their style is definitely for the older folk. The crew adjusted things on the stage and flipped the screen around to a rose and the name "Dommin". They walked past our right side in the gated area leading up to the stage and prepared to perform. They had decent energy. More mature than Aural Vampire's and Kristofer talked to us a few times. It was entertaining watch Konstantine rock out on the keyboard and set the mood for each song with Billy's strong bass. Since I'm not that familiar with their music, I do know they played "Dark Holiday", "My Heart, Your Hands", "Tonight", and Cutting Crew's "(I Just) Dying in Your Arms Tonight".
In the beginning, I thought they were totally jrock influenced or something, but according to this interview with Lacarmina they had never heard of it until people pointed it out. I think Andy (and possibly the other boys) are starting to like it, but let's hope that doesn't happen. ^^; So, they get their visual influence from Montley Crue and make a lot of their costumes. Fine, fine. I thought they'd be okay like Dommin, but looking them up beforehand...totally not my style. My friend and I decided to move from our wonderful spots to save us from the rabidness of the "Bridesmaids". Thank God we did! Insanity. Pure insanity! The crowd went crazy before the long stretch of fabric across the stage was removed and pumped it 10 times over when they started performing. Now I can respect musicians for having that "I don't give a fuck" attitude, but it irks my nerves when that musician is also super cocky and sucks ass at what he does. I'm sorry, BVB fans, I'm not joining you guys on this one. I couldn't tell when one song ended and the other began. Everything sounded the same with the same harsh intensity. It was annoying when Andy kept asking the audience to sing and he'd pull the mic away to sing himself. I'm surprised he didn't get raped when he stage dove too! So, my friend and I commented on their appearance. Joked about how they had fun with Sharpies on Andy's body to make him look hardxcore. I will admit that they had the most over the top performance out of everyone, but I would never see them live again. Too scarring. x_x Obviously, I'm no expert on their music either [and it'll probably stay that way for a very long time], but I know they performed "Knives and Pens" and "Perfect Weapon".
The Birthday Massacre
Chibi: vocals
Rainbow: guitar
Michael Falcore: guitar
O.E.: bass
Owen: keyboard
Rhim: drums
My friend and I moved back to our spots on stage right and awaited TBM to approach the stage. They opened up with "In the Dark", getting the crowd super pumped and the energy just escalated from there. Chibi was all over the place and had this devilish, playful vibe about how she moved and sung. Everything sounded 10 times better in person than a recording, which I didn't think was possible. I felt everything flow inside and out. Deep connection was made, but nothing life changing. Rainbow was an interesting fella to watch spaz about with his guitar and step in occasionally for back-up vocals. Chibi dedicated songs to each band that performed before them and I think they grew closer to Aural Vampire throughout the whole tour, which is awesome! Japan and Canada unite!! So, here's my crazy attempt at a setlist:


I haven't listened to N.E.R.D in ages. I think the latest song I heard was "She Wants to Move". I knew a couple or so of their older songs and some collaboration pieces that Pharrell had done with other artists, but nothing I could sing/rap word for word. Nonetheless, I still enjoy their music and apparently one of my friends that went with me is a bit of a fan of theirs as well. They mostly did songs from their latest album, Nothing, and plugged it a few times, but they did perform "She Wants to Move", "Maybe", "Rockstar", and "Lapdance". They had a ton of energy and more people were willing to get up and move. When they didn't, Pharrell commanded them to get up on their feet and let the music flow through their body. He made us have a little jumping contest from section to section too.
One of my friends and I returned just in time, from the merch table, for the opening with 2-D, Noodle, and Murdoc preparing for the show, then the orchestra played in the background and big glowing letters spelling out "Gorillaz" above them. Slowly people stood up and stared at the big screen above the band's name, the members entered the darkened stage along with a marching band from Chicago, and watched the island appear before us and soon Snoop Dogg in a fancy, gangsta pirate outfit on the screen. He did the first track vocal track of the album to start the show, "Welcome to the World of the Plastic Beach". It was very smooth and perfect. Before I go any further, I have to throw in my imperfect setlist:
Now I guess I'll go down the list of songs and comment on them from what I remember. There were a lot of songs I was happy and a bit surprised they played. They mixed it up from every album they released and we just kept moving and yelling to everything they threw at us. I didn't think the legendary Bobby Womack was gonna show up for "Stylo", but he did and he got down with it! He also did "Cloud of Unknowing". He gave credits to Damon for writing the song and that it was one of his favorites. Someone brought out a stool for him to sit on and he preached it to us. There were a couple people in the back yelling his name. It was great! There were a lot of special little guests that got to be part of their own songs. An Arab-American orchestra did the intro to "White Flag" and immediately the rappers ran out and got us pumped. Damon brought out a giant white flag for the fans up front to hold and wave it around.
They kinda failed and it got wrapped up around the pole. Once they got it open, they had a good swaying motion down for the rest of the song. The adorable Miss Yumiki Nagano of Little Dragon came out and performed a couple songs with Damon, "To Binge" and "Empire Ants". I think she's super cute and I love her voice! "Superfast Jellyfish" had an interesting little video in the background with various fast foods and snacks and of course a goofy little jellyfish. The "Last Living Souls" video ended with the two last men that have been wandering in the desert being zombies, which was an interesting concept. Fell in love with "Dirty Harry", especially with the video they played with the demented Gorillaz-esque kids swaying to the music.
Classics like "Dare" was exciting and I couldn't help not dancing like Noodle in the screen and I adored the vocalist who sung for her. "Feel Good Inc." and "19-2000" had high energy as well and people were excited. The rappers had a lot of fun with the first song and everyone went wild when the guy did his signature laugh for all of us. "Clint Eastwood" was very "wow"! The rappers got us extra pumped for the song and it was great way to close out the show.



The story is about a widower by the name of Shigeharu Aoyama who recently lost his wife to a serious illness. Day in and day out he thinks of the great memories she shared with him and characteristics he admired about her. We learn that he's a simple man and cared for his wife and their son, Shigehiko Aoyama, a lot. In the book, they go further into detail with his grieving stage and fairly close relationship with Shigehiko.
Aoyama accepts the idea, after being assured no legal issues will come of it. He later receives all the applicants' submissions and is advised not to base his decision from photos alone as some women have their photos retouched. So, he goes home, turns his late wife's picture away on his desk, and begins going through the applications. After going through several and feeling a bit restless with the process, he finally finds a submission that catches his eye. This one submission stands out to him so much that the other women don't matter to him anymore.
Aoyama soon asks for Asami's contact information and meets with her. He continues playing along with this audition idea until the time is right to reveal the truth or at least part of the truth. Everything seems normal and Asami gradually feels more and more comfortable with him to the point she encourages him to contact her whenever he has free time. After their first meeting, Aoyama calls Yoshikawa and tells him about their "date". Yoshikawa feels uncomfortable with Aoyama's happiness and expresses his concern of moving too fast in addition to some invalid information Asami gave at her audition. Aoyama inputs the information she gave him from their meeting, but agrees to back off a little and suffers for about a week with no contact. This causes concern among his coworkers and Shige. Eventually, he contacts Asami and they meet again. His energy changes immediately and all future thoughts of her being in his and Shige's life dance around his head again. He soon reveals that she didn't get the part of the movie, develop their relationship a little further than business, and tells her about Shige, after hearing about her background and agreeing to love her and only her.
As described above, this is how both stories go. It is a bit slow paced but eerily intriguing. You hear bits and pieces of Asami's tragic past which you can understand even further after reading the book. Takashi does a wonderful job keeping true to Ryu Murakami's original vision and keeps you on edge of what twisted thing is waiting to be fully exposed at the end. Every detail has a purpose and the book fills in any gaps you might have in your mind when you approach the high rising action.
I'm glad American entertainers acknowledged this great piece of art in 100 Scariest Movie Moments. They give away the ending some, but it's to be expected as "crazy mates" have been an element in media for a while. The reason this was praised was because it was different from the typical secret axe murderer or whatever. This delved deeper and tied it with the common emotion of security and love...or rather being blinded by love.