"What if Kanye made song about Kanye called 'I Miss the Old Kanye'? Man, that'd be so Kanye! That's what it was Kanye. We still love Kanye. And I love you like Kanye loves Kanye!" This quote from the album sort of sums my feelings on Mr. West. I've been a Kanye West fan from his start as a rising rapper with "Through the Wire". I dug him throughout his college series and even loved his emotional switch with "808's & Heartbreak". "My Beautiful Dark Twisted Fantasy" was a grower on me and everything after that has been hit and miss. As an artist, I appreciate his attempts to expand his art, but I can't stand when it hinders his lyrical prowess. Surprisingly, I felt that happened with the collaborative effort "Watch the Throne" and especially "Yeezus". He's been able to have good featured verses here and there which still gave me hope with this ever-changing album.
This ever turbulent quality of Kanye's music career is the very definition of The Life of Pablo. The production side of the project truly mixes everything that Kanye has dabbled with before: boom bap sampled rap, current trap infused hip hop, & experimental beats. On the lyrical point of view, there are glimpses of his clever flows and wordplay, but far more groan-worthy punchlines. Therefore, what you get is a product that is, for the most part, sonically pleasing to the open-minded, but terrible to the trained ear. This will be, without a doubt, one of those divisive albums of the year.
From here on, I must be much more subjective than I've already presented when breaking down the "themes" of Pablo. Going into listening to the album, I had in mind what Kanye has tweeting to describe what he was crafting. Many people feel the Pablo in the title refers to Picasso, since in interviews West has compared himself to among other historical/influential figures. Yet, Kanye actually has tweeted to debunk that line of thinking by explaining Pablo is Paul from the Bible. Later, he explained that TLOP is supposed to be a gospel album. Hence, when I pressed play to hear "Ultralight Beam", I began to take his word for it as it is a song dedicated to God. Once "Father Stretch My Hands Pt. 1 & 2" came in, I tried to my best to fit them in the theme by possibly attributing the bad things Kanye West gets involved with to the sins Paul committed as Saul before he believed in Jesus. It was stretching in my mind already, but I was ready to drop it completely as soon as I heard "Famous" & "Feedback". Next, I'm hit with the possible return to the theme with "Low Lights" and I'm inclined to believe "Highlights" is his celebration of his supposed blessings. "Freestyle 4" thoroughly made me give up trying to connect an overall theme on the album, though. So when I was treated to the interlude that is "I Love Kanye", I almost agreed with the song's initial sentiment until the closing statements I quoted at the beginning of this review. Following that, I just took everything by a song by song basis since, to me, there's no real concept to the project.
There are some good songs, some duds, and then just moments that spoil great songs. This created an okay album in my opinion. I will exit this with some gems like "Real Friends", "30 Hours", & "No More Parties in LA" as well as decent tracks like "Ultralight Beam", "Highlights", "Famous", and "Feedback". The rest are songs that I have to block out parts that ruin the vibe or just wish it was written better, for example "FML", "Wolves", "Pt. 1 & 2", & "Fade". To be honest, I find that I return to this album quite often because, from a production standpoint, I'm kept engaged throughout with a couple song skips which is an easy deletion from the queue on Tidal. I agree with a thought mentioned in a review that I'll link below that this is what "Yeezus" could have sounded like: Weird & Listenable. In conclusion, I would advise everyone to give it at least a listen to see if it works for you. Though, I like to support artists, I don't blame you if don't listen through the "only means" being Tidal. But "So Help Me God", that's just the "Waves". "SWISH"!
The moment I heard Ryan Reynolds finally got the green light to do Deadpool justice after the X-Men: Origins debacle, I got really excited. I've always enjoyed the humor Ryan tended to bring to roles and I always wanted to get the background on Deadpool in film format. Then the teasers and trailers started to be released and my anticipation grew, yet I was slightly concerned. These days, trailers tend to give the best jokes away or even spoil movies. The task now was to see whether the movie had more to offer than entertaining advertisements.
Deadpool is the slightly crazy, quick witted mercenary in the comics and they transferred that straight from the page to the movie. The often self-aware comic book anti-hero is expertly portrayed by Reynolds as he jokes his way through life and the fourth wall, all while killing in style. What's great about the casting is that Weasel played by TJ Miller is also a great source of hilarious laughs. The rest is given through the chemistry between Deadpool anyone he talks to, from cab drivers, enemies, or his love interest, Vanessa.
This love interest is where the story comes in. The movie chooses to weave together "current" times with flashbacks to Deadpool's past as Wade Wilson. After being a small-time mercenary, he runs into a person of interest (Morena Baccarin) who fits right into his world. Right as the relationship begins to lead toward something more serious, Wilson's life seriously takes a turn for the worst with cancer in many vital organs. Though hesitant, he decides to resort to put his hands of a questionable organization and Ajax's experiments to rid himself of his sickness with a side of superpowers. The torturous trials Ajax implements force Wade to mutate in order to cure him. Their time together doesn't end amicably as Ajax intentionally deforms our merc with the mouth, leaving Deadpool seeking his revenge and repair to face his love again.
That revenge plot is the basis of the action of the film that I can honestly say is extremely entertaining as he's not as clean cut as the X-Men who are trying to recruit the new mutant. Every action movie thrives from the fight scenes, but survives from the storyline and this movie executes it fairly well. The pacing towards the middle of movie drags a bit in the origin section, but is overall engaging and in a room full of laughs provides a fun experience. The love story is funny but also heartwarming, and the action is heart-pumping & hilarious. If you enjoy the comic book movies of today and don't mind the language and crude humor, then this is certainly a must watch. I thoroughly enjoyed seeing this in the theater with a full crowd, but I think I could see it by myself and still enjoy it the same. In conclusion, Fox saw Deadpool as a unsure variable for success, yet I'd tell them that "X Gon' Give it to You"!
Imagine that you're a young girl who has been in love with a childhood friend for years and as a sixteenth birthday gift, that crush ends up killing your beloved father. Also, your deceased dad was the ruler of a kingdom that your crush plans on becoming king of. Oh yea! plus after the coup d'etat and escaping your lover turned murderer, you find out you're the reincarnation of the Dragon King that legendarily founded said kingdom. That premise is what got me interested in checking out this series, but there was something I found out that would make watching this different: the first half was subtitled only and the second half was dubbed.
Yona of the Dawn is a fantasy show that is set in a slightly grounded past with castles, clans, and a few myths and legends that most don't believe until they've seen them. Yona, the crimson haired princess, grew up sheltered & pampered and suddenly cast out of the castle along with her childhood bodyguard, Hak. This is all due to her cousin, Su-won, who she developed feelings for over the years. Su-won, despite his kindhearted nature, was the one who killed King Il in order to take over the Kohka kingdom. Since Yona witnessed the act, this challenges her feelings for Suwon who claimed to do for the good of Kohka before she escapes the castle.
Outside of the comfort of her former home, she learns of the ills of her people and how her father's pacifist politics allowed much of it to occur. Along with Hak, she becomes determined to take action to correct her father's effects on the kingdom. Yet, as a naive girl, she runs into an oracle who informs her that there are four dragon avatars across the kingdom who will aid her as she's the Crimson Dragon King of legend. This journey to find the four dragons is what this show chronicles, but where it also ends. Meaning this show cliff hangs with what Glass Reflection would refer to as the "Read the Manga" ending.
Although I wish the show would have continued, what it presents was very enjoyable. The action was pretty standard and the humor was timed very well. The characters in the show are developed fairly well, if not just their relationship with Yona. The obvious childhood romance you get between Yona and Hak is naturally placed, as much of the time they make fun of each other like true friends. The White Dragon, Ki-ja, is the proper, proud-to-serve type which plays well against the Green Dragon's, Jae-ha, flirtatious, free spirited demeanor. Then the other archetypes come from the Blue Dragon, Shin-ha, as the sweet, but intimidating mold and Yun "Boy Genius" as the sassy caretaker. The time spent gathering each of these characters into the plot is quite enjoyable as Yona gains more resolve to effectively help the people in the kingdom.
The reason I wish it continued, though, comes from a subplot episode that focuses on what Su-won is doing as the new king of Kohka. Through that one episode in the second half of the series and the few moments peppered throughout the rest of it, we see what his true intentions are for the kingdom's future. It's an extremely intriguing story line to go into depth of, and how it connects to Yona's adventure would be fun to explore. Especially since we learn the next major phase is about to begin, soon after Yona's anti-climatic recruitment of the Yellow Dragon, Zeno.
This show kept me quite entertained throughout, and if you enjoy a simple action show set in a slight fantasy setting, I can recommend this show. It doesn't have too many faults in mind, it just takes getting used to the dub if you switch at the halfway mark. The dub isn't bad at all, and the soundtrack is also well done with a mix of traditional Japanese music to fit the time period and current music. The animation is up to par with current shows of this nature, but don't expect the super fluid fights scenes of the likes of One Punch Man or The Asterisk War. On MyAnimeList.net I have rated this a 9, since the story was rather solid, yet hindered by ending when much more story could be told. In the current economy, I understand why more hasn't been animated though. This may be the dawn of me picking up manga again...
Starring:Jocelin Donahue, Tom Noonan, Greta Gerwig, Dee Wallace
Directed by:Ti West
Language: English
Rating: R
Running Time: 95 minutes
In 1980, Samantha is a college student who's desperate to move off campus due to having a bad roommate. She's found the perfect apartment, but she doesn't have quite enough money to put down a deposit. Thankfully, the landlady is willing to give her a few extra days to come up with the $300 needed. She answers an ad for a babysitting job to try to earn the money she needs. Of course, the potential employers are strange people in a big house. To make it more interesting, it's the night of a lunar eclipse.
Samantha's friend, Megan, agrees to drive her to the house and pick her up after the babysitting gig is over. Our heroine learns that she'll be taking care of the homeowner's elderly mother instead of a child. If she agrees to do it, they'll pay her double the money. This should be a super easy job because Mother really likes her privacy! All Samantha will have to do is sit around and wait for a few hours. What can it hurt? It's easy money.
There's a lot of nostalgia in House of the Devil. Despite being filmed in 2009, the film looks and sounds very much like the horror of the 1970s and '80s. This is achieved by use of props, costume design and even the cinematography. I'm fairly sure this was filmed using 16mm as well. It's easy to assume that writer/director Ti West is a big fan of Tobe Hooper and other iconic directors of that era. The film even begins with text claiming that the plot is based on true events much like Hooper's The Texas Chainsaw Massacre.
Overall, the problems for me come in where the plot is concerned. The film is very heavy on style and thin on plot. Samantha prances around the house with hardly anything happening in the first hour. There's nothing wrong with a slow paced plot. However, there has to be some exposition to carry the narrative along. Don't get me wrong. I like movies where the horror is mostly seen off screen.Those things that go bump in the night fuel more nightmares when my imagination is left to fill in the blanks.
When events do start happening in the last twenty minutes, it causes the entire ending to feel very rushed. The plot should have been building to this moment. Where were the indicators that something more was amiss? Are we supposed to fill in these blanks on our own? The final scene in particular felt as if it was merely tacked on with the hopes of landing a chance at a sequel. Any extra points I would have given for direction or style have been taken back due to the rushed plot.
This Throwback Thursday I wanted to do a little something for Black History Month by reflecting on my childhood and high school years. From my perspective, it seemed like the 90's was full of racial diversity compared to now, although it feels like sitcoms are becoming a little more diverse. While reading up some history about black sitcoms, it seems as though I grew up in the rise of black sitcoms, which proves my own personal point that we were truly spoiled in the 90's when it came to entertainment. In this post, I'll comment on some black sitcoms that I used to watch back in the day and even currently.
It's another year for kpop idols to claim their year end paper weights of fan achievements and bribery! I guess it's become tradition for me to cover the MAMAs every year and obviously, I'm not making a vlog about it. Why? Because I'm sure someone's covered the flaws, surprises, and wtf moments of the show already. Sure, there's plenty of criticisms I could point out to lure out the trolls, but instead I'll shake up the kpop fanbase by not including their faves in my list this year. So! Get your fingers ready for paragraph long comment on why I didn't include [insert idol/group] in my post. Here we go~
CL - The Baddest Female Song(s): HELLO BITCHES
I'm probably going to receive a lot of criticism for this one and most likely not because I listed CL on here. I know she gets criticism on her own. No, I expect some criticism for only including CL's performance and not the reunion of 2NE1. While I was excited to see the quartet united on the stage together performing one of their older songs, "Fire", I wasn't all that impressed with their unpolished presentation. I've seen better. But let's focus on their leader and how she can easily own the stage with a blase song. Yeah, I don't particularly care for "HELLO BITCHES" (or even "Dr. Pepper"). It's a trap mess that somehow I don't feel nauseous over like "It G Ma". Maybe it's the delivery, the attitude, the style, or just...y'know the fierce diverse female dancers slaying the stage. They work very well together and it makes the song bearable and even...as the kids say, lit.
Jessi - Tough Enough Song(s): Sseununni
While Jessi didn't have the fierce choreography as CL's stage, I didn't mind it. The problem I have with Korean rappers being on live shows on TV is that it seems like choreography is a requirement, which is annoying. This performance proves that the dancers could basically do whatever they want and still be synchronized. It's not strictly choreographed and it goes well with Jessi's casual, freestyle movements as she raps. She really owns the stage all on her own. Whether you believe she's as hardcore as she presents herself or not, I believed this fiercely passionate performance from her. The stage was really hers for the taking.
San E - Tough Enough Song(s): Do It For Fun
Not one of my favorite San E songs from 2015, but he took a risk performing all alone and...I think he made the right choice. There were no back-up dancer distracting from the wild energy San E brings to the stage lyrically and physically through majority of the performance. He just seemed like a free spirit getting into his own music and losing himself in his own ego. I really wished the crowd and idols got more excited about this amazing, spitfire solo performance. There really should be more appreciation for hip-hop acts at the MAMAs, because they've had some outstanding performances on their stage and such little vocal appreciation from the audience.
Jolin Tsai - Queen of the Night Song(s): Play
Much like Koda Kumi in 2011, I feel like the MAMAs needs more international Asian "queens" in the building. I was very much excited and surprised to see Jolin Tsai on the stage and while her performance wasn't the most hype, she delivered a satisfying performance with "Play". I loved that she had these beautiful men in high heels backing her up, while she tried to balance her singing and dancing in this great song. I wish she was able to do more on the level of Koda Kumi, but what we were given made me happy enough.
SHINee - Marvelous Song(s): Savior & View
It's crazy how much this group has grown on me. It's so crazy that I should dedicate a whole post to it at some point, but let's focus on this performance. From the pre-recorded introduction, I knew something magical was going to happen on the stage. Whether I got into them more or not, I was confident in the stage presentation. SHINee is a reliable group when it comes to vocal and choreography skills in live settings. The performance starts with a Jonghyun solo: briefly on the piano and some dancing with floating light fixtures, then the rest of the members appear in idol cases. Since I'm still majorly behind on listening to music, this was my first listen of "Savior". Not their strongest song, but they tried their best to raise the energy and show off their vocal talents, despite bad audio management. I was happy to hear "View" live for the first time. I felt the same energy and maturity as I did when I watched the music video for the first 5 times. In short, another solid performance by SHINee.
MONSTA X & SEVENTEEN -The Boys Song(s): Trespass & Mansae
I'm still surprised that I decided not to include GOT7 and BTS's collaboration stage. I enjoy both groups greatly, but it didn't pan out as I thought it would. Last year's BTS collaboration was on point and hopefully, I'll go back and make a post on 2014's MAMAs, which I have no idea why I didn't make a post at all. I think I'm more surprised how well this collaboration came together as both groups seem so opposite of one another concept wise. MONSTA X didn't hold back with their debut track, "Trespass". It was bombastic and full of energy. Not as smooth of a transition audibly, but worked with this sweet vs. bad concept they had for this stage, SEVENTEEN went with their latest release at the time, "Mansae". While I don't enjoy it as much as "Adore U", for some reason I enjoyed watching this live more than I did when I first watched the music video. Yes, school stages have been done hundreds of times, but they did a great job with it as well. It was a charming and energizing stage. The rap break after felt like a response to SEVENTEEN's cuteness and I loved every minute of it, flaws and all, but the best part was the choreography during and after it. SEVENTEEN killed it! Overall, they worked very well together and it was pleasantly unexpected.
Surprise, surprise! Psy is on my list. No, I haven't jumped on the Psy bandwagon yet, but I have to admit that the man knows how to bring his world onto any stage he steps on...or at least the couple performances I've seen on the MAMAs. "Napal Baji" brings a fun disco Vegas feel to the stage with flashy lights and disco inspired dance which some kpop fans may recognize from the chorus of T-ara's "Roly Poly". Out of the two new releases, this one was my least favorite, but it was enjoyable enough for me to listen to it a couple times. The light effect dub step break between songs was pretty cool, even though it wasn't perfectly synchronized, but it brought both songs together nicely. "Daddy" was a song that's hard not to enjoy with its high energy and catchy beat. The dance is also a little infectious as well. Honestly, I could feel myself feel a little hype build inside when this song came up. Psy really works his body out during this song and I give him major kudos throughout the whole performance. Of course, he couldn't leave the stage without performing his viral hit "Gangnam Style", which manages to carry the same high energy and fun as it did when it was first released. It was nice to see the other idols and presenter let loose and enjoy the music together.
Big Bang - Truth + Dare Song(s): LOSER, BAE BAE, & BANG BANG BANG
No matter how underwhelmed I felt about Big Bang's new material, I always seem to find a place for them on my MAMAs list. One thing they excel at is stage presence. They know how to bring the house down and the energy threw the roof. While I don't completely dislike the songs they released last year, it was fun watching them perform them for this "prestigious" award ceremony for the fans. "LOSER" presented a beautiful emotional performance that I rarely see from the group and I really enjoyed the set up with the lights and the members facing different directions toward the crowd. "BAE BAE" gave the crowd some sex appeal with a dash of fun in the chorus and of course, most people's favorite moment, Seungri sitting on EXO's Sehun's lap as he delivered his verse. Much like "Fantastic Baby", "BANG BANG BANG" was the grand finale of energy, making the stage their own personal party. The highlight of that performance were the female dancers during the intro. They were amazing and slayed the choreography harder than anyone else on the stage.
Zion.T x Kim Seol Jin - Bridge of Memories Song(s): Yanghwa BRDG
Every year, I go blindly into MAMAs not knowing who's performing and after seeing this performance, I'll most likely keep it that way. Seeing Zion.T on stage, let alone in the building, was a huge surprise for me. I feel like the mainstream doesn't appreciate his artistry and I'm happy he stayed true to himself in this performance of "Yanghwa BRDG". It's a song that I might've listened to twice at most, not because I dislike it but because it's slower than his usual tracks and those I listen to less often. I did watch this whole performance, because it's Zion.T. I was happy that the crowd went crazy within the first few notes. Hearing Zion.T's soulful voice and the piano echo throughout the venue really hit my heart and soul. It was truly perfection and passion. I'm assuming Kim Seol Jin is the dancer and he really brought out the emotion and passion that Zion.T expressed in his voice through his body. I enjoyed the interactions between him and the onscreen illustrations. Truly, this was the best performance of the evening.
Jane has a theory about why men leave women; a bull never mounts the same cow twice. Eddie is a womanizer, who seems to embody everything Jane believes is wrong with men. Is she right? Are all men animals? The strength of this film is entirely on it's cast. Ashley Judd and Hugh Jackman carry this plot on their capable shoulders. It's their chemistry that really makes the film.
The Wedding Date (2005, USA) | Rating: 3/5
Kat has a problem. She's single and in need of an impressive date for her pretty, younger sister's wedding. The best man is none other than the former fiance who broke her heart. What's a girl to do? Hire a handsome escort to accompany her. This is another example of a film that's held together by it's leading cast. It simply wouldn't work without Debra Messing and Dermot Mulroney. Debra gives Kat a loveable, somewhat confused, but hopeful nature. She wants to find love and be loved. Dermot plays Nick with a reserved, cool charm that saves the character from becoming too cartoonish.
The Decoy Bride (2011, UK) | Rating: 4/5
Lara is a famous actress who's trying to marry her writer fiance. However, the paparazzi keeps getting in the way. When Lara and James find a small island to get married at, they never expect the locals to call the press. Will having a fake wedding give the couple a chance to marry in peace? Katie, a broken hearted local girl, ends up involved in the mix. There's a lot going on in this one. It pokes fun at celebrities while fulfilling all the needed aspects of a romantic comedy. Kelly Macdonald is absolutely adorable. Have you ever wondered what Doctor Who would be like in a romcom? Here's your chance to know.
13 Going on 30 (2004, USA) | Rating: 3/5
Thirteen year old, Jenna wants to be popular and believes she will be when she's thirty. When magical dust grants her wish, she learns that 30 isn't what she expected at all. The strength with this one is all in Jennifer Garner. This is probably her best, cutesy performance. 13 Going on 30 is a romantic 'be careful what you wish for' tale. Most of the time, it certainly doesn't end up how you imagined it would be.
Can't Buy Me Love (1987, USA) | Rating: 3/5
1980s romantic movies are some of my favorites. Films like Sixteen Candles and Pretty in Pink were the ideal of what romance was supposed to be. Can't Buy Me Love falls into that category quite fully. Ronald is a nerdy teenager, hoping to buy a telescope with the money he's saved all summer. When he sees that Cindy needs money to replace an outfit she ruined, Ronald offers to rent her in order to get popular. This movie was probably the first I can remember with Patrick Dempsey. He would go on to become a dreamy doctor in Grey's Anatomy, but first he was nerdy Ronald. Who wouldn't hope that you'd have a chance to win the heart of a popular girl and make friends?
Oh, where to start with this girl? My first impression of her original work was her EP, Handmade Songs by Tori Kelly that she wrote, produced, and released herself. Then after falling in love with her soulful and positive vibe, I did my research and found out that she used to be a contestant on American Idol. Proceeding her time there, she started writing and performing covers on YouTube and steadily grew her following. The EP, strongly led by the single "Confetti", brought her to Scooter Braun and signing to Capitol Records. Her major label debut came in the form of another EP with Dear No One as the standout track which set the perfect stage for this first full LP.
This album, Unbreakable Smile, I'm reviewing now because this has been re-released with two additional tracks. The original version came out last summer with the smash single, "Nobody Love", and followed by "Should've Been Us". These songs, along with the title track, solidified what to expect from this little California girl: uplifting lyrics with a 90's R&B and Pop flair delivered with powerful vocals. With comparisons to JoJo, you can sense a general idea of what you will hear. The great thing you get with this project is a mixture of upbeat songs, endearing ballads, encouraging tunes, and introspective music about life. Seriously, this the kind of album you can turn on and enjoy the ride, with a few guests to carpool like Ed Sheeran and even LL Cool J!
Her Best New Artist Grammy nomination is well deserved as you can tell from this collection of music. The addition of the two songs is nice for those who weren't already in possession of the first version, but a simple purchase of them would suffice. "Hollow" is a grand song in dedication to God in notice of how nothing would be possible without Him. "Something Beautiful" on the other hand is a jazzy, feet-tapping ditty that is the embodiment of positive reinforcement. These songs still fit in well with the original tunes like "Funny" that is played live and displays her raw feelings about trying to maintaining integrity and hope when it seems the hardest to do so.
I certainly can recommend this project to anyone who likes feel-good pop music with a throwback vibe. Personally, my standouts would include "Funny", "Something Beautiful", and "Unbreakable Smile" as mentioned before. Yet, my absolute favorite would be "Talk" with its rhythmic guitar chord progression and hypnotic drum pattern paired with her lilting vocals over the verses. The small change up for the bridge is to die for when it comes to its melody for me and I can't help but replay this song about being upfront & communicating with the ones you love. Her whole aura exudes bringing happiness to the world, and that's a message I would always support. It helps it sung so expertly with her powerful and well trained voice of an angel.
Young or old, the Peanuts franchise has been part of your childhood or is currently part of your childhood. When a Peanuts movie was announced, I was a little worried that it would end up like most nostalgic properties: dumbed down and delusional. Fortunately, the movie offered a good balance of fast paced action and dialogue for the kiddos and nostalgia for the older crowd who remember the comics and shows from back in the day. The shift to CG animation didn't detract from the comics classic style and showcased a great variety of colors and emotions for the characters that'll keep audiences smiling. In short, the movie was very satisfying and should be a lesson on how to take a nostalgic property and make it entertaining for all ages.
The Loft (2015, USA) | Rating: 1.5/5
I've never heard of this movie, until a co-worker recommended it to me. And boy, *sighs* I was not amused. The story seemed promising and the actors gave me hope, but I ended up mostly frustrating with actions of the selfish, dumb characters and the conclusion just made me facepalm...hard. While a couple of the men were quite charming, despite them being pigs too, the others' selfishness and level of infidelity mostly overshadowed any bit of good they had. I know that was probably the point of the story, but if we were supposed sympathize with at least one of the characters even a little bit, the movie failed to provide that. I later learned by a friend that this movie is a remake by the same name and I'm not really persuaded to really watch it. I'm sure someone will like this movie, like the co-worker who recommended it to me, but for someone like me, I found it more frustrating, annoying, and stupid.
Dope (2015, USA) | Rating: 3.5/5
Sometimes you just gotta give a little known indies film a chance and enjoy yourself. As a POC [surprised? lol], I was expecting this movie to connect to me personally on some level and...it did. While I didn't grow up in a dangerous neighbor with drug deals, gangs, or anything, I could still relate to the characters not fitting into the societal norms of what "black" is. While the movie doesn't completely focus on the awkward struggle of blackness, it does play a part in the narrative and the situation for our main character Malcolm. His relationship with his friends, a beautiful girl, a stranger with a hefty deal, his academic future, and his morals keep you rooting for him and wanting to him succeed in this crazy and unfortunate situation. It's funny and entertaining and sometimes unbelievable, but I feel that anyone could enjoy this indie flick and take something away from it.
Hidden (2015, USA) | Rating: 4.5/5
Alexander Skarsgård + zombies = a good time for Miko.
Yes, I shamelessly watch certain movies for the actors, whether they're good or bad. Haven't you seen the countless Johnny Depp movies I powered through? heh Anyway, I expected this straight to DVD release of horror to be bad with some lovely eye candy, but surprise, surprise! I actually enjoyed this post-apocalyptic/infection flick. I saw a preview for it and it actually looked interesting, although I had some doubts that it'd be anything worth recommending. The story is a slow build of mystery as the characters remain underground for a good majority of the movie, but once they go above ground, you have no idea what to expect. Is it zombies, aliens, strange creatures, the government? The unknown on the surface really keeps you engaged and even when they arrive on the surface, the action doesn't hesitate to pick up. Things go so fast, you almost have to double back to figure out what the heck is going, but really, it's easy to keep up with the twists and turns of this thriller. Check it out for not only Mr. Skarsgård, but the fabulous, exciting story and brilliant character development.
Final Girl (2015, Canada) | Rating: 2.5/5
Since it was around the time Scream Queens and American Horror Story: Hotel were still on air, it was interesting seeing a movie starring both Abigail Breslin and Wes Bentley together. Granted I have seen her in another horror movie by the name of Maggie recently. Anyway, I didn't expect too much from this flick as it didn't seem to have that emotional touch that Maggie did, but it was definitely entertaining. I think if the writer(s) put more effort in the details of Breslin's backstory and motivation, then I think this movie would be even better. The movie isn't terrible in the least, but it isn't something I would recommend strongly. The story is weak and it requires you to turn your brain off while watching. There's not much depth in the plot and you simply have to take what's given to you. With quick execution, it does successfully cover the basic points of the plot and that at least makes it fun.
If there's something you want me to review (or want a more in depth review of the movies above or previous ones), check out this post on how you can submit requests.
